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If you had to name the most destructive conflicts in human history, you likely wouldn’t put the Thirty Years’ War near the top of that list, but in fact, this conflict resulted in more than eight million fatalities throughout Europe. It resulted in widespread destruction, and it bankrupted the majority of the powers involved. For such a destructive war, the Thirty Years’ War is not well-known, and yet it changed the geopolitical face of Europe as well as the role of religion and nation-states in society. This audiobook tells the compelling story of the Thirty Years’ War.

How a Florentine orphanage rescued thousands of children and revolutionized childhood education amid the splendor of Renaissance art.

In this vivid narrative, discover the real stories of courage, tragedy, and resilience behind Europe's plague doctors. From the desperate streets of medieval Italy to the silent alleyways of plague-ridden London and Paris, explore the lives and legacies of men like Nostradamus, Nathaniel Hodges, and Guy de Chauliac.

It has been famously pointed out that the Holy Roman Empire was neither holy, nor Roman, but it was also not an empire in the sense people expect when hearing the term, but it is clear that church clergy occupied a privileged place in medieval society. Europe had inherited Christianity from the Roman Empire, and the concept of a united Christendom and empire were practically synonymous. Indeed, there was no real consciousness of the Roman Empire ever having ended.

Au Moyen Âge et à la Renaissance, les philosophes vont mener trois combats : les théologiens médiévaux intègrent les valeurs chrétiennes à la philosophie antique ; les philosophes chrétiens et mystiques opposent à la toute-puissance théologique les bienfaits de la philosophie antique ; les humanistes de la Renaissance réenchantent le monde et inspirent le renouveau de la métaphysique. Cet ouvrage cherche à mieux comprendre les relations entre philosophie et christianisme et redécouvre le mystère des penseurs de la Renaissance.

Boldly original, dramatic story of Catherine de’ Medici, Elisabeth de Valois, and Mary, Queen of Scots – three queens exercising power in a world dominated by men – Young Queens weaves the personal stories of these three queens into one, revealing their hopes, dreams, desires and regrets in a time when even the most powerful women lived at the mercy of the state.

It is generally accepted that the European Renaissance began in Italy. However, a historical transformation of similar magnitude also took place in northern Europe at the same time. This "Other Renaissance" was initially centered on the city of Bruges in Flanders (modern Belgium), but its influence was soon being felt in France, the German states, England, and even in Italy itself. Following a sequence of major figures, Paul Strathern tells the fascinating story of how this "Other Renaissance" played as significant a role as the Italian Renaissance in bringing our modern world into being.

Esta historia de los Reyes Católicos, que no solo se centra en los aspectos más curiosos y extravagantes de su reinado, trae una visión renovada y amena sobre la vida de los monarcas y todo lo que les rodeó desde que eran solo unos niños. Sus relaciones familiares, su educación, su llegada al trono y la construcción de las bases de un imperio que perduraría durante varios siglos tras el descubrimiento de América.

Scholars suggest the Renaissance started with the first scientific study of perspective. It was introduced in a treatise named De pictura, published in 1435. The author was Leon Battista Alberti (1404-1472). He was an Italian polymath.

The aspects of Anne Boleyn's life and death are fiercely debated by historians, yet her ladies-in-waiting remain an understudied topic. Much emphasis is usually put on Anne's relationships with the men in her life: her suitors, her royal husband, her father and brother, and her putative lovers who were executed on May 17, 1536. By concentrating on a previously neglected area of Anne Boleyn's female household, this book seeks to identify the women who served Anne and investigate what roles ladies-in-waiting played in this Queen's household.

In the early morning of 6 May, 1527, the 20,000 starving, unpaid troops of Emperor Charles V began their assault on the great walls of Rome. After only a few hours they had overcome the barricades; the city into which they streamed was now in their grip. This uncontrollable force of German landsknechts, Spanish soldiers, and Italian mercenaries showed no mercy as they plundered, raped, and slayed their way through the holy city.

The Renaissance was only a short period in European history, but it was the revolution needed to move from the Middle Ages to the modern world. It was full of new philosophies and art, new architecture and inventions, and new governments and churches. In a short span of time, the Europeans found themselves creating, acting, and living in completely new ways. People now had access to new ideas, and Europe would never be the same again.

When we think of the Renaissance, we often think of paintings. And indeed, many painters and sculptors were part of the artistic transformation the Renaissance caused. But there was more. The Renaissance basically formed a period of collective enlightenment and freedoms that put an end to certain tyrannies and false notions from the Middle Ages. Advocates of a "long Renaissance" might put its start in the 14th century and its end in the 17th century. Let’s take a look at what the extensive time period of the Renaissance provided, and what it leaves us with today.

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.

È la fine del settembre 1545 quando Tiziano arriva a Roma. La lascerà un anno più tardi, e per allora la città non sarà più la stessa e anche il Rinascimento avrà perso il suo splendore. Ma per il momento, la Roma di cui racconta Antonio Forcellino è davvero la Città Eterna: misteriosa, avvolgente e sospesa nel tempo, luogo nevralgico di potere, di gelosie private e di pubblici intrighi. La percorrono personaggi formidabili: ambigui uomini di Chiesa come monsignor Della Casa, splendidi mecenati come Paolo III, donne dalla bellezza leggendaria come Giulia Farnese.

Originally published in 1991 as a Book of the Month Club Featured dividend and awarded the Best Nonfiction Book by the American Society of Journalists and Authors, this authoritatively researched portrait of Queen Isabella brings to life one of the most controversial figures in European history--a woman who was passionate lover to Ferdinand of Aragon, conquered the Moors (Muslims) of Spain, funded Columbus on his famous journey, brought the Renaissance to Spain, and was hated for introducing the Spanish Inquisition.

Sixteenth-century Europe was a hostile world dominated by court politics and patriarchal structures–and yet against all odds, two women rose to power: Elizabeth I and Catherine de Medici. Much has been written about these shrewd and strategic sovereigns, but though their l legacies have been heavily scrutinized, nothing has been said of their complicated relationship—thirty years of camaraderie, competition, and conflict that forever changed the face of Europe.

In the fifteenth century, even before the city states of the Apennine Peninsula began to coalesce into what would become, several centuries later, a nation, "Italy" exerted enormous influence over all of Europe and throughout the Mediterranean. Viewing the Italy (the many Italies?) of that time through the lens of today allows us to gather a fragmented, multi-faceted, and seemingly contradictory history into a single unifying narrative that speaks to our current reality as much as it does to a specific historical period. This is what the French historian Fernand Braudel achieves here.

Henrietta Maria is the most reviled consort to have worn the crown of Britain's Three Kingdoms. Condemned as that 'Popish brat of France', a 'notorious whore' and traitor, she remains in popular memory the wife who wore the breeches and turned her husband Catholic—so causing a civil war—and a cruel and bigoted mother. Leanda de Lisle's White King was hailed as 'the definitive modern biography about Charles I' (Observer). Here she considers Henrietta Maria's point of view, unpicking the myths to reveal a very different queen.

When we think of Venice, we think of masks, canals, murals and frescoes, and little “gondoliers” with picturesque boats. Venice, indeed, has an impressive artistic history. But did you know that Venice was also, for a while, a considerably sized empire? Although no enduring historic records associate with the creation of Venice, the Republic of Venice's history is typically said to start at 12 a.m. on Friday, March 25th, AD 421, when authorities from Padua established the city to develop a trading center in that area of northern Italy.