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Robert J. Patterson examines so-called "traditional" slave narratives alongside writings from non-enslaved Black people in the nineteenth century, the imaginative works of twentieth century fiction, and twenty-first century cinema to create a compelling and informative introduction to the long historical arc of slavery woven into the cultural and political fabric of America.

Jazz legend Cootie Williams left home to start his career as a professional musician at the age of fifteen. In 1940, after eleven years as one of the major soloists with the Duke Ellington orchestra, Williams was lured away to the band of Benny Goodman, one of the most popular bands in the country. At the time, it was a controversial move―it was still taboo for African Americans to share the bandstand with white people.

A vibrant new vision of food justice that celebrates Black food and recognizes the power of gathering to create sustainable, systemic change. How can we create a world where everyone has enough? We can start by focusing less on lack and more on abundance. In Gather, anthropologist Ashanté M...

Born to a wealthy family in West Africa around 1770, Omar Ibn Said was abducted and sold into slavery in the United States, where he came to the attention of a prominent North Carolina family after filling "the walls of his room with piteous petitions to be released, all written in the Arabic language," as one local newspaper reported. Ibn Said soon became a local celebrity, and in 1831 he was asked to write his life story, producing the only known surviving American slave narrative written in Arabic.

Revelations about U.S. policies and practices of torture and abuse have captured headlines ever since the breaking of the Abu Ghraib prison story in April 2004. Since then, a debate has raged regarding what is and what is not acceptable behavior for the world's leading democracy. Within this context, Angela Davis, one of America's most remarkable political figures, gave a series of interviews to discuss resistance and law, institutional sexual coercion, politics, and prison. Throughout, Davis returns to her critique of a democracy compromised by its racist origins and institutions.

In The Racial Wealth Gap, Baradaran outlines two tectonic forces that have driven apart the economic fortunes of white and Black families: wealth creation for white Americans, who have been systematically receiving financial subsidies in the century and a half since emancipation, and wealth destruction for Black Americans—either by vigilante violence or by official means, such as allowing Black banks to collapse or building highways through segregated Black communities.

Following the end of the Civil War, Mississippians responded to broader movements in the country, to changes in the economy, and to congressional initiatives as they worked to recover from the devastation of war and pursue new expressions of freedom. Reconstruction in Mississippi, 1862-1877 is a compelling account of how Black Mississippians embraced this freedom and how white Mississippians could not.

In the South of the 1890s, Booker T. Washington stood as the often controversial personification of the aspirations of the Black masses. The Civil War had ended, casting uneducated Blacks adrift or, equally tenuous, creating a class of sharecroppers still dependent on the whims of their former owners. Black Reconstruction, for all its outward trimming, had failed to deliver its promised economic and political empowerment.

Police Against the Movement shatters one of the most pernicious myths about the 1960s: that the civil rights movement endured police violence without fighting it. Instead, as Joshua Clark Davis shows, activists from the Congress of Racial Equality and the Student Nonviolent Coordinating Committee confronted police abuses head-on, staging sit-ins at precinct stations, picketing outside department headquarters, and blocking city streets to protest officer misdeeds.

Come Along with Me is a compelling memoir of resilience, activism, and breaking barriers in the causes of health equity and social justice. Henrie Monteith Treadwell recounts her personal and legal struggles to become the first African American student admitted to the University of South Carolina since Reconstruction, a pivotal moment in civil rights history. More than a personal narrative, this audiobook is a call to action, inspiring young people of color—especially women—to push forward against systemic injustices.

Ernest Crim III reveals how understanding African American black history is not just about the past—it's essential for navigating the present. From uncovering overlooked black history facts to sharing powerful black history stories, Crim demonstrates why black history for adults is more relevant than ever. The book explores why black history is American history, and how real history of America includes the triumphs, struggles, and contributions of black Americans.

Protesting with Rosa Parks details the history of the intersections between Black activism and travel over a span of one hundred and ninety years. John K. Bollard recounts the experiences of more than ninety-five civil rights leaders and private citizens who protested against segregation on...

A Hoodoo practitioner's powerful collection of saints and strategies for BIPOC/AAPI people and their allies to fight against systemic racism.

The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals.

In The Tougaloo Nine, M. J. O'Brien delves into Tougaloo College's culture of resistance, Mississippi's determination to preserve segregation, and the early stirrings of the student movement in Jackson. Through numerous interviews and years of detailed research, O'Brien tells the stories of these courageous African American students.

Physicians for the People chronicles the remarkable stories of 241 Black doctors who practiced medicine in Alabama during the Jim Crow era. Historian Jack D. Ellis reveals the ingenuity and resilience of these trailblazing doctors who defied segregation by establishing hospitals and clinics and providing vital healthcare to underserved Black communities.

A must-listen for anyone concerned about social justice and the future of our democracy, The Last Plantation exposes the mechanisms that perpetuate racial inequality in the halls of Congress and challenges us to confront and transform this unequal workplace that shapes our politics and society.

Beyond 1619 brings an Atlantic and hemispheric perspective to the year 1619 as a marker of American slavery's origins and the beginnings of the Black experience in what would become the United States by situating the roots of racial slavery in a broader, comparative context.

The stories of thirteen Black Minor League baseball players during the post-Jackie Robinson era, from the 1960s to the mid-1970s, who were figuratively and literally left behind even as both baseball and the country claimed a newfound racial progressiveness.

Representations of Blackness have always been integral to our understanding of of the modern world. In Black Meme, Legacy Russell, author of Glitch Feminism, explores the construct, culture, and material of the "meme" as mapped to Black visual culture from 1900 to present day. Mining archival and contemporary media Russell explores the impact of Blackness, Black life, and death on contemporary conceptions of viral culture, borne in the age of the internet.