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『Almost Brown』のカバーアート

Almost Brown

著者: Charlotte Gill
ナレーター: Seema Doad
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批評家のレビュー

“Brilliantly observed and astute with sharp and tender character descriptions, Almost Brown is a gorgeous telling of a complicated family history and an essential exploration on race and belonging. Gill writes with her multifold gifts of lyricism, sly humor, and an expansive understanding of what it means to have your entire identity marred by generations of dysfunction, racism, diaspora, and childhood instability. Here is a memoir teeming with abundant heart, truth, and grace, as narrated to us by an expert writer with dazzling vision.” —Lindsay Wong, author of The Woo-Woo and Tell Me Pleasant Things about Immortality

“Moving. . . . In lyrical, near-poetic prose, Gill uses [the relationship between her and her father] as a springboard to touch on themes of belonging and identity-making relevant to anyone who has ever struggled to place themselves within their own lineage. . . . Readers should expect to have their heartstrings tugged.” Publishers Weekly

“Charlotte Gill fearlessly examines the complexities and subtleties of growing up mixed race, offering an exploration of identity and belonging that is beyond skin tone and nationality, and a sharply observed commentary on one's own privilege and bias. This wonderfully written memoir is also a loving tribute to Gill’s father, a character she evokes with tenderness and nuance. Intimate, moving, and whip-smart, Almost Brown dazzles with humour and heart.” —Ayelet Tsabari, author of The Art of Leaving

あらすじ・解説

An award-winning writer retraces her dysfunctional, biracial, globe-trotting family’s journey as she reckons with ethnicity and belonging, diversity and race, and the complexities of life within a multicultural household.

Almost Brown is that rarest of things: a memoir that is both deeply intimate and intellectually ambitious.”—Susan Orlean, author of The Library Book

Charlotte Gill’s father is Indian. Her mother is English. They meet in 1960s London when the world is not quite ready for interracial love. Their union results in a total meltdown of familial relations, a lot of immigration paperwork, and three children, all in varying shades of tan. Together they set off on a journey from the United Kingdom to Canada to the United States in an elusive pursuit of life, liberty, and happiness—a dream that eventually tears them apart.

Almost Brown is an exploration of diasporic intermingling involving two eccentric parents from worlds apart and their half-brown children as they experience the paradoxes and conundrums of life as it’s lived between race checkboxes. Their intercultural experiment features turbans and tube socks, chana masala and Cherry Coke. Over time, Gill’s parents drift apart because they just aren’t compatible. But as she too finds herself distancing from her father—Why is she embarrassed to walk down the street with him and not her mom?—she doesn’t know if it’s because of his personality or his race. Is this her own unconscious bias favoring one parent over the other in the racial tug-of-war that plagues our society? Almost Brown looks for answers to questions shared by many mixed-race people: What am I? What does it mean to be a person of color when the concept is a societal invention and really only applies halfway if you are half white? Eventually, after years of silence, Gill and her father reclaim a space for forgiveness and love.

In a funny, turbulent, and ultimately heartwarming story, Gill examines the brilliant messiness of ancestry, “diversity,” and the idea of “race,” a historical concept that still informs our beliefs about ethnicity today.
©2023 Charlotte Gill (P)2023 Random House Audio

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