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The Renaissance was only a short period in European history, but it was the revolution needed to move from the Middle Ages to the modern world. It was full of new philosophies and art, new architecture and inventions, and new governments and churches. In a short span of time, the Europeans found themselves creating, acting, and living in completely new ways. People now had access to new ideas, and Europe would never be the same again.

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.

The Teutonic Knights were powerful and ferocious advocates of holy war. Their history is suffused with crusading, campaigning, and struggle. Feared by their enemies but respected by medieval Christendom, the knights and their Order maintained a firm hold over the Baltic and Northern Germany and established a formidable regime that flourished across Central Europe for 300 years. William Urban's narrative charts the rise and fall of the Order and, in an accessible and engaging style, throws light on a band of knights whose deeds and motives have long been misunderstood.

By “assembling” some of the most fascinating figures in world history, Meeting of Minds provided a groundbreaking opportunity for audiences to be exposed to ideas by way of a medium not normally known for its intellectual vigor. Portrayed by actors, panelists engaged in discussions that were conducted like any other talk show but featured prominent influencers from bygone generations. The panelists featured in this volume are German theologian Martin Luther, French philosopher and writer Voltaire, Greek philosopher Plato, and social reformer and nurse Florence Nightingale.

When we think of the Renaissance, we often think of paintings. And indeed, many painters and sculptors were part of the artistic transformation the Renaissance caused. But there was more. The Renaissance basically formed a period of collective enlightenment and freedoms that put an end to certain tyrannies and false notions from the Middle Ages. Advocates of a "long Renaissance" might put its start in the 14th century and its end in the 17th century. Let’s take a look at what the extensive time period of the Renaissance provided, and what it leaves us with today.

È la fine del settembre 1545 quando Tiziano arriva a Roma. La lascerà un anno più tardi, e per allora la città non sarà più la stessa e anche il Rinascimento avrà perso il suo splendore. Ma per il momento, la Roma di cui racconta Antonio Forcellino è davvero la Città Eterna: misteriosa, avvolgente e sospesa nel tempo, luogo nevralgico di potere, di gelosie private e di pubblici intrighi. La percorrono personaggi formidabili: ambigui uomini di Chiesa come monsignor Della Casa, splendidi mecenati come Paolo III, donne dalla bellezza leggendaria come Giulia Farnese.

In the fifteenth century, even before the city states of the Apennine Peninsula began to coalesce into what would become, several centuries later, a nation, "Italy" exerted enormous influence over all of Europe and throughout the Mediterranean. Viewing the Italy (the many Italies?) of that time through the lens of today allows us to gather a fragmented, multi-faceted, and seemingly contradictory history into a single unifying narrative that speaks to our current reality as much as it does to a specific historical period. This is what the French historian Fernand Braudel achieves here.

Originally published in 1991 as a Book of the Month Club Featured dividend and awarded the Best Nonfiction Book by the American Society of Journalists and Authors, this authoritatively researched portrait of Queen Isabella brings to life one of the most controversial figures in European history--a woman who was passionate lover to Ferdinand of Aragon, conquered the Moors (Muslims) of Spain, funded Columbus on his famous journey, brought the Renaissance to Spain, and was hated for introducing the Spanish Inquisition.

When we think of Venice, we think of masks, canals, murals and frescoes, and little “gondoliers” with picturesque boats. Venice, indeed, has an impressive artistic history. But did you know that Venice was also, for a while, a considerably sized empire? Although no enduring historic records associate with the creation of Venice, the Republic of Venice's history is typically said to start at 12 a.m. on Friday, March 25th, AD 421, when authorities from Padua established the city to develop a trading center in that area of northern Italy.

Henry IV is not famous except for the plays that bear his name: He is not even a "much-maligned" king. He is normally overshadowed by his far more famous son, Henry V, despite his many achievements. Shakespeare is partly to blame for Henry's diminution and his son's exaggerated stature but not completely; we just don't know what to make of a man who took the throne from the rightful king.

This valuable deal contains multiple titles in one book. The topics are the following: Florence, once a major center of Middle Ages European trade and banking, and one of the most affluent cities in the world; Naples, one of the world's oldest constantly occupied cities; St. Catherine of Siena, a Dominican laywoman, mystic, activist, and writer who impacted Italian literature and the Catholic Church significantly; the Vatican, a landlocked, independent city-state and enclave in Rome, Italy; and the Venetian Empire.

Florence was a major center of middle ages European trade and banking, and also one of the most affluent cities in the world at the time. A lot of academics believe it was the beginning of the Renaissance, and it has been called "The Athens of the Middle Ages". Periods of supremacy by the strong Medici family, and also several spiritual and republican transformations, have marked the nation's unpredictable political history. The city was the capital of the Kingdom of Italy from 1865 to 1871 (developed in 1861).

If you had to name the most destructive conflicts in human history, you likely wouldn’t put the Thirty Years’ War near the top of that list, but in fact, this conflict resulted in more than eight million fatalities throughout Europe. It resulted in widespread destruction, and it bankrupted the majority of the powers involved. For such a destructive war, the Thirty Years’ War is not well-known, and yet it changed the geopolitical face of Europe as well as the role of religion and nation-states in society. This audiobook tells the compelling story of the Thirty Years’ War.

Existen al menos cinco referencias históricas reales que certifican la existencia de un retrato femenino de manos de Leonardo da Vinci. Un encargo que, al parecer, nunca entregó. Sin embargo, a la hora de identificar a la modelo de la Gioconda, las palabras de Agostino Vespucci, Antonio de Beatis, Giorgio Vasari, Cassiano dal Pozzo y el Anónimo Gaddiano no coinciden.

Das Wort “Renaissance” ist Französisch und bedeutet “Wiedergeburt”. Der Name bezieht sich auf den Zeitraum zwischen dem 14. und 17. Jahrhundert, als Europa ein ausgeprägtes Wiederaufkommen der klassischen Kunst, Bildung, Philosophie, Architektur und Naturwissenschaft erlebte. Die ehemaligen römischen Gebiete machten sich abermals die Schriften der antiken Griechen und Römer und die Idee des Humanismus zum Vorbild. Die Wiedergeburt dieser Kultur war ein Zeichen für das Ende des Mittelalters und den Anfang der Moderne.

The Norman Conquest in English History, Volume 1: A Broken Chain? pursues a central theme in English historical thinking over seven centuries. Covering more than half a millennium, this first volume explains how and why the experience of the Norman Conquest prompted both an unprecedented campaign in the early 12th century to write (or create) the history of England, and to excavate (and fabricate) pre-Conquest English law.

Sixteenth-century Europe was a time of destabilization of age-old norms and the waging of religious wars - yet it also witnessed the remarkable flowering of a pacific culture cultivated by a cohort of extraordinary women rulers who sat on Europe's thrones, most notably Mary Tudor; Elizabeth I; Mary, Queen of Scots; and Catherine de' Medici.

Convulsed by a civilizational crisis, the great thinkers of the Renaissance set out to reconceive the nature of society. Corrupt and reckless tyrants sowing discord and ruling through fear; elites who prized wealth and status over the common good; military leaders waging endless wars. Their solution was simple and radical. They would rebuild their city, and their civilization, by transforming the moral character of its citizens. Soulcraft, they believed, was a precondition of successful statecraft.

In How the Medici Shaped the Renaissance, you’ll study the remarkable trajectory of the Medici from the late 14th century to 1737, when the Medici dynasty ended. Across that span of time, you’ll witness the birth of the Italian Renaissance, and the rise of the Medici as an economic powerhouse under founder Giovanni de’ Medici. You’ll learn how the Medici came to dominate Florence and how they played diverse roles in politics, religion, and culture.

Does a mental disorder reveal the “real” William Shakespeare? Back in the 16th and 17th centuries, bipolar disorder was a mystery, and even as late as the early 2000s, most doctors had difficulties diagnosing it. Unlike COVID-19, there is no swab test for antibodies. No blood test. It is a mood disorder, so doctors rely on their patients to “self-report” their symptoms and ask them questions like, “Were you in a good mood yesterday?”