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Frank Lovejoy starred as Randy Stone, a reporter who covered the night beat for the Chicago Star, encountering criminals, eccentrics, and troubled souls. Listeners were invited to join Stone as he "searches through the city for the strange stories waiting for him in the darkness." Most episodes leaned towards suspense, crime and thriller themes, but Night Beat also featured occasional humorous or sentimental stories. Each episode ended with Stone at his desk as he finished typing a news story based on his latest exploits, and shouting for the copy boy to deliver his story to an ...

On January 7, 1941, the Inner Sanctum radio program premiered, the name licensed by Simon & Schuster on condition that at the end of each broadcast the announcer would promote the latest book title published in the series. The anthology series featured stories of mystery, terror and suspense, and its tongue-in-cheek introductions were in sharp contrast to shows like Suspense and The Whistler. The early 1940s programs opened with Raymond Edward Johnson introducing himself as "Your host, Raymond" in a mockingly sardonic voice. A spooky melodramatic organ score (played by Lew White) ...

Black Flame Amazon tags along with a world famous explorer Harold Noice while he traveled through jungles of South America during the 1930s.

Sponsored by Adam Hats, the drama is notable in part because it was a sister series to The Mysterious Traveler, both in theme and its narrator. Maurice Tarplin, who was also the creepy voice of The Mysterious Traveler. Many of the scripts were condensed 15-minute versions of scripts originally broadcast on The Mysterious Traveler.To the accompaniment of an organ's spooky strains, Tarplin introduced each episode:Good evening. Come in, won't you? Why, what's the matter? You seem a bit nervous. Perhaps the cemetery outside this house has upset you. But there are things far worse than ...

The stories were of all genres—romance, drama, comedy, thriller, western, adventure and literary classic. Both experienced and up-and-coming writers contributed scripts. Contributors included Morton Fine, David Friedkin, Shirley Gordon, E. Jack Neuman, Richard Chandlee, and Antony Ellis.At the center of each episode was the relationship between the characters played by the Lewises. They were sometimes lovers or spouses; sometimes family or friends; sometimes strangers; and occasionally enemies.Episodes ended with a concluding dialogue between the stars and a statement about the next ...

High Adventure with Lowell Thomas is an American TV series presented by Lowell Thomas. It ran on CBS from 1957 to 1959. Some episodes were made by the Australian producer Lee Robinson.One of these was called "Australian Outback". It involved the search for the explorer Lasseter. Robinson claimed he found Lasseter's bones. He was charged with an offence by the government but charges were dropped.Footage from this episode was later used in the 1979 documentary The Legend of Lasseter

Behind the Mike was a Blue Network (NBC) radio series hosted by Graham McNamee, spotlighting behind-the-scenes stories in radio broadcasting. The sustaining show aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942.: 76 : 34 The program featured interviews with on-air personalities and announcers, musicians and other performers, composers, the creators of sound-effects, producers, engineers and other technicians involved in radio production. As many as six stories were covered in each broadcast, and questions from listeners were answered in the "Correspondence...

Strange as It Seems appeared as a syndicated cartoon feature published from 1928 to 1970, and became a familiar brand to millions around the globe for its comic strips, books, radio shows and film shorts. Created by John Hix, Strange as It Seems was distinguished for its adherence to Hix's standard that every published fact be verified by a minimum of three sources. In Hix's words, Strange as It Seems is a library of "the curious, in nature and humankind, set adrift on the vast sea of public opinion with the hope that it will fulfill its mission to entertain and acquaint its viewers ...

Romance of the Ranchos ran from 1941 to 1946 and told the story of the expeditions of men and women that tried to tame the wilds that existed in early California. The show brought an appreciation of California through understanding of its past.

Arch Oboler's Plays is a radio anthology series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939, to March 23, 1940, and revived five years later on Mutual for a sustaining summer run from April 5, 1945, to October 11, 1945.Lewis Titterton, an executive at NBC, originated the program's title. Titterton was described as a man who "thought the future of radio depended on the vision of the writer." With the launching of Arch Oboler's Plays, Oboler became "the first writer accorded name-in-the-title ...

Quiet, Please! was a radio fantasy and horror program created by Wyllis Cooper, also known for creating Lights Out. Ernest Chappell was the show's announcer and lead actor. Quiet, Please debuted June 8, 1947, on the Mutual Broadcasting System, and its last episode was broadcast June 25, 1949, on the ABC. A total of 106 shows were broadcast, with only a very few of them repeats.Earning relatively little notice during its initial run, Quiet, Please has since been praised as one of the finest efforts of the golden age of American radio drama.Professor Richard J. Hand of the ...

Screen Directors Playhouse (sometimes written as Screen Directors' Playhouse) is an American radio and television anthology series which brought leading Hollywood actors to the NBC microphones beginning in 1949.The radio program broadcast adaptations of films, with original directors of the films sometimes involved in the productions, although their participation was usually limited to introducing the radio adaptations and taking a brief "curtain call" with the cast and host at the end of the program. During the 1955–56 season, the series was seen on television, focusing on original ...

The program shows us just how fragile liberty and justice can be. These stories of everyday events are still interesting, even after 50 years. Stories of criminal liability, legal wills, buying on installment, and leasing an apartment. Each story is well written, and the acting, though dated and a bit hokey by today’s standards, still manages to achieve the desired effect.Not much information is available for this series, it was apparently broadcast on a limited basis, and originated on WMAQ Chicago, an NBC station. It was comprised of thirteen episodes, twelve of which are currently ...

The period 1948-1950 brought major changes to network radio, as CBS hired a number of stars from NBC in what some have called "talent raids". Some of the top performers who changed networks were Jack Benny, Red Skelton, Edgar Bergen, and the husband-and-wife duo George Burns and Gracie Allen. One result of the changes was that 12 of the 15 highest-rated radio programs at the end of 1949 were on CBS. Harold Peary did not find such success, however. Peary switched to CBS, while the program in which he had starred, The Great Gildersleeve, stayed on NBC. Those changes resulted in a new ...

Rocky Fortune is an American radio drama that aired weekly on NBC Radio beginning in October 1953. The series ended its run in March 1954 after 25 episodes. The program was created by George Lefferts. Frank Sinatra voiced the title role of Rocky Fortune for the entire series.Rocky Fortune aired Tuesday nights on NBC at 9:35 pm Eastern, immediately following Dragnet (and a five-minute John Cameron Swayze newscast). It was a sustaining series, meaning that NBC presented the program without corporate sponsorship. The premiere episode, "Oyster Shucker", originally aired on October 6,...

Murder by Experts is a 1936 mystery thriller novel by the British writer Anthony Gilbert, the pen name of Lucy Beatrice Malleson. It launched her long-running series featuring the shady London lawyer and detective Arthur Crook. Although she had been writing since 1926 this was her first major popular success. The plot revolves around collectors of Chinese antiques.

The play involves several elderly Jewish men from the old country, Russia, all members of a small synagogue in Mineola, Long Island. The play opens with the hapless Sexton's daily quest to gather ten males to constitute a minyan required in Jewish tradition to conduct a religious service. This search has suddenly become critical as the granddaughter of one of the men has apparently become possessed by the spirit of a dybbuk, an evil spirit. The grandfather leaves the girl sitting in the office of the temple's young rabbi, who is progressive and not likely to believe in the existence of ...

Tom Corbett is the main character in a series of Tom Corbett—Space Cadet stories that were depicted in television, radio, books, comic books, comic strips, and other media in the 1950s.The stories followed the adventures of Corbett, Astro, and Roger Manning (originally; later, T.J. Thistle), cadets at the Space Academy as they train to become members of the Solar Guard.The action takes place at the Academy in classrooms and bunkrooms, aboard their training ship the rocket cruiser Polaris, and on alien worlds, both within the Solar System and in orbit around nearby stars.

Webb, who had previously starred on the Mutual detective drama, Johnny Madero, Pier 23, played the title character, a private investigator working for Anthony J. Lyon (originally Wilms Herbert, later Herb Butterfield) at the International Detective Bureau. In the first incarnation of the series, Lyon was played by Wilms Herbert, while Webb's future Dragnet co-star, Barton Yarborough, played his co-worker, Joe Canto. This format continued until the end of the year, when Webb left the program. According to writer William Froug, Webb was fired for asking for too much money.[3] Police ...

The Big Show was an American radio variety program featuring 90 minutes of comic, stage, screen and music talent. It was aimed at keeping American radio in its classic era and making it robust against the rapidly growing television tide. For its year-and-a-half run (November 5, 1950 – April 20, 1952), the show's quality made Their ambitions seem plausible.