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A.J.A. Symons discovered Frederick Rolfe’s Hadrian the Seventh in 1925 and became consumed with fascination for its eccentric author, aka ‘Baron Corvo’. His ‘quest’ takes the form of an irresistible detective story, the twists and turns of his investigation into Rolfe’s unfortunate life resulting in a groundbreaking form of biography that reveals much about both men.

The music of Bohemian composer Antonín Dvořák is suffused with natural nobility, fluency and freshness, and embodies the spirit of his native land. This revealing biography portrays Dvořák as a complex and wide-ranging composer, and explores the creation and performance of his music as well as its reception on both sides of the Atlantic, tracing his art in all its richness and variety.

Between 1821 and 1826, the prolific writer and journalist William Cobbett travelled the countryside of the South of England on foot and horseback. Rural Rides is a fascinating account of his journeys, and depicts a way of life in transition, juxtaposing lyrical descriptions of the countryside with criticism of the poverty of agricultural workers. A man of radical politics who encouraged the rural rising of 1830, Cobbett went on to become MP for Oldham and sought to represent the interests of both industrial and agricultural workers. Above all, Rural Rides celebrates agrarian England.

When Mr. Earnshaw brings a black-haired foundling child into his home on the Yorkshire moors, he little imagines the dramatic events which will follow. The passionate relationship between Cathy Earnshaw and the foundling, Heathcliff, is a story of love, hate, pity, and retribution: the effects of which reverberate throughout the succeeding generations.

The Greek word sumposion means a drinking party (a fact shamefully ignored by the organizers of modern symposia), and the party described in Plato's Symposium is one supposedly given in the year 416 BC by the playwright Agathon to celebrate his victory in the dramatic festival of the Lenaea. He has already given one party, the previous evening; this second party is for a select group of friends, and host and guests alike are feeling a little frail.

Life in an English seaside town in the 1790s is harsh, and ‘captious, capricious’ Sylvia has a dilemma when the dashing harpooner to whom she is secretly engaged disappears, and her dull cousin Philip (who has more information about his rival than he lets on) offers her love and security.

Zola’s Money (L’Argent, 1891) shows the corrupting effect of untrammelled stock-market speculation. While some seek redemption through philanthropic and evangelical ventures, others–such as the main protagonist, Saccard–embrace their own avarice. Speculators illegally push up share prices so that ordinary citizens are feverishly swept up in an epidemic of small-scale investment.

The first of Kafka’s three great novels, The Man Who Disappeared (America) follows the picaresque adventures of Karl Rossman, who is banished to America following a family scandal. Upon his arrival, Karl immediately happens upon his uncle, and from there follows a pattern of wandering, adoption and expulsion as Karl marches inexorably on towards the interior of the continent. With its blitheness and comical moments, The Man Who Disappeared is perhaps the most charming of Kafka’s works.

Zola’s La Terre (The Earth) proved highly controversial on publication in 1887 and still retains the power to shock. It follows the fortunes of the Fouan family in the years leading up to the Franco-Prussian War. Old Fouan, the patriarch, draws up a legal contract to divide his farmland between his three children in exchange for an allowance that will support him and his wife through a comfortable retirement.

Part novel, part philosophical treatise, part satire, Sartor Resartus is a masterpiece of 19th-century literature, following in the footsteps of Swift’s Tale of a Tub and Sterne’s Tristram Shandy and a key influence on Melville’s Moby-Dick. Bubbling over with ideas, humour and inventiveness, it is—on the surface—a long-suffering British editor’s skeptical account of a German philosopher’s book, Clothes: Their Origin and Influence, which itself is steeped in German idealism.

Like Tom Jones before him, Barry Lyndon is one of the most lively and roguish characters in English literature. He may now be best known through the colorful Stanley Kubrick film released in 1975, but it is Thackeray who, in true 19th-century style, shows him best.

Childe Harold's Pilgrimage is a fascinating portrait of 19th-century Europe - disillusioned and ravaged by the wars of the postrevolutionary and Napoleonic eras. Our protagonist, whose breathtaking journey eerily echoes Byron's own life story, forgoes his destiny back home for the exciting unknown - the nature of humanity and the transformative effects of travel burst through the pages in four powerful cantos of Spenserian stanzas. Here is the poem that set Byron on his meteoric rise to fame in London society.

Written initially in French, later translated by the author into English, Molloy is the first book in Dublin-born Samuel Beckett's trilogy. It was published shortly after WWII and marked a new, mature writing style, which was to dominate the remainder of his working life. Molloy is less a novel than a set of two monologues narrated by Molloy and his pursuer, Moran.

Surreal and splendidly unconventional, The Hearing Trumpet is an apocalyptic fairy-tale quest about an occult old ladies' home and the spry nonagenarian who ends up there. After coming into possession of a hearing trumpet, 92-year-old Marian Leatherby discovers her son's plans to send her to a nursing home. But this is no ordinary place.... Here there are strange rituals, orgiastic nuns, levitating abbesses, animalistic humans, humanistic animals, a search for the Holy Grail, and a plan to escape to Lapland and knit a tent....

Simon Barnes is one of Britain's leading bird writers and humorists. His weekly column in The Times (London), his essays for the RSPB (Royal Society for the Protection of Birds) magazine, and his two books on bad bird-watching have made him one of the characters of the bird world.

This highly entertaining anthology of verse is the comic, tragic, tender, and telling story of life's seven ages, from childhood to old age. Within the framework of Shakespeare's speech, "The Seven Ages of Man," performed by Sir Ian McKellen, are 150 great poems from all ages, from Chaucer to Emily Dickinson to Walt Whitman and many others. The poem are presented by the finest cast ever assembled on one recording and includes Ralph Fiennes, Dame Judi Dench, John Cleese, Michael Caine, and more.

After hearing scratches in the attic, Alison discovers a dinner service covered in an intriguing floral owl pattern, and a series of events are set in motion that will change her life forever. Alison, her step-brother Roger and Welsh boy Gwyn are forced into a cyclical replay of the tragic Welsh legend of Blodeuwedd, in which a woman is turned into an owl as a punishment for betraying her husband.

Accidentally witnessing an encounter between the Baron de Charlus and the tailor Jupien, the narrator’s eyes are opened to a world hidden from him until now; he suspects that Albertine is attracted to her own sex.

Reader Stephen Critchelow has spent a lifetime collecting and reading works like these and, with carefully chosen music, brings a strong sense of atmosphere to this recording. "The Signalman" provides a great listening experience for dark autumn evenings.

In this ancient picaresque adventure, Lucius, an insatiably curious young man, finds himself transformed into a donkey after his fascination with black magic and witchcraft goes awry. While trapped in his new body, he becomes the property of thieves, farmers, cooks, soldiers and priests, and observes the hypocrisy and ineptitude of Imperial Roman society.