『Dishonest Days』のカバーアート

Dishonest Days

From the Booker Prize-longlisted author of The Kills

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期間限定:2026年10月19日(日本時間)に終了
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Dishonest Days

著者: Richard House
ナレーター: Nicolette Chin, Justin Avoth
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10月19日まで。※適用条件あり
'A work of genius . . . You’ll leave it galvanized' - LUKE KENNARD, author of BLACK BAG

Dishonest Days is a dazzling, continent-sweeping novel of conspiracy and revenge from the Booker Prize-longlisted author of The Kills.

1986, the Laos–Cambodia border.
Fourteen women drown in an accident, all of them participants in a drug trial for Panzet Pharmaceuticals. Scattered between their bodies, boxes of Aspinex DP1024, the unstable and highly addictive variant of a painkiller sold by Panzet. Their deaths are covered up, along with the drug’s harmful side effects.

Cuna, Colombia. West Core, an American mining company, funds the worst excesses of the Colombian civil war, laundering money for the cartels. The company forces 35 miners to smuggle a cache of emeralds into the United States: their backs are cut open, the jewels inserted into the flesh, and stitched closed.

Edgerton, Wyoming. Peter Norstrom, an employee of West Core, dies of an AIDS-related illness after his employers cut his health insurance in a petty act of revenge. His lover Tom Gellert, seeks retribution.

At the heart of all this sit Richard and Patsy Wildemann, the reclusive billionaire owners of Panzet and West Core, who profit from war and disease while laundering their reputations through art and philanthropy.

Dishonest Days is an epic and gripping novel about drugs, emeralds, and those swept up and screwed over by powerful people.

‘House’s writing is spare and compelling’ The Guardian
‘A writer at the top of his game’ Los Angeles Times
‘With a single observation he can give lasting resonance to a few seconds of human awkwardness . . . beautiful’ The Times Literary Supplement

©2027 Richard House
LGBT スパイ・政治 スリラー・サスペンス 世界文学 政治 文学・フィクション
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批評家のレビュー

House's writing is spare and compelling
A writer at the top of his game
With a single observation he can give lasting resonance to a few seconds of human awkwardness. House gives us vivid pictures: powerful, bleak, beautiful
Dishonest Days made me remember what a novel can be, or what it should be, and has a duty to be . . . This is our generation’s DeLillo, Pynchon, Bolaño, (I could go on) . . . A work of genius, by one of the only novelists up to the task. You’ll leave it galvanised (Luke Kennard, author of Black Bag )
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