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In Gung Ho Filmmaking, (known in print edition as Eyepiece: Adventures in Canadian Film and Television) brilliant Kashmiri/Canadian Vic lays out the landscape of his life, focusing on highlights of his over 150 documentary and dramatic films. As a cinematographer, he captured the cinematic beauty of many well-loved Canadian films such as Bye-Bye Blues (Wheeler, 1989), Margaret’s Museum (Zimmer, 1995), and also directed his own award-winning work such as Partition (2007) and A Shine of Rainbows (2009).

In Living in the Tall Grass: Poems of Reconciliation, Chief Stacey Laforme gives a history of his people through stories and poetry to allow us to see through the eyes of indigenous people. In it, he hits hard on matters of residential schools, the environment, suicide among indigenous youth, domestic abuse, and so on, but also writes poems of love and hope. Chief Laforme’s universal message is, “We should not have to change to fit into society, the world should adapt to embrace our uniqueness.”

Two murder trials were held in Toronto in the spring of 1962, only 19 days apart. The accused man in each trial, one a pimp accused of stabbing a fellow pimp to death, the other a thief who killed a policeman in a shootout, were the last two men to be hanged in Canada. Toronto criminal lawyer Ross Mackay was the counsel for the accused in both trials, a mere 30 years old when he lost them both to the gallows. But the trials were far from the last times that Mackay defended accused murderers in the most horrendous circumstances.

In this Y/A rom-com, enviro-science grad Maeve Wong gets caught up in a bizarre revolution with unscrupulous lawyers and oil barons to take over the government of Oil Land. One love of her life lusts for activism and justice, the other for resource exploitation at all costs. She needs to decide whose side she is on.

Vistas of the West is a collection of poetry and visual art that celebrates the beauty and spirit of the Rocky Mountains, Western foothills, prairie landscapes, and the natural inhabitants of these beautiful environments.

A work in progress since the 1970s, We Remember the Coming of the White Man chronicles the history of the Sahtú (Mountain Dene) and Gwinch’in People in the extraordinary time of the early 20th century. Chapters are transcripts of oral histories by 10 Elders about their recollections of the early days of fur trading, guns, and flu pandemic; dismay about the way oil and uranium discoveries and pipelines were handled on their land; and the emotional and economic fallout of the signing of Treaty 11.

Florence Kinrade, dutiful daughter of a wealthy, upper-crust Canadian family in 1909, lives a secret double life as a vaudeville showgirl in Richmond, Virginia. Then sister Ethel shows up dead, with Florence being, apparently, the only one at the scene at the time. Next up, a coroner’s inquest, a mental diagnosis, more vaudeville show business, and a good hard investigative look by investigative journalist, Frank Jones.

Lillian is a girl of mixed Indigenous and white ancestry who is in the process of being shuffled to her seventh foster home. At school, she doesn’t fit in with the white kids and she doesn’t fit in with the Indigenous kids either. Lillian is a complex and not-always-lovable hero but she eventually finds a sense of peace and belonging from a surprising spirit that returns her to traditional ways.

A lawyer, arbitrator, and judge, as well as a politicial activist and feminist, Nancy Morrison practiced law and adjudicated in Ontario, Saskatchewan, British Columbia, Yukon, and the Northwest Territories. For more than 50 years, she has been a public speaker on social and political issues. As a judge, she served for nine years on the British Columbia Provincial court, 1972-1981, including three years as a vice-chair of the BC Labour relations board; and 15 years on the Supreme Court of British Columbia, 1996-2011. Raised in Yorkton, Saskatchewan, she now lives in Vancouver.

Canadian women judges and criminal lawyers tell of cases that they have found particularly challenging in this fourth book of the Durvile True Cases series. Some were disquieting and perplexing or had surprising turns, many are high-profile, and many continue to have interesting social or personal effect.

Edited by William Trudell and Lorene Shyba, More Tough Crimes is the third book in the Durvile True Cases series. Like other books in the series More Tough Crimes provides a unique window into the world of criminal justice. These stories are "tough crimes" because of the emotional demands put on the judges and lawyers involved. Many cases in the book are recent, but some from the past were so disturbing that even decades later, they resonate in the public consciousness.

Shrunk: Crime and Disorders of the Mind is a collection of powerful chapters by eminent forensic psychologists and psychiatrists who write about mental health issues they face and what they are doing about it. Unlike any other book within the genre of True Crime, Shrunk is the first book that delves deeply into the disturbed human psyche to help build a solution to the problem of understanding mental illness within the criminal justice system.

Tough Crimes is a collection of thoughtful and insightful stories by 20 of Canada's most prominent criminal lawyers. In the book they write about cases that had surprising turns or that presented personal or ethical challenges. We've all heard the media's take on notorious criminals, but when have we had a chance to hear directly from the lawyers who defended or prosecuted them?

Against the Odds chronicles Thomas R. Berger's significant contributions to Indigenous rights advocacy in Canada and the United States. Mid-career, Berger led the Mackenzie Valley Pipeline Inquiry, conducting over thirty community hearings in the Northwest Territories to ensure that First Nations' voices were heard. Later, he also led public hearings on the Alaska Native Claims Settlement Act.

The flashpoint topic of energy conservation and protection is shared around the world. In Reimagining Fire, environmentally conscientious writers, poets, and artists share their perspectives about our world’s impending energy transition. To envision this transition, editor Eveline Kolijn connected these artists and writers with a network of experts from the Canadian Energy Futures Lab, along with representatives from towns, rural communities, and First Nations.

In this followup to his hugely popular Midnight Storm Moonless Sky: Indigenous Horror Stories, Blackfoot storyteller Alex Soop plunges us again into enthralling tales that mix reality with dark terror. Within its stories, Whisper at Night and They Will Come reveals ancient theories of the paranormal, post apocalyptic scenarios, impossible wells of grief, and monstrous phobias. Soop scares the wits out of listeners, all the while uncovering overlooked social anxieties and racism affecting Indigenous Peoples across North America.

The Rainbow, the Midwife & The Birds audiobook contains 7 Dene First Nation stories, as experienced by Raymond Yakeleya.

Wisdom River: Meditations on Fly Fishing and Life Midstream is a collection of stories, poetry, photos, art, recipes, and jokes that celebrate the wonders of fly fishing and the wisdom that can be gained from spending time on the river. Contributors from Montana, Alberta, and Nova Scotia each bring a unique perspective and voice as they share adventures and memories from times they have spent riverside and midstream.

Created by a collective of spiritual practitioners, Embrace Your Divine Flow combines ‘evolvements’ in the form of allegorical stories, with art and exercises that encourage listeners to undertake their own journeys of healing and wisdom. Themes include sacred places, sound and sensuality, ancestors, magic and imagination, infinity, authenticity, spirits, and gratitude.

My Life in Propaganda is Magda Stroińska’s personal account of growing up with communist propaganda in Eastern Europe. She compares the beliefs of her family with what she was taught at school, learning early on about double interpretations and ambiguities through language. Through her chosen field of linguistics, she analyzes ways in which propagandistic language, such as ‘doubletalk,’ Orwellian ‘Newspeak,’ ‘weasel words,’ and, more colloquially, ‘bullshit,’ is used to distort reality. The book demonstrates that democracy can never be taken for granted.