検索キーワード： 著者 ""Émile Zola" すべてのカテゴリー

Against a backdrop of modernisation, extravagant luxury, political intrigue and sexual immorality, Saccard treats close relationships as money-making opportunities and loved ones as mere commodities. As one character puts it: ‘You see, everything is fine, as long as you make money from it.’

Thérèse is a half Algerian orphan, brought up in provincial France by her aunt and married off to her sickly cousin Camille. His ambition takes the three of them to Paris, where they set up home in the dank and dingy backstreets that run down to the Seine. The relentless tedium of life for Thérèse is eventually broken by the presence of Camille’s unscrupulous friend Laurent, sparking a series of increasingly desperate acts.

Nana Coupeau is a beautiful woman, able to attract men of enormous wealth with the crook of her finger. Part-time prostitute, part-time actress, she makes her debut in a mediocre operetta The Blonde Venus at the bustling Paris World’s Fair of 1867. She can’t sing, act, or dance, yet she is stunning. Nana soon rockets through elite Parisian society, and, blinded by desire, men crawl to her feet, yielding to her every demand. Affections are manipulated, hearts are broken; fortunes are gutted and inheritances squandered.

Against the backdrop of political and legal corruption in Second Empire France, La Bête Humaine (1890) contrasts the technological advancements of the Machine Age with the primitive and timeless human impulse to possess through killing and to kill through possession. The lives of two railwaymen on the Paris-to-Le-Havre line are fatally entwined by their love for the same woman in this shocking account of brutal violence, greed, revenge, and repression.

Perhaps the most autobiographical of Zola's Rougon-Macquart cycle of novels, The Masterpiece is a hard, bleak, and raw portrait of unrecognized artistic genius. Claude Lantier, brother to Nana and son of Gervaise, is a struggling painter who dreams of conquering the Paris art scene with his revolutionary "open air" style of painting. Discouraged and mocked, Claude retreats to the countryside with a young woman from Clermont, with whom he has fallen in love, before returning to Paris, where he continues to experience rejection at every turn.

After her lover abandons her and their two children, Gervaise marries a tin worker, Coupeau, who helps her rebuild her life. She starts her own business, and the two have a daughter, Anna (the protagonist of Zola's later novel Nana). But their happiness is short-lived as a freak accident leaves Coupeau seriously injured, beginning the family's fall into alcohol, desperation, and violence.

Faut-il manger pour vivre, ou vivre pour manger ? La madeleine de Proust est-elle vraiment celle que l'on croit ? La trompe d'éléphant est-elle comestible ? Vous trouverez réponse à ces épineuses questions, et à bien d'autres, dans notre sélection de 19 textes cultes commentés Une balade littéraire divertissante et instructive à travers les textes de Brillat-Savarin, La Bruyère, Théophile Gauthier, Proust, Zola, Rabelais, Flaubert, Balzac, Maupassant, Molière, Hugo, Huysmans, Pétrone, Daudet, Madame de Sévigné et des Frères Goncourt. Bon appétit ! Textes commentés par Sylvain Trias.

L'Oeuvre, a novel by Emile Zola first published in 1886 as part of the Rougon-Macquart cycle, explores artistic ambition, friendship, love, and the obsession with creating the perfect work. Through Claude Lantier and the Parisian art world of the nineteenth century, this French classic immerses...

Dans son univers clos, Angélique, jeune orpheline recueillie par un couple de brodeurs, les Hubert, confond le rêve et la réalité et se passionne pour la vie des saints. Pour quelle raison les miracles de La Légende dorée ne se produiraient-ils plus ? Innocente dans sa conception de l'amour, elle ne rêve plus que de rencontrer l'image pure et idéale de celui qui l'aimera et qui se dévoilera à elle sans se présenter. Elle tombe éperdument amoureuse de Félicien, jeune ouvrier verrier.

Orphaned with a substantial inheritance at the age of 10, Pauline Quenu is taken from Paris to live with her relatives, Monsieur and Madame Chanteau and their son Lazare, in the village of Bonneville on the wild Normandy coast. Her presence enlivens the household and Pauline is the only one who can ease Chanteau's gout-ridden agony. Her love of life contrasts with the insularity and pessimism that infects the family, especially Lazare, for whom she develops a devoted passion. 

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Thérèse Raquin, trapped in a loveless marriage with her cousin Camille, plots with her lover Laurent to murder him so they can be married and happy, But the memory of their crime poisons their marriage and they sink into an abyss of guilt, hatred and madness. - Summary by The Narrator

Émile François Zola (French pronunciation: [emil zɔˈla]) (2 April 1840 – 29 September 1902) was an influential French writer, the most important exemplar of the literary school of naturalism. More than half of Zola’s novels were part of a set of twenty novels about a family under the Second Empire collectively known as Les Rougon-Macquart.L’Assommoir (1877) is the seventh novel in the series. Usually considered one of Zola’s masterpieces, the novel—a harsh and uncompromising study of alcoholism and poverty in the working-class districts of Paris—was a huge commercial success ...

In 'Ladies' Paradise,' the eleventh installment of Émile Zola's Rougon-Macquart Cycle, you’ll experience the vibrant world of late 19th-century Paris. Follow Octave Mouret, a visionary entrepreneur, as he transforms retail with his groundbreaking department store, 'Au Bonheur des Dames.' This isn't just a tale of commerce; it's a vivid exploration of ambition, passion, and the evolving role of women in society. Octave's romance with the spirited shopgirl, Denise Baudu, adds a personal touch to the bustling backdrop of consumer culture. Their relationship navigates the complexities of love ...

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The Zola Library opens its doors to the whole, unabridged force of Émile Zola’s novels. Here, each book is read in full, chapter by chapter, with no compromise and no ornament to soften the truth. Enter the streets, homes, mines, markets, and hearts of humanity, where passion, hunger, ambition, and fate press upon every life. This is literature as testimony: vast, exacting, and alive.

Au cœur du Paris du XIXe siècle, un nouvel empire est en train de naître, un empire qui ne repose ni sur des terres ni sur des titres, mais sur le désir. Au Bonheur des dames met en scène un immense magasin dont les vitrines scintillantes transforment le shopping en spectacle. Pour les clientes, c'est un rêve. Pour les petits commerçants, c'est une menace qui pèse.

The first book in the 20-novel Rougon-Macquart Cycle. A monument of French naturalism. The sprawling tale of a family in Provence, during the Second Empire, the family that grew out of the liaisons between Adelaide Fouque and her husband Rougons, and the smuggler Macquart. - Summary by Mark Leder

A jealous husband sets out to murder his wife's lover, setting in motion an unstoppable series of events. Witness to the murder is a train driver who struggles to resist his uncontrollable desire to kill women. - Summary by Aaron Hackett

Here, in Zola's sixth novel in the Rougon-Macquart series, we get to know Pierre and Felicite's eldest son, Eugene. He's the son that made good, and stands at the pinnacle of power, at the very ear of the Emperor. But power carries with it its own perils, and so Eugene must face all manner of downturns and reversals to his fortune, and must encounter obstacles of all kinds, the chief of which being Clorinde Dalbi, an Italian beauty with the ambition and deviousness to match his own. - Summary by Mark Leder