検索キーワード： 女性学

Anna Prushinskaya explores the deep life shifts of pregnancy, birth and motherhood in the United States, a world away from the author's Soviet homeland. Drawing from inspirations as various as midwife Ina May Gaskin, writer and activist Alice Walker, and frontierswoman Caroline Henderson, Prushinskaya captures the inherent togetherness of motherhood alongside its accompanying estrangement. She plumbs the deeper waters of compassion, memory and identity, as well as the humorous streams of motherhood as they run up against the realities of work and the ever-present eye of social media.

Existe una brecha de género no solo en la vida privada, sino también en el ámbito del trabajo. Ella analiza las causas y describe con detalle las distintas situaciones por las que pasan las mujeres en las empresas, pero no se queda ahí: también estudia algunos de los mitos en que se basa esta desigualdad, los cuales hemos heredado históricamente, y propone una serie de soluciones para que comencemos a romper la brecha y que a las mujeres nos depare un futuro más justo e igualitario.

In a trio of popular gender rituals—sorority rush, beauty pageants, and the Confederate Pageant of the Natchez (Mississippi) Pilgrimage—young white southern women have readily ditched contemporary modes of dress and comportment for performances of purity, gentility, and deference. Clearly, the ability to "do" white southern womanhood, convincingly and on cue, has remained a valued performance. Based on ethnographic research and taped interviews, Southern Beauty goes behind the scenes of the three rituals to explore the motivations and rewards associated with participation.

Sorrowful widows, vengeful jezebels, innocent maidens, wronged lovers, former slaves, the odd axe-murderess—America's female ghosts differ widely in background, class, and circumstance. Yet one thing unites them: their ability to instill fascination and fear, long after death. Here are the stories behind some of the best-known among them, as well as the lesser-known—though no less powerful. A Haunted History of Invisible Women offers a unique lens on the role these ghostly legends play both within the spook-seeking corners of our minds and in the consciousness of a nation.

Disgrace is the first truly global history of sexual violence. The book explores how sexual violence varies widely across time and place, from nineteenth-century peasant women in Ireland who were abducted as a way of forcing marriage, to date-raped high-school students in twentieth-century America, and from girls and women violated by Russian soldiers in 1945 to Dalit women raped by men of higher castes today.

La course à la sexualité est-elle vraiment émancipatrice ? De la "révolution sexuelle" amorcée en Mai 68, aux mouvements sex-positifs actuels, on nous promet la possibilité pour toustes de jouir et de désirer sans entraves. Sauf qu'en investissant le sujet, le capitalisme et le patriarcat ont profondément transformé cette possibilité : le sexe est devenu un marché, et la non-sexualité une pathologie à guérir. En cherchant à optimiser le fonctionnement des corps et du désir, sommes-nous entré·es dans l'ère de l'aliénation sexuelle ?

Notre société trie les enfants à la naissance en fonction de leurs organes génitaux et en déduit leur rôle : homme ou femme, dominant ou dominée. Mais la société ne s'arrête pas à cette différenciation arbitraire. Vient ensuite la mise en relation obligatoire : chaque dominée devra vivre en couple avec un dominant. Le tout, paraît-il, pour assurer la reproduction, donc la survie de l'espèce. Mais dans ce cas, pourquoi être obligé de vivre en couple, toute sa vie ? Se reproduire ne prend pas autant de temps.

Maureen Murdock descreve neste audiolivro a busca mítica da mulher contemporânea por preservar os valores femininos e se realizar pessoal e profissionalmente numa sociedade construída por e para os homens.

Western folklore and mythology are rife with brilliantly creative, fulfilled, feisty, and furious role models for aging women, despite our culture's focus on youthfulness. In her exciting new book, mythologist and psychologist Sharon Blackie explores these archetypes, presenting them in a way sure to appeal to contemporary women. Drawing inspiration from these examples, women can reclaim midlife as a liberating, alchemical moment rich with possibility and their elder years as a path to dynamic power.

"Parce que je suis une femme, j'ai peur de sortir seule la nuit, de porter des vêtements qui me plaisent, d'exprimer mon opinion ou mes émotions. Ces peurs sont à l'origine d'une immense colère que j'essaie de contenir tant bien que mal. Cette colère, ça fait désormais trente-quatre ans que je vis avec et qu'elle me ronge les tripes, au point de se retourner régulièrement contre moi.

Todos quisiéramos soluciones fáciles, respuestas digeribles y sencillas. Padecemos uno de los más grandes males cocinados desde comienzos del siglo XX, pero que alcanzó su punto en el siglo XXI: la inmediatez. No existen claves para saltar los procesos de aprendizaje, el confrontarnos y comprender cómo el universo no conspira para resolvernos todo. “¡Pero si soy único y merezco que las teorías de toda la humanidad sean ajustadas a mis deseos!” Por desgracia, nada es así.

El reflejo de la lucha callada, ante el machismo, de millones de mujeres en todo el mundo, desde la óptica particular de Marge Simpson. Yo estaré aquí para auparte, sostenerte y para sacrificarme. Yo, que ya he asumido mi papel. Yo, que no estoy dispuesta a que repitas mis errores. Yo, que quiero que tú, Lisa, seas lo que a mí no me dejaron ser: autónoma, independiente, una mujer del siglo XXI. Que si quiere llorar, llora; que si quiere gritar, grita. Que debe gritar. Y sonreír únicamente cuando de verdad quiere hacerlo.

Bullshitsätze wie "Viele Frauen wollen doch gar keine Karriere machen." oder "Vermisst du dein Kind nicht, wenn du alleine wegfährst?" bekommen wir wohlwollend von unseren Freundinnen zu hören oder werden uns von engsten Familienmitgliedern heimtückisch ins Ohr geflüstert, bis wir ihnen glauben – und das Patriarchat sich freudestrahlend die Hände reibt. Dieses Hörbuch ist die ultimative Anleitung zum Parieren solcher Sätze.

After thirty years of research, Sigmund Freud still felt the great unanswered question was: 'What does a woman want?' Fifteen years into her own journey as a psychotherapist, Maxine Chung believes she holds the answer. Through the profound and moving stories of seven very different women, Maxine sheds light on our most fundamental needs and desires. What Women Want is an electrifying and deeply intimate examination into the inner lives of women.

With The Tiger and the Cage, Bolden uses her own experience as the starting point for a journey through the institutional misogyny of Western medicine—from a history of labeling women “hysterical” and parading them as curiosities to a lack of information on causes or cures for endometriosis, despite more than a century of documented cases. Recounting botched surgeries and dire side effects from pharmaceuticals affecting her and countless others, Bolden speaks to the ways people are often failed by the official narratives of institutions meant to protect them.

A partir de una serie de podcast sobre la realidad de la mujer en Chile y el mundo, la autora construye un ensayo de textos híbridos, mezcla de crónica y guion, en el que reflexiona sobre las deudas, el futuro, la imagen social y el poder de las féminas hoy.

In early 2018, Erin Darcy created an online art project, "In Her Shoes – Women of the Eighth", to safely and anonymously share private stories of the real and devastating impact of the Eighth Amendment to the Constitution of Ireland. In the five months leading up to the referendum on abortion, the project asked a simple question of undecided voters: put yourself in her shoes. Within weeks, Erin was receiving hundreds of stories from a broad spectrum of experiences of planned and unplanned terminations.

Siamo immersi nelle turbolenze di una crisi spaventosa ma che può spalancarci – se sapremo agire con decisione – la strada di una grande svolta, quel cambiamento duraturo che in tanti auspichiamo. Oggi, nel mondo, una donna su tre è vittima di abusi e quotidianamente oltre cento donne sono assassinate da uomini che dichiarano di amarle. Occorre intervenire prima che questo tsunami di violenza destabilizzi, con conseguenze fisiche e psicologiche, anche le prossime generazioni, perché la violenza si ripercuote su tutta la famiglia e su intere comunità, e Rula Jebreal lo sa bene.

As Daphné B. obsessively watches YouTube makeup tutorials and haunts Sephora’s website, she’s increasingly troubled by the ways in which this obsession contradicts her anti-capitalist and intersectional feminist politics. In this poetic treatise, she rejects the false binaries of traditional beauty standards and delves into the celebrities and influencers who have shaped the reflection she sees in the mirror. At once confessional and essayistic, Made-Up is a meditation on the makeup that colors, that obscures, that highlights who we are and who we wish we could be.

Sarah Polley's work as an actor, screenwriter and director is celebrated for its honesty, complexity and deep humanity. She brings all those qualities, along with her exquisite storytelling chops, to these six essays. Each one captures a piece of Polley's life as she remembers it, while at the same time examining the fallibility of memory, the mutability of reality in the mind, and the possibility of experiencing the past anew, as the person she is now but was not then. As Polley writes, the past and present are in a “reciprocal pressure dance”.