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On the Day of the Dead, in 1938, Geoffrey Firmin, an alcoholic and ruined man, is fatefully living out his last day, drowning himself in mescal while his former wife and half-brother look on, powerless to help him. The events of this one day unfold against a backdrop unforgettable for its evocation of a Mexico at once magical and diabolical.

The Living Infinite is based on the true story of the Spanish princess Eulalia, an outspoken firebrand at the Bourbon court during the troubled and decadent final years of her family's reign. After her cloistered childhood at the Spanish court, her youth spent in exile, and a loveless marriage, Eulalia gladly departs Europe for the New World. In the company of a small-town bookseller with a thirst for adventure, she travels by ship, first to a Cuba bubbling with revolutionary fervor then on to the 1893 Chicago World Fair.

Three brothers tear their way through childhood—smashing tomatoes all over each other, building kites from trash, hiding out when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn—he’s Puerto Rican, she’s white—and their love is a serious, dangerous thing that makes and unmakes a family many times.

Two divorces have taught Mariela Estevez that she's better suited to being a mistress than a wife. Whose heart needs all that "forever after" trouble? Still, her affair with her married lover, Hector, has become problematic - especially because he's also a tenant in her apartment building in the heart of Miami's Calle Ocho in Little Havana. But when Hector is found dead just steps from Mariela's back door, on the eve of her fortieth birthday, she's forced to examine her life - and come up with a plan to save it, fast.

The sun-drenched Caribbean island of Guadeloupe is technically part of France, subject to French law, and loyal to the French Republic. But in 1980, the scars of colonialism are still fresh, and ethnic tensions and political unrest seethe just below the surface of everyday life. French-Algerian judge Anne Marie Laveaud relocated to this beautiful Caribbean island confident that she could make it her new home. But her day-to-day life is rife with frustration. Now she is assigned a murder case in which she is sure the chief suspect, an elderly ex-con named Hégésippe Bray, is a political scapegoat.

On the eve of his 90th birthday, a bachelor decides to give himself a wild night of love with a virgin. As is his habit - he has purchased hundreds of women - he asks a madam for her assistance. The 14-year-old girl who is procured for him is enchanting, but exhausted as she is from caring for siblings and her job sewing buttons, she can do little but sleep. Yet with this sleeping beauty at his side, it is he who awakens to a romance he has never known. Tender, knowing, and slyly comic, Memories of My Melancholy Whores is an exquisite addition to a master's work.

Written in a style that is both precise and sumptuous, weirdly archaic and powerfully novel, Zama takes place in the last decade of the 18th century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunción, the capital of remote Paraguay. There, eaten up by pride, lust, petty grudges, and paranoid fantasies, he does as little as he possibly can while plotting his eventual transfer to Buenos Aires.

Here, gathered in one volume, are the stories that made Clarice a Brazilian legend. Originally a cloth edition of 86 stories, now we have 89 in all, covering her whole amazing career, from her teenage years to her deathbed. In these pages, we meet teenagers becoming aware of their sexual and artistic powers, humdrum housewives whose lives are shattered by unexpected epiphanies, old people who don't know what to do with themselves - and in their stories, Clarice takes us through their lives - and hers - and ours.

Anthropologist Calliope Santiago awakens to find herself in a strange and sinister wasteland, a shadow of the New Mexico she knew. Empty vehicles litter the road. Everyone has disappeared - or almost everyone. Calliope, heavy-bellied with the twins she carries inside her, must make her way across this dangerous landscape with a group of fellow survivors in search of answers. Long-dead volcanoes erupt, the ground rattles and splits, and monsters come to ominous life. Calliope will be forced to reconcile the geological record with the heritage she once denied.

On a clear, moonlit night in December, police detective Jimmy Vega races to the scene of a reported home invasion in an upscale New York community. As Vega arrives, he spots a Hispanic man who fits the description of the armed intruder running from the victim's estate. Vega chases him into the woods. When the suspect refuses to surrender - and reaches into his pocket - Vega has only seconds to make a life-or-death decision.

Award-winning author Suzanne Chazin returns with a stirring novel of deadly misdeeds and heartbreaking choices in a seasoned homicide cop's hometown. A split-second decision thrusts Detective Jimmy Vega into the epicenter of a disturbing case when a body is found near a gathering place for immigrants in upscale Lake Holly, New York. The cold-bloodedness of the crime and the innocence of the victim torment Vega. But so does the feeling that he's to blame.

It's 2004 in Muriga, a quiet town in Spain's northern Basque Country, a place with more secrets than inhabitants. Five years have passed since the kidnapping and murder of a young local politician - a family man and father - and the town's rhythms have almost returned to normal. But in the aftermath of the Atocha train bombings in Madrid, an act of terrorism that rocked the nation and the world, the townspeople want a reckoning of Muriga's own troubled past.

With The Barbarian Nurseries, Héctor Tobar gives our most misunderstood metropolis its great contemporary novel, taking us beyond the glimmer of Hollywood and deeper than camera-ready crime stories to reveal Southern California life as it really is, across its vast, sunshiny sprawl of classes, languages, dreams, and ambitions.

Twenty years ago Martin Limón published his first mystery featuring Sergeant George Sueño, a young Mexican American army detective stationed on the US Eighth Army base in South Korea in the early 1970s, the heart of the Cold War. George and his investigating partner, the rowdy and short-fused Sergeant Ernie Bascom, are assigned cases in which the Eighth Army has come into conflict with local Korean law enforcement - often incidents in which American soldiers, who are not known for being on their best behavior in their Asian host country, have committed a crime.

When the dead body of a Latino woman is found in a reservoir about 50 miles north of Manhattan, with a photo of a baby in her purse nearby, the police try to determine who the child is and if it is still alive. Along with the photo, they also find a disturbing note in the purse: "Go back to your country. You don't belong here."

A young mother in Mexico City, captive to a past that both overwhelms and liberates her, and a house she cannot abandon or fully occupy, writes a novel of her days as a translator living in New York. A young translator, adrift in Harlem, is desperate to translate and publish the works of Gilberto Owen, an obscure Mexican poet who lived in Harlem during the 1920s and whose ghostly presence haunts her in the city's subways. And Gilberto Owen, dying in Philadelphia in the 1950s, convinced he is slowly disappearing, recalls his heyday decades before.

The attack was a complete surprise, carefully planned and clinically executed. How did this unidentified Korean civilian get into the tightly controlled base? And why attack the claims officer? Is there an unsettled grudge, a claim of damages that was rejected by the Army? Against orders, CID agents Sergeants George Sueño and Ernie Bascom start investigating. Somehow, each person they speak to has not yet been interviewed.