Anansi's Gold
The Man who swindled the world. WINNER OF THE JHALAK PRIZE 2024.
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ナレーター:
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Jude Owusu
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著者:
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Yepoka Yeebo
Winner of the Jhalak Prize & Plutarch Award | A New York Times, New Yorker, Washington Post, Newsweek, TIME Book of the Year 2023
‘Fabulously entertaining’ Daily Telegraph | ‘Perfect for fans of Frank Abignale Jr.’s Catch Me If You Can’ Publishers Weekly
The astounding, never-before-told story of how an ingenious Ghanaian con artist ran one of the 20th century’s longest and most audacious frauds.
When Ghana declared independence from Britain in 1957, it immediately became a target for opportunists determined to lay hold of whatever assets colonialism hadn’t already stripped. The military ousted the new nation’s first president, Kwame Nkrumah, then falsely accused him of stealing the country’s gold and hiding it overseas.
Into this story stepped one of history’s most charismatic scammers, John Ackah Blay-Miezah – a con man to rival the trickster god Anansi. Born into poverty, Blay-Miezah declared himself the custodian of an alleged Nkrumah trust fund worth billions. You, too, could claim a piece, if only you would help him rescue it – with a small investment. Over the 1970s and ’80s, he grew his scam to epic proportions, amassing hundreds of millions of pounds from thousands of marks all over the world. He baffled Henry Kissinger, scandalised Shirley Temple-Black, and had Nixon’s former attorney-general at his beck and call. Many tried to stop him, but Blay-Miezah continued to live in luxury, protected by ex-SAS soldiers while he deceived lawyers, businessmen and investigators around the globe.
In Anansi’s Gold, Yepoka Yeebo chases the ever-wilder trail of Blay-Miezah – and unfolds a riveting account of Cold War entanglements and African dreams – revealing the untold story of the grifter who beat the West at its own thieving game.
批評家のレビュー
Through meticulous and shrewd reporting, Yeebo breaks down the many reasons why Blay-Miezah’s claims were too enticing for even the most sophisticated marks to ignore . . . Anansi’s Gold is an enthralling rags-to-stolen-riches story, a thrilling true-crime caper, and a sharp indictment of a world that allows scammers like Blay-Miezah to thrive
Fabulously entertaining . . . like all good biographies of artists, Yeebo’s book conveys the uniqueness of his personality while also showing how his art was forged in, and fed the requirements of, the times in which he lived (Jake Kerridge)
In her thrilling new book, Yepoka Yeebo tells the jaw-dropping story of a man behind a scam called ‘one of the most fascinating – and lucrative – in modern history’ . . . meticulously researched
Yepoka Yeebo’s riveting Anansi’s Gold traces the outlines of Blay-Miezah’s life, shedding light on how he perpetrated his deceptions for years while living in incredible opulence. The author delves into archives across the Atlantic, digs up criminal proceedings and conducts interviews with victims and associates alike, in the process telling us not just about Blay-Miezah, but about the world that enabled him to thrive
The remarkable story of John Ackah Blay-Miezah, a charismatic Ghanaian huckster who for two decades masterminded what she plausibly calls “one of the greatest con artists of all time” . . . The book is crisp and well-told, brimming with vivid scenes and colourful writing (Aanu Adeoye)
This compelling story of a charismatic conman who fooled thousands . . . This is a glorious tale of greed, exploited by an astonishingly brazen fraudster (Ian Birrell)
Blay-Miezah is a contender for the world’s greatest con artist . . . Ms Yeebo had to dig tenaciously to reveal the full story . . . Anansi’s Gold is a welcome, if belated, addition to the canon on great swindlers
As Yepoka Yeebo makes clear in her richly entertaining account of [Blay-Miesah’s] rise and fall, he combined charisma and a silver tongue, attracting both the greedy and the idealistic . . . She has a sharp eye for droll detail and is especially successful in evoking the two decades that followed independence – a glitzy but sleazy world of nightclubs and casinos “where the champagne flowed, even when the electricity did not” (Henry Hitchings)
Reading Anansi’s Gold is like watching a heist movie in agonising slow motion. It’s all about improvisation, unforced error, unlikely escape
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