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A Dance of Silver and Shadow: In this reimagining of the classic fairy tale The Twelve Dancing Princesses, there's a lot more at stake than worn out dancing slippers. A Tale of Beauty and Beast: In this reimagining of the classic fairy tale Beauty and the Beast, Beauty will have to use all of her strength and intelligence if she is to outwit her enemies, break a curse, and find true love. A Crown of Snow and Ice: In this reimagining of the classic fairy tale The Snow Queen, one princess is ready to burn down everything in her path.

Amanda Bartlett, widowed countess of Kingston, is a woman beyond reproach. Married at 19, she dutifully provided the earl with an heir and a spare before his death three years ago. Since then, Amanda has lived a simple, quiet life - a life that, if she were honest, has become more than a trifle dull. So when an adventure literally drops into her lap, in the shape of a mysterious book, she intends to make the most of it - especially if it brings her closer to a charismatic stranger.

Miss Jane Quayle excels at invention. How else could the sheltered daughter of an English gentleman create lurid Gothic novels so infamous someone wants their author silenced forever? Fortunately, Jane has taken steps to protect herself: first, by assuming a pen name, and second, by taking up residence at remote Dunnock Castle, surrounded by rugged scenery that might have been ripped from the pages of one of her books. Her true identity remains a secret...until one dark and stormy night. 

Digging up trouble is becoming a habit for Diana Flowers. But when she finds a collection of bones buried where she had planned to plant out her lupins, she can't believe her bad luck...especially as she doesn't think Diggory the dog is the one who buried them. Fergus has a wild theory about the identity of the skeleton beneath the flower field. More shockingly still, he might just be right. 

Making cupcakes can be murder. Especially when someone has poisoned them. Diana knows she's being framed for a crime she didn't commit, but who is out to make her look guilty, and why? Speaking of secret enemies...Fergus has done something terrible. Now part of a new crime-fighting duo, Diana finds herself immersed in a deep, dark conspiracy theory. At the heart of it is a mystery that has baffled investigators for decades. The whole thing is more ridiculous than anything Fergus has ever previously believed. The worst part is...she's starting to think it might all be true.

Diana and Fergus are both in the running for the coveted spot of "prime suspect". Fergus decides the only way to clear their names and save Christmas is for them to investigate the case. He's convinced that an ancient curse is the real killer. Diana is convinced that Fergus has lost his marbles. She's ready to prove him wrong, but when they are dragged into a maze of secrets and lies, she starts to wonder....

When Fergus tells Diana he's taking her on a flower-arranging retreat for her birthday, she should have been more suspicious. Especially when he announces that he's coming with her. After discovering the whole truth about the retreat, Diana is still considering how to murder Fergus...when one of their fellow flower arrangers is found dead - stabbed in the back with a mystery weapon. With the retreat on complete lockdown, Diana and Fergus have a mystery to solve that wasn't part of the itinerary. Will they find the killer before the clock runs out?

Flowers, favors, and a cake with a body in it...what a way to start a wedding!  Diana already regrets saying yes to her neighbor's ridiculous wedding flower demands, but when she discovers a body in the middle of the multi-tiered centerpiece...it's really taking the cake! The man in the cake has been murdered. Diana suspects that one of her neighbors may be the killer. And she already knows that some of them are keeping skeletons in their closets. Sometimes literally.  

Will, Viscount Wingrave, whiles away his time gambling and bedding married women, thwarted in his wish to serve his country by his controlling father. News that his errant son has fought a duel with a jealous husband is the last straw for the Earl of Marstone. He decrees that Will must marry. The earl's eye lights upon Connie Charters, unpaid housekeeper and drudge for a poor but socially ambitious father who cares only for the advantage her marriage could bring him. 

Major Matthew Southam returns from India, hoping to put the trauma of war behind him and forget his past. Instead, he finds a derelict estate and a family who wish he'd died abroad. Charlotte MacKinnon married without love to avoid her father's unpleasant choice of husband. Now a widow with a young son, she lives in a small Cotswold village with only the money she earns by her writing. Matthew is haunted by his past, and Charlotte is fearful of her father's renewed meddling in her future. After a disastrous first meeting, can they help each other find happiness?

For millennia, scientists thought women were inside-out versions of men, and male anxiety about female sexuality generated ludicrous ideas and perpetuated inaccurate information. The Sweetness of Venus is a provocative, straight-talking history that exposes the denial, misunderstanding, brutality, and lies endured by this taboo part of human anatomy.

Many of us share a shameful little secret: deep down we feel like complete frauds and are convinced that our accomplishments are the result of luck rather than skill. This is a psychological phenomenon known as Imposter Syndrome. This book examines the reasons why up to 70 percent of us are developing this syndrome - and what we can do about it.

A “brilliant,” “engaging,” and “valuable,” (Financial Times) exploration of why capitalism hurts women and how socialism, when done right, can bring economic independence, better labor conditions and, yes, even better sex. In Why Women Have Better Sex Under Socialism, acclaimed...

In this Very Short Introduction Laura Marcus defines what we mean by "autobiography", and considers its relationship with similar literary forms such as memoirs, journals, letters, diaries, and essays. Analyzing the core themes in autobiographical writing, such as confession, conversion and testimony; romanticism and the journeying self; Marcus discusses the autobiographical consciousness (and the roles played by time, memory and identity), and considers the relationship between psychoanalysis and autobiography. 

Three months ago, Romy emerged from the cultivation tanks after a year floating inside. Body intact. Mind broken. Memory gone. Now she undergoes regular testing as doctors work to find out...well, she's not exactly sure what. The tests must have something to do with the reason she can't remember her knot - the single lucid memory the other insane soldiers on Orbito Four still possess. Whatever the researchers are searching for, if it aids the soldiers in the deathly war against the lethal alien invaders - the Critamal - the excruciating pain is worth it. But a grey-eyed man has other plans.

One hundred and fifty years ago, global warming brought humankind to the edge of extinction. In a desperate bid for survival, 4,000 genetically enhanced soldiers - the last slice of humanity - were sent to eight space stations.  To serve. To protect. Then the Critamal arrived, uninvited. Waves of aliens now work to break through the Orbitos' defenses, the black-shelled creatures seeking to colonize the vacated and barren world. War is their reality. All Romy can do is fight alongside her knot and watch from the mocking midst of the stars as Earth rises and falls in the distance.

Brenna Seagrave doesn't want to be a countess. She prefers her life of danger and disguise as a spy for the kingdom of Andar, but the Andari court isn't quite ready for a countess who engages in espionage. Feeling trapped, Brenna accepts an invitation to a mysterious estate, where she hopes to connect with the mother she's never had a chance to know. But nothing is quite as Brenna expects. 

Princess Ilani is an outcast, shunned since her seventh birthday for possessing forbidden magic. But when her 12 sisters are trapped by a deception that threatens to tear their father's empire apart, Ilani must come out of hiding and join forces with a devilishly charming foreigner whose motives remain shrouded by secrecy and mistrust. 

A young woman hunts for her wayward shadow at the school where she first learned magic - while another faces a test she never studied for as ice envelopes the world. The tasks assigned a bookish boy lead him to fateful encounters with lizards, owls, trolls, and a feisty, sarcastic cat. A bear wedding is cause for celebration, the spinning wheel and the tower in the briar hedge get to tell their own stories, and a kitchen maid finds out that a lost princess is more than she seems. The sea witch reveals what she hoped to gain when she took the mermaid's voice.

In 18th-century Spitalfields, London, Esther Thorel, wife of a master silk weaver, rescues Sara Kemp from a brothel. She thinks she is doing God's will, but her good deed is not returned. Sara quickly realizes that the Thorel household is built on hypocrisy and lies and soon tires of the drudgery of life as Esther's new lady's maid. As the two women's relationship becomes increasingly fractious, Sara resolves to find out what it is that so preoccupies her mistress.