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'Enchanting' Simon Russell Beale --- 'Remarkable' James Shapiro 'Wonderful . . . compulsively readable' Nicholas Hytner Why do the collected works of an Elizabethan writer continue to speak to us as if they were written yesterday? When Robert McCrum began his recovery from a life-changing stroke...

*The inspiration for the CNN original series Vegas: The Story of Sin City* “Outstanding pop-culture history.” —Newsday The “smart and zippy account” (The Wall Street Journal) of how Las Vegas saved Elvis and Elvis saved Las Vegas in the greatest musical comeback of all time. Elvis’s...

Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.

Britain's most esteemed scholar of 16th and 17th century literature, Frank Kermode is also a noted author and professor. In this Modern Library Chronicle, he uses the context of the Elizabethan Era to link each of Shakespeare's plays to their probable years of creation. By portraying the bard's England in terms of its society, economy, and arts, Kermode provides an invaluable guide to understanding Shakespeare?s works.

Born Joel David Katz to a wild and wooly Jewish American family in Cleveland, Ohio, in 1932, Joel Grey began his life in the theater at the age of nine, starting in children's theater and then moving to the main stage. He was hooked, and his seven-decades-long career charts the evolution of American entertainment - from Vaudeville performances with his father, Mickey Katz, to the seedy, gangster-filled nightclubs of the '40s.

A. L. Rowse proclaimed himself a genius and raged against the slightest criticism from fellow scholars; he was a Marxist who despised the 'Idiot People'; he could be generous and affectionate yet hurled insults at his friends; he inveighed against Puritanism but was himself in many ways a...

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

All's Well That Ends Well is a play by William Shakespeare. It is believed to have been written between 1604 and 1605, and was originally published in the First Folio in 1623 Though originally the play was classified as a comedy, the play is now considered by some critics to be one of his...

Henry IV, Part 1 is a history play by William Shakespeare, believed to have been written no later than 1597 PERFORMED BY HARRY ANDREWS AND CAST Henry IV, Part 1 is a history play by William Shakespeare, believed to have been written no later than 1597. It is the second play in Shakespeare's...

Richard III is a history play by William Shakespeare, believed to have been written in approximately 1591, depicting the Machiavellian rise to power and subsequent short reign of Richard III of England. The play is grouped among the histories in the First Folio and is most often classified as...

Now the FX limited series Fosse/Verdon starring Sam Rockwell and Michelle Williams with Lin-Manuel Miranda executive producing. “Wasson is a smart and savvy reporter, and his book abounds with colorful firsthand tales.” — Janet Maslin, New York Times “Fascinating . . . Wasson has taken...

For Shakespeare fans, this is a great way to test your knowledge of the Bard's life and works. Six rounds of detailed Shakespeare questions from expert Hazel Jeffs and including voicing from Shakespearian actors and actresses to bring questions to life. Even if you don't know the answers lots of commentary will teach you interesting facts and details about England's greatest playwrite and his works.

The first in-depth cultural history of one of the most famous American contemporary musicals featuring archival research and first-hand accounts from its creators and collaborators.

Award-winning British playwright, composer and screenwriter Leo Butler looks back over 25 of writing for the stage and his extensive experience teaching and mentoring emerging playwrights. With honesty and humour, Leo Butler shares his experiences from his working-class upbringing in Sheffield, including his disastrous state education, his years on the dole, to his breakthrough into the professional theatre industry.

A short biography of Charles Dickens by acclaimed actor and writer Simon Callow that offers a fresh perspective on one of the greatest novelists in the English language in a lively, highly readable account. "It has all the gusto that a popular biography of Dickens—a man who “could do nothing...

Mention The Phantom of the Opera at a dinner party, and each guest will have his or her own vivid, almost visceral, recollection of the tale of a disfigured musical genius and his unrequited love for a beautiful, young singer. Someone will undoubtedly pantomime the famous scene from the silent era film in which Mary Philbin (as Christine Daae) sneaks up behind the Phantom, while he is playing the organ in his subterranean lair, and unmasks the great Lon Chaney, revealing his horribly disfigured face to the audience and her.

In recent decades its history has been fabricated from modern myth, romantic fiction, and pure fantasy. Now, for the first time, historical researcher and author Michael Paul Mihaljevich has pieced together the real story of the Bird Cage.

Il nostro corpo racconta molte cose se può manifestarsi con libertà. I pantaloni con cui Marlene Dietrich arrivò a Parigi nel 1930 fecero gridare allo scandalo perché non solo parlavano di una sessualità dominatrice, ma di una donna che attingeva agli stereotipi del potere maschile diventando una vampira di energie invece che una donatrice devota. Il seno turgido che sbocciava dall'abito di Marilyn Monroe mentre cantava al suo amante "Happy Birthday, Mr. President", alludeva a una seduzione di nuovo conio, ribelle alle convenzioni del matrimonio, della ragion di Stato e della donna per bene.

From his agent's phone call offering him the role of Estragon, Lucian Msamati brings brilliantly to life the experience of co-starring with Ben Whishaw in James Macdonald's celebrated production of Waiting for Godot in London's West End. Through rehearsal room highs and lows, workaday laughs and tears, literal stumbles and grumbles, we journey with Lucian, his fellow actors and creatives, and Beckett's play, sharing in the personal and dramaturgical discoveries they make and the inevitable emotional contours of an experience as intense as this one.

It is the story of the embrace of risk and substance. In so doing, Chris Jones makes the point that the theatre thrived by finally figuring out how to embrace the bold statement and insert itself into the national conversation - only to find out in 2016 that a hefty sector of the American public had not been listening to what it had to say. Chris Jones was in the theatres when and where it mattered.