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Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, Actor, Genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went Indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice; perfect for radio. Here, in the Black Museum he sets the scene as true life crime is retold. Mr Welles we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid, and Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready....

Frank Sinatra plays private eye Rocky Fortune, a "footloose and fancy-free young man", frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior. Rocky usually received job assignments from the Gridley Employment Agency, usually referred to as "the agency".

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior.

Frank Sinatra plays private eye Rocky Fortune, a "footloose and fancy-free young man", frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior. Rocky usually received job assignments from the Gridley Employment Agency, usually referred to as "the agency".

Frank Sinatra plays private eye Rocky Fortune, a "footloose and fancy-free young man", frequently unemployed, who would then take on a range of odd jobs that would lead into adventurous escapades. Rocky, always ready with a wise remark and a tongue-in-cheek approach, is a magnet for trouble. There is usually a beautiful woman involved; some good, some bad. His tough guy stays just inside the law, though we often get a glimpse of a soft heart beneath the hard-boiled exterior. Rocky usually received job assignments from the Gridley Employment Agency, usually referred to as "the agency".