検索キーワード： 制作 "--Tyson Hanks" アメリカ先住民

Following the acclaimed Secrets of the Talking Jaguar and Long Life, Honey in the Heart, this is an expansive lyrical novel in the tradition of Indigenous oral storytelling. Based on the author's many years of living in a Guatemalan village, Stealing Benefacio's Roses interweaves dramatic recountings of village life and the political horrors of civil war with lyric retellings of sacred Mayan myths.

May 1875: Mary Todd Lincoln is addicted to opiates and tried in a Chicago court on charges of insanity. Entered into evidence is Ms. Lincoln’s claim that every night a Savage Indian enters her bedroom and slashes her face and scalp. She is swiftly committed to Bellevue Place Sanitarium. Her hauntings may be a reminder that in 1862, President Lincoln ordered the hanging of 38 Dakotas in the largest mass execution in United States history. No one has ever linked the two events - until now.

The Neyhiyawak (Plains Cree) word "Kitotam" translates into English as, "He Speaks to It". This is a collection of free-verse poetry by Indigenous poet and artist John McDonald. Written in two parts, these poems chronicle John's life and experiences as an urban Indigenous youth during the 1980s. The second half of the book is a look into the inspirations and events that shaped John's career as an internationally known spoken-word artist, beat poet, monologist, and performance artist.

In diesem packenden Roman, der mitten ins Herz trifft, handelt es sich um das Geheimnis Charlottes über den Tod hinaus, ein Geheimnis aus der Vergangenheit, das sie erst lösen muss, um ihre Seele wieder ins Gleichgewicht zu bringen. Diese Vergangenheit führt sie nach Amerika, wo sie ihre indianischen Wurzeln kennenlernt.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

The great city of Tova is shattered. The sun is held within the smothering grip of the Crow God’s eclipse, but a comet that marks the death of a ruler and heralds the rise of a new order is imminent. The Meridian: a land where magic has been codified and the worship of gods suppressed. How do you live when legends come to life, and the faith you had is rewarded?

When their mother passed away a decade ago, Evie Ross and her sister, Suda Kaye, were each left a stack of letters, one to be opened every year on their birthday. While the letters encouraged Suda Kaye’s wanderlust, taking her away from Evie for years, their free-spirited mother’s wish for her more cautious daughter was to discover what her heart truly desires. But steadfast Evie discovered long ago that wishes rarely come true. A successful life stems from planning, building a stable career - and keeping your heart guarded at all costs.

From the night she is rescued as a baby out of the flames of a sinking ship, to the day she joins a pair of daredevil pilots looping and diving over the rugged forests of her childhood, to the thrill of flying Spitfires during the war, the life of Marian Graves has always been marked by a lust for freedom and danger. In 1950, she embarks on her life's dream - to fly a Great Circle around the globe, pole to pole. But after a crash landing, she finds herself stranded on the Antarctic ice without enough fuel.

Midsummer’s Eve, 1670. A wealthy man waits outside a poor London warehouse to meet with Alinor, the woman he failed 21 years before. He has everything to offer: money, land, status - and he believes she has the only thing he cannot buy: his son and heir. Meanwhile in New England, Alinor’s brother, Ned, cannot find justice in the New World, as the king’s revenge stretches across the Atlantic and turns the pioneers against each other and against the American Indians.

It is 1953. Thomas Wazhushk is the night watchman at the first factory to open near the Turtle Mountain Reservation in rural North Dakota. He is also a prominent Chippewa Council member, trying to understand a new bill that is soon to be put before Congress. The US Government calls it an 'emancipation' bill but it isn't about freedom - it threatens the rights of Native Americans to their land, their very identity. How can he fight this betrayal?

Virgil Wounded Horse is the local enforcer on the Rosebud Native American Reservation in South Dakota. When justice is denied by the American legal system or the tribal council, Virgil is hired to deliver his own punishment, the kind that’s hard to forget. But when heroin makes its way onto the reservation and finds Virgil’s nephew, his vigilantism suddenly becomes personal. He enlists the help of his ex-girlfriend and sets out to learn where the drugs are coming from and how to make them stop.

Otter Lake is a sleepy Anishnawbe community where little happens. Until the day a handsome stranger pulls up astride a 1953 Indian Chief motorcycle - and turns Otter Lake completely upside down. Maggie, the Reserve’s chief, is swept off her feet, but Virgil, her teenage son, is less than enchanted. Suspicious of the stranger’s intentions, he teams up with his uncle, Wayne - a master of aboriginal martial arts - to drive the stranger from the Reserve. And it turns out that the raccoons are willing to lend a hand.

All Jared Martin had ever wanted was to be normal, which was already hard enough when he had to cope with Maggie, his hard-partying, gun-toting, literal witch of a mother, Indigenous teen life and his own addictions. When he wakes up naked, dangerously dehydrated and confused in the basement of his mom's old house in Kitimat, some of the people he loves - the ones who don't see the magic he attracts - just think he fell off the wagon after a tough year of sobriety. The truth for Jared is so much worse.

Cedar has nearly forgotten what her family looks like. Phoenix has nearly forgotten what freedom feels like. And Elsie has nearly given up hope. Nearly. After time spent in foster homes, Cedar goes to live with her estranged father. Although she grapples with the pain of being separated from her mother, Elsie, and sister, Phoenix, she’s hoping for a new chapter in her life, only to find herself once again in a strange house surrounded by strangers.

This is the story of a woman in search of herself, in every sense. When we first meet Ruby, a Métis woman in her thirties, her life is spinning out of control. She’s angling to sleep with her counselor while also rekindling an old relationship she knows will only bring more heartache. But as we soon learn, Ruby’s story is far more complex than even she can imagine.

The year is 1870, and Fool's Crow, so called after he killed the chief of the Crows during a raid, has a vision at the annual Sun Dance ceremony. The young warrior sees the end of the Indian way of life and the choice that must be made: resistance or humiliating accommodation.

Jim Loney is a mixed-blood, of White and Indian parentage. Estranged from both communities, he lives a solitary, brooding existence in a small Montana town. His nights are filled with disturbing dreams that haunt his waking hours. Rhea, his lover, cannot console him; Kate, his sister, cannot penetrate his world. In sparse, moving prose, Welch has crafted a riveting tale of disenfranchisement.

The narrator of this beautiful, often disquieting novel is a young Native American man living on the Fort Belknap Reservation in Montana. Sensitive and self-destructive, he searches for something that will bind him to the lands of his ancestors but is haunted by personal tragedy, the dissolution of his once proud heritage, and Montana's vast emptiness. Winter in the Blood is an evocative and unforgettable work of literature that will continue to move and inspire anyone who encounters it.

Postcolonial Love Poem is a thunderous river of a book. It demands that every body carried within - bodies of language, land, suffering brothers, enemies and lovers - be touched and held. Where the bodies of indigenous, Latinx, Black and Brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality.

Relinquished as an infant, Ruby is placed in a foster home and finally adopted by Alice and Mel, a less-than-desirable couple who can't afford to complain too loudly about Ruby's Indigenous roots. But when her new parents' marriage falls apart, Ruby finds herself vulnerable and in compromising situations that lead her to search, in the unlikeliest of places, for her Indigenous identity. Unabashedly self-destructing on alcohol, drugs, and bad relationships, Ruby grapples with the meaning of the legacy left to her.