検索キーワード： 制作 "--Tyson Hanks" アフリカ系アメリカ人

In this latest book in Beacon’s award-winning ReVisioning History series, Professors C. Riley Snorton and Darius Bost unearth the often overlooked history of the Black queer community in the United States. Arguing that both gender and sexual expression have been an intimate and intricate part of Black freedom struggle, Snorton and Bost present historical contributions of Black queer, trans, and gender non-conforming Americans from slavery to the present day to highlight how the fight against racial injustice has always been linked to that of sexual and gender justice.

A white man hosts a wedding party for his enslaved servant and finds himself charged with a criminal offense; an overseer ends up dead after getting drunk with a slave; a slaveholder courts a Black woman owned by his neighbor and starts a family with her. A Terrible Intimacy recounts six criminal cases in one Virginia county in the years preceding the Civil War. Witnesses of both races describe a startling range of relationships between white and Black.

Prioritize your peace of mind. Black women deal with devaluing challenges too often. Yet there can be a way to face them head-on while helping yourself heal and grow stronger. That is why I Came to Slay is a motivational book for black women you won't want to miss. Covering strategies on conquering boundaries, harmful labels, and more, you'll find many ways to take action and emerge victorious.

In February 1946, when twenty-year-old Malcolm Little was sentenced to eight to ten years in a maximum-security prison, he was a petty criminal and street hustler in Boston. By the time he was paroled in August 1952, he had transformed into a voracious reader, joined the Black Muslims, and was poised to become Malcolm X, one of the most prominent and important intellectuals of the civil rights era. While scholars and commentators have exhaustively detailed, analyzed, and debated Malcolm X's post-prison life, they have not explored these six and a half transformative years in any depth.

Slaves to Fashion is a cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art world. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

What if a former enslaved man in Galveston, Texas, witnessed the first Juneteenth and told a completely different story from what most of us know about that day? Why were slave ships most prone to rebellion, including those carrying the most African women? How has Islam found its way into R&B, soul, jazz, and other American popular music? Who was Benjamin Banneker, really? In A High Price for Freedom, historian Clyde W. Ford addresses these and other questions, amplifying little-known voices from the African American past.

Marcus Garvey (1887-1940) was a Black political activist, journalist, entrepreneur, and orator who founded the Universal Negro Improvement Association and African Communities League, which had a following of more than six million African descended people worldwide. Despite his massive popularity, this Jamaican born international leader was wrongfully sentenced to prison by the U.S. government on trumped-up mail-fraud charges.

In Nobody Can Give You Freedom, Kehinde Andrews draws on the speeches and writings of Malcolm X to upend the conventional understanding of Malcolm—from his alleged misogyny to his putative proclivity for violence. Instead, Andrews argues that Malcolm X embraced equality across genders and foresaw a more inclusive approach to Black liberation that relied on grassroots efforts and community building.

I'll Make Me a World has descriptive copy which is not yet available from the Publisher.

Written from both historical and cultural perspectives, Salvation takes an incisive look at the transformative power of love in the lives of African Americans. Whether talking about the legacy of slavery, relationships and marriage in Black life, the prose and poetry of Martin Luther King, Jr., James Baldwin, and Maya Angelou, the liberation movements of the 1950s, 60s, and 70s, or hip hop and gangsta rap culture, hooks lets us know what love’s got to do with it.

When the first Masonic lodges opened in Paris in the early 18th century their membership included traders, merchants, musketeers, clergymen, and women—both white and black. This was not the case in the United States where black Freemasons were not eligible for membership in existing lodges. For this reason the first official charter for an exclusively black lodge—the Prince Hall Grand Lodge of Massachusetts—was granted by the Grand Lodge of England rather than any American chapter.

For generations, the Black church has been a cornerstone of resilience, community, and empowerment, serving as a sanctuary for African Americans facing systemic oppression. Rooted in liberation theology and social activism, it has played a crucial role in social movements and cultural identity. However, while the Black church continues to be a source of strength, it also mirrors the complexities and contradictions of the communities it serves.

As the civil rights movement blazed through America, more than 300,000 Black troops were drafted and sent to fight in the Vietnam War. These soldiers, often from disadvantaged backgrounds and subjected to the brutalities of racism back home, found themselves thrust onto the frontlines of a war many saw as unjust. On the homefront, Black antiwar activists faced another battle: Opposition to the Vietnam War, vilified by key allies in the media and government as anti-American, jeopardized the fight for civil rights.

Dr. King was correct when he stated that Black political leaders are surrogates for White power. The destruction of Black leadership is the most damaging crisis affecting the Black community. Unless this problem is solved, nothing beneficial will develop out of the unholy alliance between African American politicians and White liberals. Black leadership is dead. They abandoned King’s philosophy of direct confrontation, which was responsible for the meager gains African Americans made in the 1960s. Real Black leadership was destroyed by White liberals and was replaced by what Dr.

(Dis)Entangled delves into the intricate and deeply personal relationship between Black individuals and their hair, exploring—through a collection of diverse experiences—the profound significance of hair as a conduit for self-expression, resilience, and collective memory within communities around the world. Each story illuminates the complex tapestry of experiences surrounding Black hair, shedding light on its intersections with gender, race and identity.

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light— the jazz, the blues, the field hollers, the spirituals— and creating something wholly new, wholly theirs, wholly ours.

The Five Blessings of Ifá explores how Black communities across the diaspora draw strength from ancestral wisdom, family, community care, and mutual aid, using the principles of Ifá—a West African spiritual tradition—as a guiding framework. Gabrielle Felder provides a blueprint for living a more fulfilled and abundant life through the blessings of Aiku (longevity), Aje (wealth), Aya and Oko (relationships), Omo (children), and Isegun (victory over negative forces), providing practical examples of how Black folks have built resilience and learned to thrive in the face of oppression.

Drawing on disparate philosophies and science behind electronic beat-making, lyricism, dance, memory, myth, and cosmology in the African and African Disaporic traditions, this book seeks to demonstrate relationships between rhythm, space, and ways of being as an articulation of futures and alternate realities made present.

As the first Black woman to anchor the Boston-area evening news, Liz Walker found herself in an industry that defined the neighborhood of Roxbury largely by violence. But when she became a pastor there, Walker grew close to households marked not only by trauma but by courage—including the family of Cory Johnson, a young father who was murdered. In the wake of their worst nightmare, the family reached out for help.

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain.