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What makes Buffy the Vampire Slayer a "brave dame" but Ally McBeal a "wimpette"? In this witty, incisive look at the role of women on screen and page, Susan Isaacs argues that assertive, ethical women characters are losing ground to wounded, shallow sisters who are driven by what she calls, "the articles of wimpette philosophy."

Hollywood: The Oral History covers the history of Hollywood from the Silent era up to the 21st century. What makes this book unique from any other survey of Hollywood's history is that it is the history of an art form through the words of those people who created it—from Harold Lloyd to Katharine Hepburn to Warren Beatty to Jane Fonda and beyond, including directors, writers, producers, editors, designers of sets and costumes.

Tan grandiosa es la gesta del cine que solo una bilogía freak pudo hacerle justicia. En el primer tomo encontrarán los orígenes de la técnica, además del asentamiento definitivo del sistema de estudio y la constelación de estrellas de la técnica, además del asentamiento definitivo del sistema de estudio y la constelación de estrellas de la época dorada de Hollywood.

A unique cocktail of personal memoir, cultural criticism and Hollywood history by the one and only Quentin Tarantino. The long-awaited first work of nonfiction from the author of the number one New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly...

Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies.

In time for Scorsese’s 80th birthday and the release of Killers of the Flower Moon, a new edition of the seminal oral history tracing Scorsese’s journey from young filmmaker to legend, featuring a foreword by Steven Spielberg Few filmmakers, if any, make the kind of impact that Martin...

Whether it is a director insisting on a final cut, a star demanding a bigger motor home, a producer holding the line on a budget, or a grip with a gripe, it seems that the world of moviemaking is nothing but Sturm und Drang. Shoot Out presents a raucous look at how movies get made and the players involved, from writers, producers, directors, and stars to agents and marketers. For film buffs, aspiring filmmakers, students, and anyone else intrigued by the inner workings of Hollywood, this is the quintessential take on the how, who, what, and why of the film business.

Rodando El padrino, ninguno de sus implicados pensó que se convertiría en el primer blockbusrer y en la película más taquillera de la historia en su estreno. Ni Mario Puzo pretendía escribir sobre la mafia, ni la mafia quería que se rodase, ni Francis Ford Coppola dirigirla, ni Paramount hacer otra película de mafiosos. Tampoco a Marlon Brando, ni a Al Pacino. Narrado como una trepidante película y basado en una rigurosa documentación histórica, este audiolibro nos muestra el poder empresarial en Hollywood, las luchas de poder en los pasillos de Paramount.

“A marvelous bombshell of a book, by one of our most formidably knowledgeable and insightful writers on film, it is filled with surprises and witty asides. Though Thomson is quick to pounce on the hypocrisies and historical omissions of some of these war movies, there is nothing compromised...

This is the first full-length biography of this mid-twentieth century multi-faceted star. One of the central tensions of Dale's life revolved around chasing the elusive work/family balance, making her story instantly relatable to women today. In addition to fame, Dale longed for a happy, stable, family life. Her roles of wife and mother became the foundation for her public persona: the smart, smiling, cheerful cowgirl. Unusual for the time were Dale Evans's attempts to control the trajectory of her career at a time when men dominated decision-making in the entertainment fields.

A history about the invention of the motion picture and the mysterious man behind it—detailing his life, work, disappearance and legacy. The year is 1888, and Louis Le Prince is finally testing his 'taker' or 'receiver' device for his family on their front lawn. The device is meant to capture 10 to 12 images per second on film, creating a reproduction of reality that can be replayed as many times as desired. In an otherwise separate and detached world, occurrences from one end of the globe could now be viewable with only a few days delay on the other side of the world. 

The Beatles are the biggest band there has ever been. James Bond is the single most successful movie character of all time. They are also twins. Dr No, the first Bond film, and 'Love Me Do', the first Beatles record, were both released on the same day - Friday, 5 October 1962. Most countries can...

"Anatomía del crimen: Guía de la novela y el cine negros" es una completa guía del escritor de novela negra y, al mismo tiempo, teórico del género Mariano Sánchez Soler, quien ha diseccionado la narrativa criminal, sus orígenes, el salto a la literatura española y su relación con el cine nacional e internacional. Subjetivo, apasionado y visceral, su visión compone una guía completa de este tipo de novelas y películas.

Эльдар Александрович Рязанов—советский и российский кинорежиссёр, сценарист, актёр, поэт, драматург, телеведущий, педагог, продюсер. На страницах книги раскрывается внутренний мир известного режиссера. Эльдар Рязанов рассказывает о сути комедийного жанра, поднимает важные проблемы современного кинематографа и ТВ.

A memoir by the legendary TV executive detailing his pioneering work on Saturday Night Live, NBC Sports, Sunday Night Football, Olympic broadcasting, the NBA, music videos, late night, and more. Think of an important moment in live television over the last half-century. Dick Ebersol was likely...

When it was finally released, Heaven's Gate failed so completely with reviewers and at the box office that it put legendary studio United Artists out of business and marked the end of Hollywood's auteur era. Or so the conventional wisdom goes. Charles Elton delves deeply into the making and aftermath of the movie and presents a surprisingly different view to that of Steven Bach, one of the executives responsible for Heaven's Gate, who wrote a scathing book about the film and solidified the widely held view that Cimino wounded the movie industry beyond repair. 

From the #1 New York Times bestselling author of The Residence and First Women, the first ever authorized biography of the most famous movie star of the twentieth century, Elizabeth Taylor. No celebrity rivals Elizabeth Taylor’s glamour and guts or her level of fame. She was the last major...

This revised and expanded edition of Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume. Dark City expands with new chapters and a fresh collection of restored photos that...

Instant New York Times bestseller The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino. In addition to...

The real story of Hollywood as told by such luminaries as Steven Spielberg, Frank Capra, Katharine Hepburn, Meryl Streep, Harold Lloyd, and nearly four hundred others, assembled from the American Film Institute’s treasure trove of interviews, reveals a fresh history of the American movie...

'This book took me right back to my formative years. It was as if I was back there on the sets, watching Ramu with his magic wand and a band of outsiders. A lot of nostalgia and a whole lot of perspective' - ANURAG KASHYAP 'An enchanting and detailed look at the making of one of the finest...

The Ultimate History of the '80s Teen Movie goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers, and where future superstars Sean, Demi, and Tom all got their big break. Music, comedy, and politics all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain relevant to all ages.

Authors John Dorney, Jessica Regan and Tom Salinsky provide a captivating decade-by-decade exploration of the Oscars. For each decade, they examine the making of classic films, trends and innovations in cinema, behind-the-scenes scandals at the awards ceremony and who won and why. Twenty films are reviewed in-depth, alongside 10 detailed 'making-of' accounts and capsule reviews of every single Best Picture winner in history. In addition, each Best Picture winner is carefully scrutinised to answer the ultimate question: 'did the Academy get it right?'

In the late 1960s and early 1970s, there were only three major television networks. And there was only one Harlan Ellison taking them all to task in a series of weekly essays he wrote for the countercultural, underground newspaper, the Los Angeles Free Press, a.k.a. “The Freep”. For nearly four years, he channel-surfed through the mire of ABC, CBS, and NBC, finding little of value but much to critique. No one offered a more astute analysis of the idiot box’s influence on American culture, or its effects on the intelligence and psyche of viewers. 

An instant New York Times Bestseller! Since The Karate Kid first crane-kicked its way into the pop culture stratosphere in June 1984, there hasn’t been a week Ralph Macchio hasn’t heard friendly shouts of “Wax on, wax off” or “Sweep the leg!” Now, with Macchio reprising his role as...

“A read so riveting, it's not hard to imagine watching it unfold on Sunday nights.” —The Associated Press “An incisive account that is more than a rosy victory lap for one of TV’s most influential channels.” —Eric Deggans, NPR’s “Books We Love” “It’s Not TV proves to be a...

For years, the media has often poked fun at various marginalized individuals, damaging the impact that these people have on the world. And this is especially true for the media’s portrayal of autism. In the modern day, we like to believe that we are more socially aware and more accepting of people’s differences. Then we get singer-songwriter Sia’s film Music. What should have been a story focused on the nuances of autism spectrum disorder was instead a foray into the pseudo-whimsical world of misrepresentation and autistic stereotypes.

 For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time. 

In Vitagraph, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that simply isn't true: that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business.

On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia’s crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself and emerged with an answer.