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Chéri (1920) de Colette est un roman élégant et poignant qui explore les thèmes de l’amour, du temps et de la liberté. L’histoire se concentre sur la liaison entre Léa, une courtisane d’âge mûr, et Fred Peloux, surnommé Chéri, un jeune homme beau et insouciant. Leur relation, faite de passion et de tendresse, est mise à l’épreuve lorsque Chéri est contraint de se marier avec une jeune femme de son milieu social.

Bitches Brew is still one of the most astonishing albums ever made in either jazz or rock. Seeming to fuse the two, it actually does something entirely more revolutionary and open-ended: blending the most avant-garde aspects of Western music with deep grooves, the album rejects both jazz and rock for an entirely different idea of how music can be made.

The town of Paradiso, California, is abuzz during the lead-up to its annual Peach Blossom Festival. This year, the theme is the 1950s, so the locals are already calling the soon-to-be-named queen, “Peggy Sue” after the Buddy Holly song. The four finalists are all seniors at the high school, with an equal chance of winning the crown—or dying . . .

When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the U.S.A." Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall.

Though Nevermind was Nirvana's most commercially successful album, and the record that broke them—and the grunge phenomenon—internationally, In Utero has increasingly become regarded as the band's best album, both by the critics and the band members themselves. Instead of sticking to the "grunge pop" formula that made Nevermind so palatable to the mainstream, Nirvana chose instead to challenge their audience, producing an album that the band's creative force, Kurt Cobain, said truly matched his vision of what he had always wanted his band to sound like.

Jonathan Lethem treats Fear of Music (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece—edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky, and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future.

Sound interesting? The author thinks so too! Listen to Homeland today.

We all know the Boxer. The fighter who remembers every glove but still remains. That grisly, bruised American allegory who somehow gets up more times than he’s knocked down. This is the fight that nearly broke The National. The one that allowed them to become champions.

With a suspect who has confessed to the murder of the Peach Blossom Queen behind bars, the cloud over Paradiso, California, has lifted. Along with everyone else, high school senior and part-time sleuth Hope Hubbard is relieved to move on from the tragedy and flurry of false accusations. When the new Peach Blossom Queen is announced, the longshot winner realizes that it’s no fun being celebrated by the town when someone you’ve known your whole life is behind bars.

On Saturday, June 28, 1986, George Michael picked up his tasseled leather jacket, walked out of London’s Wembley Stadium and cheerfully tore up five years of glittering pop history. He’d just disposed of Wham!, the band he’d formed with school friend Andrew Ridgeley when they were teenagers, and now, at 23, he knew he was all grown up. He just needed to convince everyone else.

This is an amazing story—and, by design, it is almost entirely unknown. As we begin to grapple with what the Afghan War meant—in books and in film AND in the ongoing governmental hearings regarding the evacuation—journalist and historian Paul Kix is setting out to write the book that begins to make sense of the war that was our country’s response to 9/11, the event that defined the lives of a generation.

In 1991, Metallica released their fifth studio album that would become known and beloved around the world as “The Black Album.” Since its release, it has sold 30 million copies, and become a towering monument in the pantheon of rock’s greatest records. Listeners will get unprecedented insight into the story behind an iconic album from one of the world’s most iconic bands through interviews with James Hetfield, Lars Ulrich, Kirk Hammett, Jason Newsted, and “Black Album” producer Bob Rock.

Sound interesting? The author thinks so too! Listen to The Guardians Cycle Collection today.

Felix Renn is a private investigator in a supernatural world, an alternate reality where a dark dimension called The Black Lands co-exists alongside our own. Travelling to and from The Black Lands is dangerous–and illegal–but that doesn’t stop some of the creatures that reside there from crossing over into our world from time to time.

Derided as one-hit wonders, estranged from their original producer and record label, and in self-imposed exile in Los Angeles, the Beastie Boys were written off by most observers before even beginning to record their second album—an embarrassing commercial flop that should have ruined the group's career. But not only did "Paul's Boutique" eventually transformed the Beasties from a fratboy novelty to hiphop giants, its sample-happy, retro aesthetic changed popular culture forever.

Eight years after its founding in Basildon, Essex, Depeche Mode, rooted in 1970s Krautrock, combined old-fashioned touring, well-crafted songs, and the steadfast support of KROQ to dominate Southern California, the United States, and then the world, kicking open the doors for the likes of Nirvana in the process. 101 is the hidden-in-plain-sight hinge of modern music history.

Electric Ladyland is one of the greatest guitar albums ever made. During the recording process, Jimi Hendrix at last had time and creative freedom to pursue the sounds he was looking for. In this remarkable and entertaining book, John Perry gets to the heart of Hendrix's unique talent—guiding the listener through each song on the album, writing vividly about Hendrix's live performances, and talking to several of Hendrix's peers and contemporaries.

When Hanna’s blissful life in Sicily is threatened, and she discovers that her husband, Luciano, is not all he seems, she wastes no time in taking her daughter and seeking refuge abroad. She’ll do anything to keep Eva safe. But just as they begin to settle into their new life in North Wales, Eva disappears.

Senior year isn’t supposed to end like this—with the death of a fellow student. Now, instead of fun times with good friends, there is fear and mourning. The girl who was to be crowned queen of the annual Peach Blossom Festival has been brutally murdered, leaving behind a trail of broken bonds and malicious rumors in her wake . . .

Despite its polarizing reception from critics at the time of its release, Sandinista! is often considered one of the greatest albums of all time. Nevertheless, critics and fans have spent over 40 years debating whether the album would be better as a 12-track LP. This book entertains that idea and considers what is lost or gained in the process.