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Tolkien's Lost Chaucer uncovers the story of an unpublished and previously unknown book by the author of The Lord of the Rings. Tolkien worked between 1922 and 1928 on his Clarendon edition Selections from Chaucer's Poetry and Prose, and though never completed, its 160 pages of commentary reveals much of his thinking about language and storytelling when he was still at the threshold of his career as an epoch-making writer of fantasy literature.

Rights of Man presents an impassioned defense of the Enlightenment principles of freedom and equality that Thomas Paine believed would soon sweep the world. He boldly claimed, "From a small spark, kindled in America, a flame has arisen, not to be extinguished. Without consuming...it winds its progress from nation to nation."

Written when women---and workers generally---had few rights in England, Agnes Grey exposes the brutal inequities of the rigid class system in mid-19th-century Britain. Agnes comes from a respectable middle-class family, but their financial reverses have forced her to seek work as a governess.

Wives and Daughters, Elizabeth Gaskell's last novel, is regarded by many as her masterpiece. Molly Gibson is the daughter of the doctor in the small provincial town of Hollingford. Her widowed father marries a second time to give Molly the woman's presence he feels she lacks, but until the arrival of Cynthia, her dazzling stepsister, Molly finds her situation hard to accept. Intertwined with the story of the Gibsons is that of Squire Hamley and his two sons.

Based on Kipling's own adolescent experiences, Stalky and Co. is a cunning story of mischievous 19th century British schoolboys attempting scholastic mutiny. The faculty and headmaster of a boys' private school repeatedly pursue a trio of poetic pranksters, "Stalky", "Beetle", and "Turkey", as they wage war on fellow students and the "establishment" with unwavering energy and creativity.

Eliminate the impossible, Sherlock Holmes said, and whatever is left must be the solution. But, as Pierre Bayard finds in this dazzling reinvestigation of The Hound of the Baskervilles, sometimes the master missed his mark. Using the last thoughts of the murder victim as his key, Bayard unravels the case, leading the reader to the astonishing conclusion that Holmes - and, in fact, Arthur Conan Doyle - got things all wrong: The killer is not at all who they said it was.

J.R.R. Tolkien's novels of Middle-earth—The Hobbit, The Lord of the Rings trilogy, and The Silmarillian—have become some of the most famous, and most beloved, literary works of the twentieth century. Even if you've never read the novels and have only seen the films, you know that the world of Middle-earth is a complicated one. What you'll find in The Oigins of Tolkien's Middle-earth For Dummies is a basic guide to some of the possible linguistic and mythological origins of Middle-earth, plus a rudimentary analysis of its many themes and lessons for our world.

Over the past fifty years, fiction in English has never looked more various. Books bulkier than Victorian three-deckers appear alongside works of minimalist brevity, and experiments with form have produced everything from verse novels to Twitter-thread narratives. This is truly a golden age. But what unites this kaleidoscopic array of genres and styles? Celebrated writer and critic Peter Kemp shows how modern writers are obsessed with the past.

Learn about the man who wrote The Lord of the Rings in this Middle-earth treasury. Full of answers to common questions about Middle-earth and the fandom, this book about Tolkien celebrates Why We Love Middle-earth.

This enchanting collection of stories gathers together legends from across Scotland in one special volume. Drawn from The History Press' popular Folk Tales series, herein lies a treasure trove of tales from a wealth of talented storytellers. From the Spaeman's peculiar advice and a laird who is transformed into a frog, to a fugitive hiding in a dark cave and the stoor worm battling with Assipattle, this book celebrates the distinct character of Scotland's different customs, beliefs, and dialects, and is a treat for all who enjoy a well-told story.

David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor.