検索キーワード： 制作 "Tantor Media" イングランド・アイルランド・スコットランド・ウェールズ

A mysterious woman appears nightly at the bedside of a prince and sings to him until he falls sick with love for her. A determined hero tracks his beloved through several incarnations, struggling to win her back. A young warrior seeks a woman who turns into a swan. These are the plots of...

Jack's due back...and Nell is waiting. She's dreamt of this moment for a long time. Nine years after their plan was hatched, Master Mariner Jack Riley is ready to take control of his own ship. And Nell is preparing to travel with him. Counting down the days until he gets home, she longs to see America...and nobody is going to stop her. Not her two young daughters...and especially not her sister, Maria.

When Mrs. Bennet passes away, Mr. Bennet is left with the responsibility of raising four young children alone. Without delay, he promptly seeks the aid of Mrs. Blackwall, a nearby lady of gentle birth but modest means, to assume the role of governess. With her assistance, the Bennet daughters grow into fine young ladies that any father would be proud of. Year after year, Mr. Bennet grew more dependent on the calm companionship of Mrs. Blackwall, until a sudden realization hit him: he was deeply in love with her. The couple wedded and the new Mrs. Bennet fit seamlessly into the family.

Nell's dream of traveling on a transatlantic steamship is about to come true. Although not in the way she expected. Life is hard, and with only three women working amongst a crew of eighty, there are challenges Nell had not foreseen. While she struggles to cope with the constant attention of her colleagues, not to mention their criticisms, there are some who will do whatever they can to support her.

Fanny Price, in Mansfield Park, tells her persistent suitor that "we have all a better guide in ourselves . . . than any other person can be." Sometimes, however, we crave external guidance: and when this happens we could do worse than seek it in Jane Austen's own subtle novels. Written to coincide with Austen's 250th birthday, this approachable and intimate work shows why and how—for over half a century—Austen has inspired and challenged its author through different phases of her life.

Setting off in search of his brother, William-Wetherby heads to Liverpool. Since they were last together their world has changed and with no one to turn to, he needs a friend. When he rents a room with a local family, he refuses to tell his landlady or her daughter, Bella, anything about his past. But their curiosity is piqued. As their friendship develops and he begins to trust her, Bella hopes he'll settle down. But a final surprise from Mr. Wetherby reignites past grievances...and this time, William-Wetherby is ready for a fight.

Keen to get away from her abusive father, Lydia happily accepts the post of housekeeper at the Jackson family home. But when William senses romance in the air between Lydia and his son William-Wetherby, he is determined to put an end to it. For good.

In popular imagination, Tolkien is a Luddite, but recent scholarship has identified Tolkien's extensive modern sympathies. Tolkien, Philosopher of War contributes to this growing literature. His is a modern critique of Enlightenment thinking, specifically those philosophies that wrest the initiative from God in divinizing man. His worry is apocalyptic politics—political movements that take Christ's word out of the realm of grace and make it a platform for political action.

With no husband and two small children to care for, survival is Mary's only concern. She needs money . . . and can't be too choosy about the job. Mr. Wetherby doesn't need any more workers for his expanding business, but as a favor to an old acquaintance, he'll make an exception . . . for Mary. He wants her. She needs him. Can they build the foundations of a happy life together? Or will a web of lies and deceit be their undoing?

In 1860s England, it's a man's world and women aren't expected . . . or allowed . . . to upset the status quo. Living with her domineering uncle, Harriet is desperate to break free. Could the charming young man who has come to stay with them be her way out? Or will he be just like the rest? Happy to keep her in her place . . . Not prepared to sit around while her dreams die, Harriet risks everything to stand her ground. But she underestimates how far some will go to silence her.

As Mr. Wetherby's wealth and power increase, he won’t tolerate interference in his affairs. From anyone. But Harriet isn't "just anyone," and when she sees him involved in a serious incident, she stores the information away. Maybe one day she can use it to get the future Mr Wetherby is intent on denying them. Biding her time, she finally gets her chance. But facing the wrath of Mr. Wetherby, she soon discovers she has more to worry about than her own ambitions.

Lord Byron was the most celebrated of all the Romantic poets. Troubled, handsome, sexually fluid, disabled, and transgressive, he wrote his way to international fame—and scandal—before finding a kind of redemption in the Greek Revolution. He also left behind the vast trove of thrilling letters (to friends, relatives, lovers, and more) that form the core of this remarkable biography.

James Bennet is the perfect heir to Longbourn. He is always looking out for his sisters and mother, making sure they have the opportunity to receive proper education, and always making sure they have the guidance and direction they need. He purchased a small cottage to ensure that his mother and sisters had somewhere to live in the event that something happened to him and his father. He works tirelessly on the estate to ensure that Longbourn is profitable. 

In her latest book, In Praise of Listening, Christian McEwen reflects on listening (silence, music, nature, prayer) in a series of thoughtful chapters, each one focused on a different theme. When an athlete speaks of "listening to his body," or a gardener describes herself as "listening to the land," when writers and artists explain that they are "listening" to their work-in-progress, they are using the word as she chooses to use it here—as an extended metaphor for openness and receptivity, rippling out from the self-centered human to the farthest reaches of the non-human world.

Farm laborer Charles Jackson doesn't expect much from life. For the price of a few pints of ale and enough food on the table, he's happy to take work where he can get it. Until he finds himself at Chadwick's farm. Falling in love with the farmer's daughter wasn't part of his plans. But when they're found in an intimate embrace, his troubles are only just beginning . . .