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Written when women---and workers generally---had few rights in England, Agnes Grey exposes the brutal inequities of the rigid class system in mid-19th-century Britain. Agnes comes from a respectable middle-class family, but their financial reverses have forced her to seek work as a governess.

Wives and Daughters, Elizabeth Gaskell's last novel, is regarded by many as her masterpiece. Molly Gibson is the daughter of the doctor in the small provincial town of Hollingford. Her widowed father marries a second time to give Molly the woman's presence he feels she lacks, but until the arrival of Cynthia, her dazzling stepsister, Molly finds her situation hard to accept. Intertwined with the story of the Gibsons is that of Squire Hamley and his two sons.

Based on Kipling's own adolescent experiences, Stalky and Co. is a cunning story of mischievous 19th century British schoolboys attempting scholastic mutiny. The faculty and headmaster of a boys' private school repeatedly pursue a trio of poetic pranksters, "Stalky", "Beetle", and "Turkey", as they wage war on fellow students and the "establishment" with unwavering energy and creativity.

Over the past fifty years, fiction in English has never looked more various. Books bulkier than Victorian three-deckers appear alongside works of minimalist brevity, and experiments with form have produced everything from verse novels to Twitter-thread narratives. This is truly a golden age. But what unites this kaleidoscopic array of genres and styles? Celebrated writer and critic Peter Kemp shows how modern writers are obsessed with the past.

Learn about the man who wrote The Lord of the Rings in this Middle-earth treasury. Full of answers to common questions about Middle-earth and the fandom, this book about Tolkien celebrates Why We Love Middle-earth.

Georgiana Dudley, the 'Ice Duchess', has just emerged from mourning after a nine-year marriage of convenience to the Duke of Darby, her twin brother's lover. Deeply hurt by a scoundrel a decade ago, Georgie swore she would never turn her head for any man, let alone another rakehell. But then she encounters the wickedly handsome and all too charming Rafe Landsbury, the Earl of Markham and against her better judgment, her interest is reluctantly aroused. An affair may be impossible to resist, but dare she trust Lord Markham with her most intimate secrets...and her heart?

David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor.