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Delilah Jones was once my saving grace. Now, she might just become my ruin. Normally I'd do everything to avoid her in our small town of Willow Brook Falls, but that's impossible since she's now my daughter's new nanny. She's also way too young for me, and completely off limits. But there's just one problem. Even after all this time, I still can't seem to resist her.

I'm Remi Drake, the king of Memphis nightlife. At under thirty, I own the hottest spots in town, and believe me, I enjoy every perk that comes with it. Echo is my sister's friend. She was the designated ugly fat friend (DUFF) in high school. Now, she's a cancer researcher with a PhD. She's no longer fat but curvy and sexy. Then there's that amazing brain of hers. Plus, she's always had a thing for me. One night, things get out of hand, and I pitch the idea of an acquaintance-with-benefits relationship: no strings, no promises, and most importantly, no one can ever know.

Young Adam, who has been raised in Harlem by his white father, George, and Black mother, Thelma, goes back to his parents' home state of Alabama to participate in the voting rights campaign, only to be brutalized in the Bloody Sunday melee. He is still recovering from this when he is struck a heavy emotional blow, learning for the first time—and in the cruelest way imaginable—of a family secret that sends him spiraling and plunging further into danger. To save him, and any hope for their relationship, Thelma is drawn back, for the first time in twenty years, to the South.

Her peculiar great-grandmother warned her of the family curse. But that's when she believed in magic, seventh tribes, and petal people. Not anymore. Cassandra Cleopatra Collard is all grown-up. Grown up and in trouble. At twenty-five, she finds herself in the tabloids of the local gossip column accused of starting a strange, freakish fire, along with bizarre cultist behavior unbefitting to her bible belt small town. Cass has no memory of the incident, just a gash on her palm in the shape of a seven.

A sister struggles with guilt as she helps her brother plan to run away with a man he’s seeing in secret. When the police pull them over one night, everything changes. Bitch Baby is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

A seventh-grade girl travels to south Alabama where her grandmother is being cared for by incapable extended family members. The mother is overwhelmed with grief. But the girl, busy with her own relationship troubles, witnesses something else disturbing. Her Last Time in Dothan is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

Dell gets an emergency call at work: Her best friend’s baby is due today, and something has gone terribly wrong. Speeding across town to beat anyone home, to take down the Welcome Home Baby signs, Dell finds herself revisiting the road that got them both here. The Miracle is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

A woman boards a Greyhound bus to Florida with her ailing sugar daddy on a long journey to meet his mother. In the middle of the night, in the middle of rural Georgia, another passenger disrupts her plan. Seeking Arrangements is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

Maudette works at the state fair. She hates her job, she hates what her mother does for a living, she hates the people in her town, especially one of her mother’s clients, a local deacon. Working the tilt-a-whirl one day, she begins to consider revenge. Honest Work is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South.

The Best Years of Your Life is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South. Darkly funny and deeply human, Good Women observes how place, blood ties, generational trauma, obsession, and boundaries―or lack thereof―influence how we navigate our small worlds, and how those worlds so often collide in ways we don’t expect.

Colleen is a short story from Halle Hill’s Good Women, which delves into the lives of twelve Black women across the Appalachian South. Darkly funny and deeply human, Good Women observes how place, blood ties, generational trauma, obsession, and boundaries―or lack thereof―influence how we navigate our small worlds, and how those worlds so often collide in ways we don’t expect.

In her dynamic debut, Halle Hill’s Good Women delves into the lives of twelve Black women across the Appalachian South. A woman boards a Greyhound bus barreling toward Florida to meet her sugar daddy’s mother; a state fair employee considers revenge on a local preacher; a sister struggles with guilt as she helps her brother plan to run away with a man he's seeing in secret; a young woman who works for a scam for-profit college navigates the lies she sells for a living.

Back in uniform, Mick is chafing at the sudden dissolution of his retirement plans, wearied by the petty squabbles of Rocksalt’s townsfolk. It’s all business as usual, until the murder of a local bar owner draws an unlikely suspect who threatens to fan the flames of Mick’s past. When two more bodies turn up, seemingly unconnected to the first, Mick is forced to reckon with the mysterious circumstances of a case not so open-and-shut as everyone believes.

Open House is about vulnerable, strong, sometimes misguided individuals struggling to adapt to change. It explores the undercurrent of beliefs and privilege that carry the seeds of violence. But at its heart is Margaret, who, armed with a sharp wit and a healthy sense of the ridiculous, navigates the societal chaos around her.

Amid the heralded springtime traditions and fabulous splendor of the Kentucky Derby, two Boston couples—longtime friends—indulge in a once-in-a-lifetime getaway. The weekend feels like a winner. It’s a milestone-birthday present for the newly—and reluctantly—turned forty Drew Starling. Her husband, Nate, has spared no expense, despite the mounting gambling debts that Drew knows nothing about. He’s certain that with his lucky charm, Drew, by his side, he can reverse his misfortunes at Churchill Downs.

Spending summer away from home for the first time, fifteen-year-old Wren Pritchard and her younger sister, Sylvie, arrive at Five Oaks, their grandparents’ Arkansas lake house. As it was for their grandmother and mother before them, it’s a place for coming of age, first love, triumphs and failures, and keeping secrets. This year, it’s Wren’s end-of-girlhood season. And Sylvie vows to keep all her secrets: Wren slipping away in the middle of the night, the boy on the dock, racing with him on the dark back roads, and slipping quietly into bed before dawn, carrying the scent of adventure.

Ginny Pickering Boyden can’t wait for her last day of work, when she’ll be free to pursue a lifelong ambition through a master gardener apprenticeship. But an unexpected letter brings shocking news: Ginny has inherited her family’s Christmas tree farm, a dream she’d long ago given up.

Drawing on the same lyrical prose and strong sense of place that distinguished his award-winning first novel, One Foot in Eden, Ron Rash has written a book about the deepest human themes: the love of the land, the hold of the dead on the living, and the need to dive beneath the surface to arrive at a deeper truth. Saints at the River confirms the arrival of one of today's most gifted storytellers.

Carretera no siempre fue este showman eminente. Antes de convertirse en subastador ejerció como vigilante en una fábrica de jugos durante muchos años, hasta que el ataque de pánico de una compañera de trabajo cambió su vida de manera irremediable. En el tránsito hacia su destino Carretera deberá enfrentarse a la ira de un hijo al que ha abandonado, llevar a cabo una subasta para ayudar a un cura a salvar su iglesia, y realizar a manera de gran performance final «La historia de mis Gustavos personales», una subasta alegórica.

Try as he might, Junius "Little Whit" Whitman can't unsee the busted foundation of his father's holy roller faith. All in one night, he's watched a man die in the middle of a prayer service, a tornado level a neighboring town, and his parents' marriage incinerate above him. Even though he doubles down on his efforts to believe, Whit enters young adulthood searching for a faith he can hold onto.