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The behind-the-scenes story of the quintessential film noir and cult classic, Billy Wilder’s Double Indemnity—its true crime origins and crucial impact on film history—is told for the first time in this riveting narrative published for the film's 80th anniversary. From real crime to serial...

In Josephine Baker’s Cinematic Prism, Terri Simone Francis examines how Baker fashioned her celebrity through cinematic reflexivity, an authorial strategy in which she placed herself, her persona, and her character into visual dialogue.

Several books have been written about the film Chinatown, starring Jack Nicholson. Yet one has not been published on the trilogy that screenwriter Robert Towne envisioned.

One of Oprah’s Favorite Things of 2023 Celebrate the 40th anniversary of the Pulitzer Prize–winning masterpiece The Color Purple—as well as the acclaimed 1985 film from Steven Spielberg, the Tony-winning Broadway musical, and the all-new film adaptation with this gorgeously designed...

***One of Vulture's Best Comedy Books of 2024*** From the New York Times bestselling author of Seinfeldia comes the totally fetch story of one of the most iconic teen comedies of all time, Mean Girls, revealing how it happened, how it defined a generation, “like, invented” meme culture, and...

Leo Braudy, a finalist for both the National Book Award and the National Book Critics Circle Award, has won accolades for revealing the complex and constantly shifting history behind seemingly unchanging ideas of fame, war, and masculinity. Continuing his interest in the history of emotion, this book explores how fear has been shaped into images of monsters and monstrosity.

This unique biography details the life of magician Marshall Brodien, most remembered for his long-running career as television's Wizzo the Wizard on WGN-TV's Bozo's Circus. His inspirational story begins in the late 1940s, when Brodien was a young magician in his first job as a Chicago magic shop demonstrator, then recounts his steady rise to show-business success, including appearances on the legendary Mike Douglas Show, and as a nightclub hypnotist in Chicago's posh Cairo Supper Club.

On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle. The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty's bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages.

The legend Newsweek once dubbed “Superflack,” Bobby Zarem knows all of Hollywood’s secrets, and he’s not afraid to share them all. Even if you don’t believe all his dish, you’ll never look at the movie business the same. In light of Peter Bogdanovich’s January 6 death, The Originals releases a never-before-heard 2019 interview in which the Oscar-nominated director narrates his own story. Candid, shocking, and often hilarious, Bogdanovich shares tales of the mistakes that bedeviled his career.

Gidget: Origins of a Teen Girl Transmedia Franchise examines the multiplicity of books, films, TV shows, and merchandise that make up the transmedia Gidget universe from the late 1950s to the 1980s. The book examines the Gidget phenomenon as an early and unique teen girl franchise that expands understanding of both teen girlhood and transmedia storytelling, providing an invaluable insight into this iconic franchise for students and researchers in film studies, feminist media studies, and youth culture.

„Pamiętnik orchidei. Pożegnania” to książka niezwykła w dorobku Zygmunta Kałużyńskiego. Ten bezkompromisowy krytyk filmowy i kontrowersyjny publicysta, nazywający sam siebie „ocalonym z wieku XX”, zdecydował się na podsumowanie własnego życia i zarazem całego stulecia, na które ono w większości przypadło.

Camp has been an inescapable part of popular culture for at least the last 150 years. Famously unrestrained and ever evolving, it has not only captured the cultural imagination, but also played an important role as a form of protest and resistance. Paul Baker takes us through camp's rebellious and revolutionary past with warmth, humour and sensitivity, starting with the court of Louis XIV and the dandies of the eighteenth century through to Showgirls, Harlem's drag balls and Columbian telenovelas.

Since the 1960s, documentary films have moved closer to the mainstream, thanks to the popularity of rockumentaries, association with the independent film movement, support from public and cable television, and the rise of streaming video services. Documentary films have become reliable earners at the US box office and ubiquitous on streaming platforms, while historically they existed on the margins of mainstream media.

Kino PRL-u. Możemy się zżymać na papierowe dialogi i natrętną propagandę, ale był to jedyny czas w historii polskiej kinematografii, kiedy zachodni recenzenci czekali na nowe obrazy z Polski. Scenariusze znad Wisły (jak np. „Kanał” Stawińskiego) podbijały serca włodarzy Hollywoodu, a termin „polska szkoła filmowa” został wpisany na stałe do światowego słownika popkultury. Polscy reżyserzy zażywali sławy porównywalnej z popularnością Antonioniego i Kurosawy, a polscy aktorzy stawali się gwiazdami festiwali filmowych.

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.

The Towering Inferno (1974) was the crowning achievement of über-producer Irwin Allen, the self-proclaimed “Master of disaster.” Crafted from two best-selling books and with a budget-busting cast headed by two mega-stars, it took two studios to bring it to the screen. In celebration of the 50th anniversary of The Towering Inferno, biographer-historian Nat Segaloff (who was a member of the film’s special publicity unit) writes about the production, its innovative marketing campaign, and the goings-on before, during, and after its box office success.

A groundbreaking look at the history of transgender representation in TV and film, by an of-the-moment and in-demand culture reporter. Narrated by Tre'vell Anderson, WE SEE EACH OTHER is a personal history of trans visibility since the beginning of moving images. A literary reckoning, it unearths a transcestry that's long existed in plain sight and in the shadows of history's annals, and further contextualizes our present moment of increased representation.

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

“Vitally important, devastatingly thorough, and shockingly revealing…. After reading Primetime Propaganda, you’ll never watch TV the same way again.” — Mark Levin Movie critic Michael Medved calls Ben Shapiro, “One of our most refreshing and insightful voices on the popular culture...

Based on exclusive interviews with the surviving cast and crew, friends and families of the stars, and other Hollywood insiders, Killin' Generals is a riveting must-listen for film buffs, military fans, and anyone who loves a down-and-dirty adventure tale. Detailed, insightful, and gossipy, Epstein's homage spotlights the movie's endless barrage of cinematic gold.