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Gillian Bickley was born and educated in the UK and has lived mainly in Hong Kong since 1970. The poems in Sightings are on Hong Kong, Europe, and personal subjects, accessible to many listeners, both young and old. An academic turned full-time writer, editor, and publisher, Gillian invites listeners to share her enjoyment of city and country, simple and complex ideas and events, and her empathy with the largely innocent people she has come across.

A sublime book of 31 poems written by Frater Achad. This edition has been fully and completely digitally remastered to be as close to the now out-of-print original. It is a loving work of art dedicated to the memory of the author. Frater Achad was an occultist and ceremonial magician. An early aspirant to AA (the 20th to be admitted as a Probationer in December 1909) who "claimed" the grade of Magister Templi as a Neophyte, he also became an OTO initiate. He worked under a variety of mottos and pseudonyms, but he is best known under his Neophyte motto Achad (Hebrew "unity", אחד).

This collection of poems was written during almost 30 years' residence in Hong Kong. Most are on explicitly Hong Kong topics, and reflect the writer's personal experience and knowledge of Hong Kong. Those who have emigrated or who have spent a period of time overseas will empathize with the expatriate experience described. Other poems narrate and reflect on personal events and concerns which will resonate with many.

Wie ein Sturm ist das Werk Emily Brontës in das Leben von Mithu Sanyal hineingefegt. Die erste Lektüre des Romans "Sturmhöhe: Wuthering Heights" hatte für die Autorin von "Identitti" lebensprägende, lebensverändernde Kraft. Mithu Sanyal hat ein mitreißendes Buch über das Leben und Schreiben der weltberühmten englischen Autorin geschrieben, der man zu Lebzeiten mangelnde Weiblichkeit vorwarf und deren Buch als gefährlich galt.

Un lieu, quatre siècles, une odyssée audacieuse et irrésistible au cœur de l'histoire de la civilisation occidentale. Entre permanence de la nature, rêve et folie des hommes. Comment une petite dizaine d'individus du monde entier se sont-ils retrouvés à l'intérieur d'un minibus aux confins du Mexique, sur des routes brinquebalantes et en compagnie d'un chaman ?

This charming collection of poems and blessings celebrating the Skellig islands will take the listener on a magnificent journey to the mysterious islands that have captivated the hearts and imaginations of pilgrims and visitors throughout the centuries. The beautiful poetry embraces the mystery and history of the ancient Skellig monastery and the monks who built it, the birds and marine life, the flora and fauna, and the powerful moods of the seasons surrounding these stunning islands at Europe’s western edge.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

It’s 1925. Hitler has published Mein Kampf and Mussolini has shut down the free press in Italy. Three friends meet on a Scottish estate for a weekend of salmon fishing and convivial conversation over brandy and cigars: Winston Churchill, future world leader; "Bendor", 2nd Duke of Westminster; and Coco Chanel, iconic fashion entrepreneur. The narrative develops into a visceral account interspersed with sharp and insightful humor, revealing two men whose deep friendship is divided by their profound political differences, as each of them tries to navigate an uncertain world.

Poetry can give voice to opinions and feelings which would otherwise not be shared. This writer, in no uncertain terms, expresses in verse the frustration, disappointment, and worries the last six years have provoked. Brexit, COVID, climate change, and geopolitical upheaval, including the Russian invasion of Ukraine, are all here, as are some more personal reflections. Occasionally funny, sometimes satirical, sometimes reflective, usually thought-provoking. With a historical perspective on a tumultuous few years through poetry, it is not hard to detect a point of view!

“IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. A Guest at the Feast is both an intimate encounter with a creative artist and a glorious celebration of writing.

Es un poema épico anglosajón anónimo que fue escrito en inglés antiguo en verso aliterativo. Cuenta con 3182 versos. Tanto el autor como la fecha de composición del poema se desconocen aunque las discusiones académicas suelen proponer fechas que van desde el siglo VIII al XII d. C.

William Butler Yeats's early poetry is suffused with the radiant lyricism of Irish folklore and myth; the yearning romance and distinctly Irish voice of these first works of the Nobel laureate have inspired scores of poets. This splendid selection offers a distinctive sampling of the Yeatsian voice.

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

Michael and Tony are in the “Waste Management Business”. They’ve been asked to dispose of a large “package” in a nearby lake with no questions asked. Join us on a tale of missing boats, existential questions, and gangster films as we take you on a trip into the average day of a “Union Representative”.

The Snake, the Scorpion, the Sage: A Poetry Book contains 38 poems across the themes of chaos, madness, lost love, violence, shadow work, dreams, nightmares, death, and the messy side of life experience.

This short set of poems is an expression of our universal need for connection, to ourselves as well as to others, in the most practical and human way possible. Within this beautiful connection to ourselves and others is an essential reconnection to and reconciliation with our shared consciousness. This is, I believe, the ground of our being and the fundamental reality. It seems to me that in order to arrive at this place of intimate connection, it is necessary for us to return to the present, and there, to let go of the past and the illusion of the future.

In his essay about the life of Irish writer John McGahern, Tóibín reveals the tones of melancholy and amusement within both art and the artist. In his extraordinary essay on his cancer diagnosis, Tóibín unpicks the word 'battle', and illuminates the distress, horror and blankness of his experiences. From the shades of light and dark in a Venice without tourists, to the streets of Buenos Aires riddled with disappearances and tied up with dictators and politics, we find ourselves considering law and religion in Ireland as well as in Marilynne Robinson's fiction.

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.

British writer William Hazlitt was the most brilliant essayist of his day. He is now considered one of the greatest critics and essayists in the history of the English language, placed in the company of Samuel Johnson and George Orwell. During his last illness, Hazlitt wrote this essay on a topic that most people will recognize. Hazlitt did not fear his own demise, and in this thoughtful essay, he explains why no one needs to give in to such a fear.

Lamia is a narrative poem that reflects Keat's intensive exploration of Greek mythology. It first appeared in 1820 in a collection entitled Lamia, Isabella, the Eve of St Agnes and Other Poems. The poem describes the search of the god Hermes for a beautiful nymph, during which he encounters Lamia, who is trapped in the form of a serpent. At her fervent request, Hermes transforms Lamia into a human form and she departs to pursue a liaison with her lover, the glamorous Corinthian youth, Lycias.