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When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the U.S.A." Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall.

Publié en 1857 par Gustave Flaubert, Madame Bovary est un roman réaliste qui dépeint la vie et les désillusions de la jeune Emma Bovary. Épouse de Charles Bovary, médecin de campagne simple et dévoué, Emma rêve d’une vie passionnée et raffinée, bien loin de son existence monotone. Ses lectures romantiques la nourrissent d’aspirations idéalistes et la poussent à rechercher des amours et des plaisirs interdits, espérant ainsi échapper à la banalité de son quotidien.

Chef-d’œuvre du grand écrivain et philosophe Voltaire, Candide, ou l'Optimisme, publié en 1759, est un conte qui suit les aventures de Candide, un jeune homme naïf, élevé dans une vision du monde optimiste. Ce principe de l'optimisme, enseigné par son mentor Pangloss, est sans cesse mis à l'épreuve dans une série de catastrophes et de malheurs : guerres, tremblements de terre, naufrages, et trahisons, dont la guerre de Sept Ans et le séisme de 1755 à Lisbonne.

Publié anonymement en 1678 par Madame de La Fayette, La Princesse de Clèves est considéré comme l’un des premiers romans psychologiques de la littérature française. L’histoire se déroule à la cour raffinée et intrigante d’Henri II, où la jeune et vertueuse Mademoiselle de Chartres, devenue Princesse de Clèves par un mariage arrangé, est confrontée à une passion dévorante pour le duc de Nemours.

Le Petit Prince d'Antoine de Saint-Exupéry est un conte à la fois philosophique et poétique paru pour la première fois en 1943, un vrai classique de la littérature d’enfance et de jeunesse qui a également a conquis le cœur des adultes. Ce conte charmant raconte l'histoire d'un petit garçon venu d'une autre planète qui quitte son astéroïde pour explorer l'univers.

Dashing Scot Jonathan MacLean never returns to the same town twice. The happy-go-lucky philanthropist seeks constant adventure… and is desperate to outrun his past. When a blizzard traps him in a tiny mountaintop village, he meets a woman who tempts him with dreams he'd long since abandoned: Home. Community. Love. But other people’s livelihoods depend on him leaving for good as soon as the snow melts.

In the 36 years since its release, Sell Out, though still not the best selling release in The Who’s catalog, has been embraced by a growing number of fans who regard it as the band’s best work, one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. Sell Out, powerfully and ecstatically, articulates the nexus of pop music and pop culture.

In Janelle Monáe’s full-length debut, the science fiction concept album The ArchAndroid, the android Cindi Mayweather is on the run from the authorities for the crime of loving a human. Living in 28th century Metropolis, Cindi fights for survival, soon realizing that she is in fact the prophesied ArchAndroid, a robot messiah meant to liberate the masses and lead them toward a wonderland where all can be free.

Despite its polarizing reception from critics at the time of its release, Sandinista! is often considered one of the greatest albums of all time. Nevertheless, critics and fans have spent over 40 years debating whether the album would be better as a 12-track LP. This book entertains that idea and considers what is lost or gained in the process.

Here, Rob Trucks talks to Lindsey Buckingham, as well as members of Animal Collective, Camper Van Beethoven, the New Pornographers, Wolf Parade, and the USC Trojan marching band in order to chart both the story and the impact of an album born of personal obsession and a stubborn unwillingness to compromise.

Elizabeth aches for one more precious hour with her son who died in a senseless accident. Andy is desperate to find his first love who vanished after a whirlwind romance. Logan craves the rush of surfing and mountain climbing, yearning to reclaim the freedom he lost after a misstep landed him in a wheelchair. Brooke is looking for an hour of relief from the guilt of an unforgivable mistake.

Non-fans regard Céline Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her (creepy) manager-husband's struggle with cancer, her knack for howling out raw emotion. There's nothing cool about Céline Dion, and nothing clever. That's part of her appeal as an object of love or hatred — with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt.

The Velvet Underground and Nico has influenced the sound of more bands than any other album. And remarkably, it still sounds as fresh and challenging today as it did upon its release in 1967. In this book, Joe Harvard covers everything from Lou Reed's lyrical genius to John Cale's groundbreaking instrumentation, and from the creative input of Andy Warhol to the fine details of the recording process. With input from co-producer Norman Dolph and Velvets fan Jonathan Richman, Harvard documents the creation of a record which - in the eyes of many - has never been matched.

Though Nevermind was Nirvana's most commercially successful album, and the record that broke them—and the grunge phenomenon—internationally, In Utero has increasingly become regarded as the band's best album, both by the critics and the band members themselves. Instead of sticking to the "grunge pop" formula that made Nevermind so palatable to the mainstream, Nirvana chose instead to challenge their audience, producing an album that the band's creative force, Kurt Cobain, said truly matched his vision of what he had always wanted his band to sound like.

Jonathan Lethem treats Fear of Music (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece—edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky, and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future.

Derided as one-hit wonders, estranged from their original producer and record label, and in self-imposed exile in Los Angeles, the Beastie Boys were written off by most observers before even beginning to record their second album—an embarrassing commercial flop that should have ruined the group's career. But not only did "Paul's Boutique" eventually transformed the Beasties from a fratboy novelty to hiphop giants, its sample-happy, retro aesthetic changed popular culture forever.

A decade and a half ago, Illmatic launched one of the most storied careers in hip hop, and cemented New York’s place as the genre’s epicenter. With this in-depth look at the record, Matthew Gasteier explores the competing themes that run through Nas’s masterpiece and finds a compelling journey into adulthood.

The recording sessions for Let It Be actually began as rehearsals for a proposed return to live stage work for the Beatles, to be inaugurated in a concert at a Roman amphitheater in Tunisia. In this thoroughly researched book, Steve Matteo delves deep into the complex history of these sessions.

In Let’s Go Exploring, Michael Hingston mines the strip and traces the story of Calvin’s reclusive creator to demonstrate how imagination―its possibilities, its opportunities, and ultimately its limitations―helped make Calvin and Hobbes North America’s last great comic strip.

Publié en 1857, Les Fleurs du mal de Charles Baudelaire, est un recueil de poèmes qui explore les thèmes de la beauté, du mal, de la mélancolie, et de la révolte. L'œuvre, souvent considérée comme un chef-d'œuvre de la poésie française, reflète les tourments intérieurs du poète face à une société moderne et aliénante. Baudelaire y exprime un profond malaise existentiel, oscillant entre fascination pour le sublime et attirance pour la décadence.