検索キーワード： 制作 "-- Kevin Wright --" 歴史・批評

Geoff Dyer's earlier book on film, Zona, was about Andrei Tarkovsky's Stalker, so it was perhaps inevitable that he should next devote his unique critical and stylistic energies to Brian G. Hutton's Where Eagles Dare. A thrilling Alpine adventure starring a magnificent, bleary-eyed Richard...

From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we...

Xavier James counts down the most recent television shows that hurt black America.

Since premiering in the summer of 2016, Stranger Things has become a global phenomenon. It also restored in vivid detail the pulse and feel of a decade: the 1980s. Indeed, the show's creators - the Duffer brothers - describe the series as "a love letter to the '80s". From its synth soundtrack, to its retro fonts, to its nostalgic nods to Spielberg and Stephen King, Stranger Things is populated with references, homages, and artifacts from the Reagan era. This audiobook dives deep into that world, revealing everything you wanted to know about the series and its influences.

"Mrs. Robinson, you're trying to seduce me. Aren't you?" These famous lines from The Graduate (1967) would forever link Anne Bancroft (1931-2005) to the groundbreaking film and confirm her status as a movie icon. Along with her portrayal of Annie Sullivan in the stage and film drama The Miracle Worker, this role was a highlight of a career that spanned a half-century and brought Bancroft an Oscar, two Tonys, and two Emmy awards. In the first biography to cover the entire scope of Bancroft's life and career, Douglass K. Daniel reveals how, from a young age, Bancroft was committed to challenging herself and strengthening her craft.

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.

David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today's bloated blockbusters. American filmmakers have created a durable tradition - one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960.

Recognizable for his cherubic countenance and roles playing mild-mannered fathers in movies and on TV, Dick Van Patten had one of the lengthiest and most impressive track records in the acting business. As a child, Van Patten performed alongside Broadway stars such as Melvyn Douglas, Tallulah Bankhead, Alfred Lunt,and Lynn Fontanne, often winning roles over newcomers such as Marlon Brando and Roddy McDowell. He worked in radio and became a familiar face in the early days of television, ultimately becoming an "everydad" in the1970s comedy/drama Eight Is Enough.

James Lowder, veteran editor and author in the horror genre and comics field, collects some of the biggest names in the zombie genre, along with other top horror and comics writers, to discuss the series on both page and screen.

First there was Buffy the Vampire Slayer; then its spin-off, Angel; then the cult hit Firefly and its follow-up film, Serenity. They all had two things in common: their creator, Joss Whedon...and their surprising psychological depth. Revisit the worlds of Joss Whedon...with trained psychologists at your side. What are the psychological effects of constantly fighting for your life? Why is neuroscience the Whedonverse's most terrifying villain? How can watching Joss' shows help you take on your own psychological issues?

Serenity Found takes the contents of Finding Serenity even further, exploring not just the show but the events of the film as well, to create an anthology that's even more thought-provoking, fascinating, and far-thinking than its predecessor.

In the fall of 2000, Gilmore Girls premiered on the WB, and viewers were introduced to the quirky world of Stars Hollow and the Gilmores who had made it their home, mother-daughter best friends Lorelai and Rory. Coffee at Luke's is the perfect look at what made the show such a clever, beloved part of the television landscape for so long.

Firefly's early demise left fans with a deep sense of loss and plenty of unanswered questions. From what was wrong with the pilot to what was right with the Reavers, from the use of Chinese to how correspondence between Joss and network executives might have gone, from a philosopher's perspective on "Objects in Space" to a sex therapist's analysis of Inara, Finding Serenity is filled with writing as exciting, funny, and enthralling as the show itself.

银河情结，不尽眷念；回眸影坛，群星闪耀。曾经筚路蓝缕，开启民族电影新路；毕竟艺高才卓，成就中华一代巨星。影帝影后，风华绝代；大腕红角，名冠一时。…… 銀河情結，不盡眷念；回眸影壇，群星閃耀。曾經篳路藍縷，開啟民族電影新路；畢竟藝高才卓，成就中華一代巨星。影帝影后，風華絕代；大腕紅角，名冠一時。

Until now, Hollywood's political history has been dominated by a steady stream of films and memoirs decrying the nightmare of the Red Scare and how it victimized political innocents. But Ronald and Allis Radosh tell for the first time the “backstory” behind this myth. They show how the Soviet Comintern targeted the film capital in the late 1920s, taking us inside the cells and discussion groups that Communist Party members formed, the guilds and unions they tried to take over, and the studios they aimed to influence.

The untold story of the innovative pioneers who helped make movies the preeminent art form of the 20th century by founding the Academy of Motion Picture Arts and Sciences. The founders of the now infamous Academy were a motley crew as individuals, but when they first converged in Hollywood, then just a small town with dirt roads, sparks flew and fueled a common dream: to bring artistic validity to their beloved new medium.

In this first biography of Woody Allen in over a decade, David Evanier discusses key movies, plays, and prose as well as Allen's personal life. Evanier tackles the themes that Allen has spent a lifetime sorting through in art: morality, sexuality, Judaism, the eternal struggle of head and heart. Woody will be the definitive word on a major American talent as he begins his ninth decade and his sixth decade of making movies.

Discover the science behind the most popular sci-fi franchise of all time. Capturing the imagination and hearts of crowds worldwide, Star Wars is a fantastic feat of science fiction and fantasy. We marvel at the variety of creatures and technology and the mystery behind the force. But how much of the Star Wars world is rooted in reality? Could we see some of the extraordinary inventions materialize in our world?

From "Over the Rainbow" to "Moon River" and from Al Jolson to Barbra Streisand, The Songs of Hollywood traces the fascinating history of song in film, both in musicals and in dramatic movies such as High Noon. This delightful book sheds much light on some of Hollywood's best known and loved repertoire, explaining how the film industry made certain songs memorable, and highlighting important moments of film history along the way.

Jean Renoir's career almost spans the history years of cinema - from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war.