Nicky Spence is a Scottish tenor, opera singer and performer who has brought accessibility, authenticity and pure joy to one of the world's most elite art forms.

From performing at the BBC Proms to international opera houses, Nicky has built a career on refusing to be confined by traditional operatic moulds. As a vocal athlete who can fill ginormous spaces without a microphone and a gay Scottish man who has turned his "unconventional" appearance into his greatest asset, Nicky represents a revolution in how we think about who gets to be an opera singer.

On this episode of The Pieces, Bimini and Nicky dive into the formative moment that changed everything. They discuss his training for ten years - only to discover that he had to become the person he actually was, instead of who he had been told to be, to reach new career heights.

The conversation touches on opera as drag - the wigs, costumes, makeup and bold presentation - and why he gets to play the really interesting, repugnant characters rather than sappy Prince's because he doesn't fit the traditional mould.

Nicky passionately advocates for funding the arts, accessibility in opera, and why creating barriers to opportunity means missing undiscovered incredible gifts. They also discuss the stark difference between France's annual funding for opera versus the UK's constant defunding, and why art should be a human experience of communion, not an exclusive elite event.

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