『Priceless Crimes』のカバーアート

Priceless Crimes

Priceless Crimes

著者： Creator at Obomedia
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Ever wondered about the untold stories behind history's most audacious art heists? Priceless Crimes uncovers the thrilling world of stolen masterpieces and the cunning minds who take them.

Join us as we delve into the shadowy realm of art theft, exploring everything from legendary museum robberies to intricate forgery schemes. We go beyond the headlines to reveal the meticulous planning, dramatic escapes, and often shocking fates of priceless artifacts.

New episodes arrive daily, Monday through Sunday, at 9:00 AM, bringing you a fresh dose of high-stakes intrigue. Each installment offers meticulously researched narratives, presenting a gripping account of the world's most infamous art criminals and the detectives who hunt them.

Priceless Crimes is for anyone fascinated by unsolved mysteries, true crime with a sophisticated twist, and the allure of hidden treasures. If you're captivated by the intersection of art history and criminal enterprise, this is your ultimate destination.

Subscribe now and unlock the secrets of the art world's greatest capers.© 2026 OBOMEDIA Creators
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  • When Two Meridians Appeared: The Garden's Invisible Bronze Switch

    When Two Meridians Appeared: The Garden's Invisible Bronze Switch
    2026/07/24
    When Two Meridians Appeared: The Garden's Invisible Bronze Switch

    A quiet public garden held two identical bronzes-one on its plinth, one sitting in eight inches of standing water-each bearing the plate Meridian E. Poole 1967; how could a forgery survive a professional authentication and a donor’s dedication ceremony without anyone noticing? What single misstep exposed a months-long swap engineered down to a three-eighths-of-an-inch tolerance?

    In this episode, we follow the discovery and early inquiry into a clandestine replacement at a sculpture garden and trace the physical clues that unravel who made the replica and when. How did bolt-hole patterns, epoxy fills, and a slow drain turn a routine maintenance call into the linchpin of the case?

    Person: Harmon Delacroix
    Date: November 9, 2011
    Location: Aldermoor Sculpture Garden, Dellwick County
    Person: Eleanor Poole
    Investigator: Sarah Webb

    - Two identical bronze sculptures were found forty feet apart, one on its plinth and one in eight inches of standing water.
    - The bronze on the plinth had been on display for forty-seven days prior to the discovery.
    - The rain-exposed plinth showed four bolt holes arranged in a rectangle measuring nine inches by five and a half inches.
    - Webb measured a displacement of three-eighths of an inch between existing anchor holes and faint circular scars filled with gray epoxy.
    - Eleanor Poole cast Meridian in 1967 using a ferric nitrate patina applied across three sessions.

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    2 分
  • The Painting That Was in Two Places: The Sycamore Inlet Swap

    The Painting That Was in Two Places: The Sycamore Inlet Swap
    2026/07/24
    The Painting That Was in Two Places: The Sycamore Inlet Swap

    A painting found dry on a rain-soaked service road was identical to one hanging inside a Pennsylvania museum - same size, same creek scene, same artist - yet one canvas had been documented as developing a stress-fracture network that later disappeared from the files. How can a painting with visible cracking in 2018 appear uncracked in photos dated April 2019, and what does that erasure reveal about who had unsupervised access to the museum's collection?

    In this episode, we lay out the timeline, the condition reports, and the access logs that surround the Aldermoor Museum's Sycamore Inlet, asking whether the object found outside and the object on the wall were ever the same painting.

    Person: Harlan Vess
    Date: October 11, 2019
    Location: Aldermoor Museum, Gallery Four, Pennsylvania
    Person: Donna O'Brien
    Person: Ruth Fleming

    - The painting Sycamore Inlet is 18 inches by 24 inches, unframed, painted in 1941.
    - Donna O'Brien found a painting between condenser units at 6:40 AM on October 11, 2019 and called the museum at 7:12 AM.
    - The museum's Sycamore Inlet had hung in Gallery Four for 11 years before the October 2019 discovery.
    - Ruth Fleming held the Aldermoor conservation contract for 9 years and had submitted a treatment recommendation in February 2017.
    - Storage corridor climate logs show a two-hour gap on the night of September 28, 2019 from 11:18 PM to 1:22 AM logged from an IP address associated with the conservator's work.

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    2 分
  • The Smell That Exposed a $114,000 Art Forgery

    The Smell That Exposed a $114,000 Art Forgery
    2026/07/24
    The Smell That Exposed a $114,000 Art Forgery

    The smell of linseed oil solved what paperwork could not: a supposedly harmless reproduction was bleeding fresh paint through its crate, and one of two identical river paintings in New York suddenly threatened to expose a $114,000 fraud. How did a teenager with a broom and an investigator’s margin note connect a decades-long provenance gap to a modern forgery?

    In this episode, we follow the discovery and early investigation from the warehouse floor to the Art Forgery Register’s notes, tracking the clues that turned a routine consignment into a high-stakes authenticity question. Which of the two paintings was genuine, and what did the shipping details and the wet oil reveal about the forger’s calculation?

    Person: Leon Brown
    Person: Marcia Weber
    Date: September 7, 2011
    Location: Bay Twelve, Kellner Industrial Warehouse, Queens
    Event: Lot 214 - Low Water at Hadley's Reach listed at Christie’s

    - Leon Brown was fifteen years old when he detected the linseed oil smell while sweeping between Bay Twelve and Bay Twelve.
    - The crate had arrived on September 3 from a freight agent in Quebec and was stenciled “Decorative Print - Reproduction - No Commercial Value.”
    - Christie’s Lot 214, Low Water at Hadley’s Reach attributed to James Ott, was estimated at $90,000 to $130,000.
    - A 1994 Vermont auction record showed the same titled work sold for $11,000 to an anonymous private collector.
    - Marcia Weber photographed the uncured paint bleed, the shipping label, and the stenciled lot number before the crate was opened.

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    2 分
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