検索キーワード： 制作 "--Tyson Hanks" 死・悲嘆・喪失

I believe that there may be a strong positive correlation between levels and competence of creativity and mental health diagnoses. Upon delving further into psychology I learnt that some entertainers use their success as a supplement for lack of close relationships or catharsis for past trauma. The title emphasizes how the complex lives and experiences of creatives serve to influence their art, thus, Chaos can Create.

Yang Sooyi once loved her husband with all her heart. But his demanding career and stardom have left her heart crushed. She hardly sees him anymore. Jealousy creeps in, twisting her thoughts down dark paths. Yang Sooyi slowly loses her grip on sanity as loneliness grips her. Lost in sorrow, she finds herself alone at the worst possible time.

With searing intelligence and great sensitivity, the poems of Kelly Caldwell—many addressed to Cass Donish, her partner in the years before her suicide at thirty-one, swim through a complex matrix of transformations: mental illness, divorce, gender transition, and self-discovery. But they wrestle, too, with the poet’s painful relationships with her family of Christian missionaries, who refused to affirm her identity.

In Your Dazzling Death, Cass Donish courageously summons the poems to witness their own state of “obliteration,” widowed by suicide and isolated as a global pandemic is unfolding. Elegizing their partner, the poet Kelly Caldwell, they insist that the intimate, ongoing conversation with a beloved mysteriously continues after loss.

From the author's leather-bound book kept locked at the base of his bed, we journey through New York City, chilled farmlands and isolated cabins in the woods. Calloway's solid masculine approach is refreshingly original. We have all felt the warmth of the world around us and we have all felt the cold. This author holds our hand as he leads us down rich passageways of the psyche.

In a strange twist of kismet, Remica Bingham-Risher's paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg, Virginia in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child.

In Conversation is a personal milestone in Janice Whyne's journey of rediscovering her creative self. She sees poetry as a means of self-expression. A conduit and a safe space for our emotions, feelings and lived experiences. The poems in In Conversation began their lives with a word(s) exchanged in conversation or that captured her attention in something she was listening to or viewing. She regards them as articulations of the said and unsaid, with the poetic voice in them not always hers but rather an expression or interpretation of the voice(s) of others.

A parent's worst nightmare is to receive the news that their child is gone. The grief that follows is overwhelming. Through her love of poetry, Wanda Weathersby shares her journey of grief after the death of her precious son Calvin. Her journey shows the power of celebrating the memories and the importance of a strong support system to help through these difficult times. If you have lost a child or a loved one, experience the healing and love that God poured out for this mom during these difficult times and be inspired to find your own path of healing with him.

Für seine Ballade „Kassandra“ greift Schiller den Kassandra-Mythos aus dem antiken Epos Troja auf. Die Ballade enthält dem entsprechend viele Namen und Anspielungen aus der Troja und der antiken Götterwelt.

In einer Bataille (Die Schlacht von einem Offizier) ist eine 1782 erschienene Ballade, Auszug: Schwer und dumpfig, Eine Wetterwolke, Durch die grüne Ebne schwankt der Marsch. Zum wilden eisernen Würfelspiel Streckt sich unabsehlich das Gefilde. Blicke kriechen niederwärts, An die Rippen pocht das Männerherz, Vorüber an hohlen Todtengesichtern Niederjagt die Front der Major: Halt! Und Regimenter fesselt das starre Kommando.

Die Pest (Eine Phantasie): Gräßlich preisen Gottes Kraft Pestilenzen, würgende Seuchen, Die mit der grausen Brüderschaft Durchs öde Tal der Grabnacht schleichen.

Die Kraniche des Ibykus ist eine Ballade von Friedrich Schiller aus dem Jahr 1797, die im 6. Jh. v. Chr. spielt. Die Ballade wurde erstmals in Schillers Musenalmanach für das Jahr 1798 herausgegeben. Die Ballade beruht, wie bei Schiller oft, auf einem tatsächlichen historischen Geschehen: der Ermordung des Dichters Ibykos.

Der Jüngling am Bache: An der Quelle saß der Knabe, Blumen wand er sich zum Kranz, Und er sah sie fortgerissen, Treiben in der Wellen Tanz. Und so fliehen meine Tage, Wie die Quelle, rastlos hin! Und so bleichet meine Jugend, Wie die Kränze schnell verblühn!

Emory Hall’s debut poetry collection follows the anatomy of a river, swelling with loss and grief, and dances with the sacred waters of transformation and motherhood. Full of magic and deep emotion, Made of Rivers will wash anew those who come to it, uncovering hidden corners of the self. It draws upon Emory’s wellspring of experiences, hardships, triumphs and revelations.

In these exquisitely rendered poems, people fall in and out of love, in and out of religious belief and in and out of accepting the distance between their imagined lives and the lives they live. They look back as much as forward and pick mercilessly at the open wounds of failed relationships. They inhabit geographies that are both their emancipators and captors. And they find joy, or succumb to sorrow, amid life’s inescapable ephemerality and fragility.

The energies animating Saints of Little Faith, Megan Pinto’s electrifying debut in poetry, are a forceful quiet, a loud stillness, the caesura between a lightning strike and the sound of thunder. Everywhere, the speaker sees the numinous power of language, the incipience of things to come, even a kind of catastrophic grace in desolation and destruction—as if within the terrain of her own obsession, she recognizes the familiar, ever-changing seasons.

This collection of words from Havva Ramadan has its origins during lockdown and her work continues to resonate to this day, finding an even wider audience through her rapidly growing online presence. Now, in her first book, A Voice: Turning Pain into Power, her words take a different form, collected to give us a very personal journey that we can all relate to, reflecting the pain of grief, the struggle of mental health and the journey we need to take to help us collect our pieces and find a way to rebuild ourselves once again.

Quietly reflective, the beautifully written poems in this slim volume offer a welcome respite from the noisy insistence of modern life. The language, now simple and direct, now rich in associations, double-meanings, and imagery, has its own natural rhythm and appeal regardless of subject and rhyme.

This is a book of poetry to encourage people that have been through heartbreak, pain, grief and the ending of a relationship. It's honest, real talk about the feelings we have after experiencing this sort of death after losing someone we have deeply loved.

This book is a collection of poems written in early 2023 to help cope with the loss of both my parents, a girlfriend, and a job. They are written as requests, personal experiences, and observations. While a few are written about experiences with one particular person, they are written as an anthem for anyone that has loved and lost. Enjoy listening to these a few at a time and know that others experience what you may be going through at this time.