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With the same brilliant wit and hilarious realism that made Love Poems for Married People such a hit, John Kenney is back with a brand new collection of poems, this time taking on the greatest "joy" in life: children. Kenney covers it all, from newborns, toddlers, and sleep deprivation, to the terrible twos, terrible tweens, and terrible teens. A parent's love is unconditional, but sometimes that button can't help but be pushed.

Full of brilliant wit, dynamic energy, and a heavy dose of reality, Love Poems for Married People takes the poetic form, turns it upside-down, and leaves it in the dishwasher to dry. Inspired by one of the most shared New Yorker pieces of all time, this collection captures the reality of life once the spark of a relationship has settled - and hilariously so. With brand new pieces that cover all areas of married life, Kenney's wry observations and sharp humor remind us exactly what it's like to spend the rest of your life with the person you love.

“When life throws you a bag of sorrow, hold out your hands/Little by little, mountains are climbed.” So ends Kate Baer’s remarkable poem “Things My Girlfriends Teach Me”. In “Nothing Tastes as Good as Skinny Feels” she challenges her listener to consider their grandmother’s cake, the taste of the sea, the cool swill of freedom. In her poem “Deliverance” about her son's birth she writes, “What is the word for when the light leaves the body/What is the word for when it/ at last, returns”.

One of the most important and unique voices in American letters, distinguished poet, novelist, artist, teacher, and storyteller N. Scott Momaday was born into the Kiowa tribe and grew up on Indian reservations in the Southwest. The customs and traditions that influenced his upbringing - most notably the Native American oral tradition - are the centerpiece of his work.

There is something about the boy. When he is angry, clouds darken. When he cries, rivers burst their banks. And when he touches a basketball, deities want courtside seats. Half Nigerian mortal, half Grecian god: Demi is the Half-God of Rainfall. His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows that gods are just like men: the same fragile egos, the same subsequent fury, the same sense of entitlement to the bodies of mortals. The gods will one day tire of sports fans, their fickle allegiances and their prayers to Demi.

Meet the married Dads, the divorced Dads, the widowed Dads and the gay Dads; the gamblers, the firemen, the bankers, the nurses, the soldiers and the milkmen. They’re trying to guide their sons through the foothills of childhood into the bewildering uplands of adulthood. But it’s hard to know if they’re doing it right. Or what their sons’ mothers think... Wise and funny, touching and true, What We’re Teaching Our Sons is for anyone who has ever wondered how to be a grown-up.

We all create false mountains to climb. Gypsy Muse is a collection of free verse poetry chronicling that journey, and how we move beyond.

Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives.

In a working-class family that considers sensitivity a “fatal diagnosis,” how does a child grow up to be a poet? What happens when a body “meant to bend & breed” opts not to, then finds itself performing the labor of care regardless? Why do we think our “common griefs” so singular? Bad Hobby is a hard-earned meditation on questions like these—a dreamscape speckled with swans, ghosts, and weather updates.

In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor.

No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought. Satisfying moments are captured in odes to Idris Elba’s dulcet tones on a meditation app and the satisfaction of half-priced Entenmann’s poundcake; in childlike observations of parental Black love, the coveted female form on Jet Magazine covers, and the desire for Zamunda to be a real place full of Black joy.

With the same brilliant wit and biting realism that made Love Poems for Married People, Love Poems for People with Children, and Love Poems for Anxious People such hits, John Kenney is back with a brand new collection that tackles the hilarity of life in the office. From waiting in line for the printer and revising spreadsheet after spreadsheet, to lukewarm coffee, office politics, and the daily patterns of your most annoying - and lovable - coworkers, Kenney masterfully captures the warmth and humor of working the "9 to 5" in today's modern era.

A collection of poetry focusing on the fall, being thankful, and remembering why you should say I love you everyday. Soft poetry hoping to heal, do you remember to tell your loved ones I love you everyday?

From the battlefield to everyday life, Corri covers it all in his book filled with poems. The poet, Corri Jermain Irving, allows us to see the world from a perspective that's his. Through powerful words and vivid imagination, Corri delves deep into the daily bits of life in the form of poetry. A unique perspective into different themes of life.

Renowned poet Kate Baer returns with a bold and compassionate collection that confronts the march of time in a shifting world. How About Now is a striking declaration of ongoing transformation and self-discovery. From the poet who has captured the heartbeat of the modern woman, this collection reaffirms Kate Baer’s place among the most vital voices of our era.

Following on his exquisite Stones, Young's new collection shapes stories of familial and familiar love, inspired in part by other lives. A central sequence, “The Two-Headed Nightngale,” is spoken by Millie-Christine McCoy, the famous conjoined African American “Carolina Twins.” Born into slavery and ill treatment as a “freak” sensation in 1851 and later free women, their alto and soprano voices harmonized, and Young's poem explores their evolving selfhood and self-understanding: “As one we sang, /we spake— / She was the body / I the soul / Without one / Perishes the whole.”

The Threads Between Us is a deeply emotional exploration of the human experience—spanning the complexities of love, friendship, family, faith and personal growth. Through a series of poignant moments, the narrative takes listeners on a journey through life's highs and lows, from the warmth of true love to the ache of heartache, from the burdens we bear to the joy in living. Each poem is a thread in the intricate fabric of life, connecting us to those we hold dear and showing us that even in our darkest moments, we are never truly alone.

Maya Bernstein's debut volume presents poems rigorously composed and delicately honed. It reveals the sensitive spirit and sharp mind of a mature speaker exploring the gaping space between the infinitude of the divine and the finite nature of human existence.

Motherhood is messy and beautiful, and hard and humbling. We adore our children, and sometimes we miss ourselves. Beautiful Chaos is a collection of raw, honest poems about motherhood—capturing everything from pregnancy to school age. Upon becoming a mother, poet Jessica Urlichs was reminded that the everyday ordinary is extraordinary. Beautiful Chaos is a collection that chronicles it all—the highs, the lows, the confusion, the loss of identity, the becoming, and the brutal but beautiful ways our children hold up a mirrors to ourselves.

Poems exploring our most fragile points of connection to lovers and family, to the living and the dead, and to oneself, one's own life's work—with the care and wisdom of one who knows these roads.

The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness.

A gorgeous collection of poems exploring womanhood, sisterhood, love, loss, and longing, for people who find catharsis in poems, or people who have always wanted to read or listen to poetry, but don’t know where to start.

These four poems, which deal with ethical issues, were collated and published in 1751 by William Warburton, seven years after Pope's death.

Inspired by writer and philosopher Audre Lorde’s famous claim 'Poetry is not a luxury', this anthology proves the vitality of poetry as a crucial source of inspiration, comfort and delight. Each poem within has been chosen from centuries of verse from around the world, with an emphasis on living poets. Friends old and new await, with selections from Rita Dove, Victoria Chang, Ross Gay, Naomi Shihab Nye, C.D. Wright, Eileen Myles, Ada Limón,Ross Gay, Ilya Kaminsky, Jos Charles and more.

Chronicled in four parts, shifting restlessly between the author's childhood memories, the sudden disappearance of his brother, and the inevitable loss of his ailing mother, Late to the Search Party explores what it means to be a family of one—to be orphaned, whether by fate or by circumstance. In language that is both grounded and ethereal, Dawson tallies the losses and looks at what remains: the frustration and anger, the bewilderment and sadness—and the affection and humor that makes itself felt in spite of everything.

Lloyd Jones was seven years old the first time he climbed high into a grandstand to watch rugby with his father. The experience was baptismal. From his new elevated perspective Jones believed he could see everything that mattered – a field of play that rolled out, green with promise, from suburban New Zealand to the wider world. The grandstand is a guiding metaphor for these questing narrative poems that reach back into childhood and forward into the life of a writer constantly experimenting with form and voice.

From the award-winning poet, dark comic microbursts of prose deliver a whole childhood, at the hands of an aspiring middle-class Jewish family whose hard-boiled American values and wit were the forge of a poet's coming-of-age.

"How can I teach a prayer / I only know how to recite?" "America, whose death / didn't you come from?" These are some of the questions that poet Joshua Gottlieb-Miller wrestles with in his beautiful, gripping new collection. By turns experimental and documentary, Dybbuk Americana draws out the questions around Jewish identity in the United States, and what it means to pass on Jewish identity to one's child. This hybrid text draws on art, mysticism, and history, taking the dybbuk, a figure from Jewish folklore, as its central metaphor.

Queerness, family, magic and Indiana weather combine in These Indiana Winters, B. T. Roen's debut chapbook. Their imagination skips across Seussian animals, fantastical characters, and the struggles of being a queer pastor's kid in the Midwest. Roen's wit and wonder reveals a spark of magic hidden in the everyday.

Joan Baez shares poems for or about her contemporaries (such as Bob Dylan, Judy Collins, and Jimi Hendrix), reflections from her childhood, personal thoughts, and cherished memories of her family, including pieces about her younger sister, singer-songwriter Mimi Fariña. Speaking to the people, places, and moments that have had the greatest impact on her art, this collection is an inspiring personal diary in the form of poetry.