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Beginning with several dozen new poems that have appeared in The New Yorker, among other publications, this volume is a tour through Cynthia Zarin’s five exquisitely made collections, beginning with The Swordfish Tooth, published in 1989. Zarin, a poet in the line of Elizabeth Bishop, allows the listener to experience human truths through a poem's shape and music, bodied forth through intimate images—the turn in the stair, a snow globe, naked birch branches, a vase of flowers—and a propulsive syntax.

In Mi'kmaw, three similarly shaped words have drastically different meanings: kesalul means "I love you"; kesa'lul means "I hurt you"; and ke'sa'lul means "I put you into the fire." In spoken-word artist and critically acclaimed author (I'm Finding My Talk) Rebecca Thomas's first poetry collection, listeners will feel Thomas's deep love, pain, and frustration as she holds us all to task, along the way mourning the loss of her childhood magic, exploring the realities of growing up off reserve, and offering up a new Creation Story for Canada.

Trini: My Life of Poems is a story of determination, courage, and unyielding faith. Each poem is a chapter in a life filled with a single mom's struggles and perseverance. Breathe in each line, and share those experiences, viewing them through the windows of her eyes.

"How can I teach a prayer / I only know how to recite?" "America, whose death / didn't you come from?" These are some of the questions that poet Joshua Gottlieb-Miller wrestles with in his beautiful, gripping new collection. By turns experimental and documentary, Dybbuk Americana draws out the questions around Jewish identity in the United States, and what it means to pass on Jewish identity to one's child. This hybrid text draws on art, mysticism, and history, taking the dybbuk, a figure from Jewish folklore, as its central metaphor.

In But & Though, Jake Hawkey scrutinizes the impact of parental addiction on families, its title a nod to the language of dependency, its circles of prevarication and excuse. Hawkey’s poems chart the loss of a father and the resilient love between siblings, and take an unflinching look at a parent–child relationship sometimes painfully inverted through alcoholism.

Find Me as the Creature I Am is a book full of tenderness and violence, longing and love. Ranging from inherited family tales, to meditations on the body, to the ways animals display love and grief alike, Emily Jungmin Yoon holds a mirror up to humanity to show that we are animal, too. In poems full of wonder and want, she showcases our tendencies to fight or fly, act with affection and cruelty, and ultimately, overflow with life itself.

Die erste Gedicht-Sammlung der beliebten Poetry-Slammerin Leah Weigand (Ungepflegt), die uns ganz persönlich und unsere gesamte Gesellschaft nachdenklich wie hoffnungsvoll unter die Lupe nimmt.

Elaine Feeney brings her poetry to Harvill Secker and Vintage with this powerful, personal, fierce collection about women's lives, bodies, battles and triumphs. From a searing meditation on the experience and aftershocks of a sexual assault - written as a series of unflinching cantos - to poems of love, place and new beginnings, Feeney's voice is strong and clear, challenging and confessional, rooted in her west coast of Ireland heritage while speaking to and with women everywhere.

Poems and short stories related to life....

This is the 5th and final Poem written about the wonderful Karolina and her Violin playing in California on the streets of Santa Monica. Includes some verse on her family.

A Loving Sonnet of Passion :: Poem about Karolina Describes this exquisite girls musical presence with her violin. Her youth, yet musical ability astounds. Her passion for her instrument and what it can convey to others, shines through.

With searing intelligence and great sensitivity, the poems of Kelly Caldwell—many addressed to Cass Donish, her partner in the years before her suicide at thirty-one, swim through a complex matrix of transformations: mental illness, divorce, gender transition, and self-discovery. But they wrestle, too, with the poet’s painful relationships with her family of Christian missionaries, who refused to affirm her identity.

In Your Dazzling Death, Cass Donish courageously summons the poems to witness their own state of “obliteration,” widowed by suicide and isolated as a global pandemic is unfolding. Elegizing their partner, the poet Kelly Caldwell, they insist that the intimate, ongoing conversation with a beloved mysteriously continues after loss.

Perspective of the Forgotten is a poetry collection that showcases a mother and son’s journey through life while providing the ups and downs of the world around them.

Each "poem," "story," "yarn," whatever you want to call it, tells a tale of some life-altering experience in Simpson's journey through the cosmos. The places he's ventured. The folks he's met. The stuff he's seen and done.

In her first collection of poems, Ching Yeung Russell captures elements of her youth in rich, vivid snapshots and authentic detail. Listeners of all backgrounds will relate to spirited Yeung Ying, her dynamic family, and her courage in the face of life's obstacles.

In a strange twist of kismet, Remica Bingham-Risher's paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg, Virginia in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child.

Former adult entertainer, Sayuri Smith, shares thoughts and poems about the life of a stripper, mother, woman and aspiring wife.

Diese Compilation enthält Lesungen von folgenden Gedichten: „Das Huhn und der Karpfen“, Sprecherin: Christine Davis, Regie: Heinz Nesselrath, ES: 23.11.1991, „Bei Goldhähnchens“, Sprecherin: Christine Davis, ES: 04.05.1991, „Die Todeslilie“, Sprecherin: Christine Davis, ES: 04.08.1990, „Das Schwesterchen“, Sprecherin: Christine Davis, Regie: Harald Körner, ES: 28.04.1990, „Der Schatz“, Sprecherin: Christine Davis, Regie: Heinz Nesselrath, ES: 08.10.1988.

"BARBAR [Tavshedens objekt]" er en digtsamling om brutalitet. Amina Elmi skriver om at leve med en kappet forbindelse til sin families historie, ritualer, sprog og identitet. I sine digte forsøger hun at etablere en forbindelse til alt det tabte, men tavsheden står som et tomt centrum – alt det, der ikke kan siges, fordi der ikke findes et sprog for det, eller fordi det er for smertefuldt. Det er digte om tavshed som både nødvendighed og vold. Amina Elmi (f. 1994) bliver uddannet fra Forfatterskolen til sommer. "BARBAR [Tavshedens objekt]" er hendes debut.