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Prosegue e termina, con questo quarto volume, il nostro viaggio nella storia dell’omicidio attraverso le età contemporanea, rinascimentale, medioevale e antica. In particolare “Nero come l’Abisso” tratterà del crimine violento durante il periodo delle grandi civiltà: assiri, egizi, greci, romani. Un lungo viaggio dalle origini dell’uomo fino alla caduta dell’Impero Romano, nel 476 dopo Cristo: la chiamano tutti l’età antica, dove affondano le radici della nostra cultura, delle nostre usanze e delle nostre paure più ancestrali.

Since its formation in 1861, Italy has struggled to develop an effective political system and a secure sense of national identity. Christopher Duggan's acclaimed introduction charts the country's history from the fall of the Roman Empire in the West to the present day, and surveys the difficulties Italy has faced during the last two centuries in creating a unified country. Duggan successfully weaves together political, economic, social and cultural history, and stresses the alternation between materialist and idealist programs for forging a nation-state.

A concise, star-studded retelling of Italy's past, from Caesar and Augustus to da Vinci and Michelangelo, tracing the story of a country with prodigious global influence—from a foremost author of historic Italy.

Quattromila anni di storia in quattrocento pagine, senza ridurli a un arido elenco di date e di nomi. Impossibile? Tutt'altro: in questa "Breve storia d'Italia" Alfio Caruso fonde documentazione e divulgazione, raccontando l'Italia attraverso i personaggi, le mode, i costumi, le invenzioni. I grandi eventi si intrecciano alle minuzie quotidiane, i grandi uomini emergono da piccoli episodi, senza tacere dei loro lati meno onorevoli: il ruolo fondamentale di Nerone per la diffusione del Cristianesimo; la sola volta in cui Leonardo e Michelangelo si sfiorarono.

A history of the Renaissance told through the lives of its most influential patrons. From the late Middle Ages, the independent Italian city states were taken over by powerful families who installed themselves as dynastic rulers. Inspired by the humanists, the princes of 15th- and 16th-century Italy immersed themselves in the culture of antiquity, commissioning palaces, villas and churches inspired by the architecture of ancient Rome, and offering patronage to artists and writers.

In The Darkening Age, Catherine Nixey tells the little-known - and deeply shocking - story of how a militant religion deliberately tried to extinguish the teachings of the Classical world, ushering in unquestioning adherence to the 'one true faith'. The Roman Empire had been generous in embracing and absorbing new creeds. But with the coming of Christianity, everything changed. This new faith, despite preaching peace, was violent, ruthless and intolerant. And once it became the religion of empire, its zealous adherents set about the destruction of the old gods.

The story of the countess Matilda and her Lands: The History, The Canossa (origins, family, estates), The People, Matilda of Canossa, Henry IV, Gregory VII, Henry V, The Castles, The Parish Churches, The Apennine Settlements, The Landscape, Matilda's Way, Arts and Crafts: L'ars canusina, Food and Wine.

Perhaps no country has had such a lasting impact on Western culture as Italy. Whether it’s the frescoes of the Renaissance, the politics of ancient Rome, or the formation of the Catholic Church, Italy holds a central place on the world’s stage. This audiobook gives a quick but detailed overview of Italy’s grand, sweeping history, from ancient city-state to modern cultural mecca. Whether you’re a student of Italian history looking for a refresher or a brand-new learner looking for an introduction, this audiobook is a concise, easy-to-follow overview.

The Italian Wars refers to a period of prolonged conflict between 1494 and 1559 when the major European powers of the time fought for control over Italy. While it began with a French attempt to gain control over the territory of Naples, it soon expanded to a general struggle between the royal houses of Valois and Habsburg - specifically, Francis I of France and the Holy Roman Emperor Charles V. The Italian Wars represented a change in warfare tactics from the contract armies common in the Medieval period to full-time standing armies common in the modern era.

Secondo Lepre, la Repubblica sorge non solo dalla Resistenza, ma anche dalla crisi dello stato-nazione costruito dal fascismo. L'inizio dei bombardamenti sulle città, alla fine del 1942, segnando il primo incrinarsi del consenso al regime, determina anche l'inizio del processo di costruzione del nuovo stato italiano.

Italy is exhausted. Tired of the political class. Tired of the inept moderates and the agonising machinations of a democracy that no longer seems to be working. While the leaders of the country have sat idly in the safety of parliament, achieving nothing, one man on the outside has risen to the top. Like an animal, he can smell that change is coming. He is Benito Mussolini.

In this landmark study of Italy from the 14th through the early 16th centuries, Swiss historian Jacob Burckhardt chronicles the rise of Florence and Venice as powerful city-states, the breakup of the medieval worldview that came with the rediscovery of Greek and Roman culture, and the new emphasis on the role of the individual. All these, Burckhardt explains, went hand in hand with the explorations of science and the more naturalistic depiction of the world in art and literature.

Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder we continue to marvel at today. Denounced at first as a madman, Brunelleschi was celebrated at the end as a genius. He engineered the perfect placement of brick and stone, built ingenious hoists and cranes to carry an estimated 70 million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction.

When Livy began his epic The History of Rome, he had no idea of the fame and fortune he would eventually attain. He would go on to become the most widely read writer in the Roman Empire and was eagerly sought out and feted like a modern celebrity. And his fame continued to grow after his death. His bombastic style, his intricate and complex sentence structure, and his flair for powerfully recreating the searing drama of historical incidents made him a favorite of teachers and pupils alike.

In a thrilling narrative built on formidable research, Ben Lewis tracks the extraordinary journey of a masterpiece lost and found, lied and fought over across the centuries. In 2017, Leonardo da Vinci’s small oil painting, the Salvator Mundi was sold at auction for $450m. In the words of its discoverer, the image of Christ as saviour of the world is ‘the rarest thing on the planet by the greatest human being who ever lived’. Its dazzling price also makes it the world’s most expensive painting.

Il 20 settembre 1870 è appena passato. Roma è stata eletta capitale del Regno d’Italia, lo Stato Pontificio non esiste più, il potere temporale dei papi è un ricordo, anche se molto vivo. La città eterna si appresta a scrivere un nuovo, rocambolesco capitolo della sua storia. È un periodo di cambiamento che suscita speranze e illusioni, ma anche paure e rifiuti. Cavour, Azeglio e altri grandi attori del Risorgimento sono già scomparsi, seguiti, nel giro di pochi anni, da Mazzini, Vittorio Emanuele II, Pio IX. Garibaldi è l’ultimo ad andarsene.

Come ci si difendeva da morbi, infezioni, malattie e altri flagelli nella società di antico regime? In tre brevi capitoli centrati sull'epidemia di peste del 1630, il libro racconta i tentativi di medici e ufficiali di sanità per individuare sistemi efficaci di prevenzione, la riuscita politica di collaborazione fra Genova e il granducato di Toscana, e l'andamento dell'epidemia in un caso esemplare come Pistoia.

"Der er blod i Ginos årer. I Faustos er der benzin." Rivaliseringen mellem de to cykelhelte Fausto Coppi og Gino Bartali antager episke dimensioner i essayet fra 1949 af den italienske forfatter og krigskorrespondent Curzio Malaparte (1898-1957). Hans skarpe prosa tager læseren med ind i hjertet af cykelsporten, og den berømte duel bliver et billede på kløften mellem tro og rationale, tradition og udvikling i Europa i tiden omkring Anden Verdenskrig.

I moti del 1848 in Sicilia come pretesto per rivalse trasformistiche da parte del notabilato: in questo contesto si svolgono due efferate stragi sulle quali le autorità si affrettarono a stendere un velo di silenzio. La prima strage avvenne a Porto Empedocle, dove il maggiore Sarzana si liberò in un sol colpo di 114 detenuti, soffocandoli e bruciandoli vivi in una cella comune; la seconda ebbe luogo a Pantelleria, dove ad opera di mafiosi e proprietari furono giustiziati 15 contadini in base a pretestuose accuse.

La Resistenza a lungo è stata considerata solo una "cosa di sinistra": fazzoletto rosso e Bella ciao. Poi, negli ultimi anni, i partigiani sono stati presentati come carnefici sanguinari, che si accanirono su vittime innocenti, i "ragazzi di Salò". Entrambe queste versioni sono parziali e false. La Resistenza non è il patrimonio di una fazione, è un patrimonio della nazione. Aldo Cazzullo lo dimostra raccontando la Resistenza che non si trova nei libri.

1742: the famous dome atop Saint Peter's Basilica, designed by Michelangelo, is fractured and threatened with collapse. The dome is the pride of Italy and the largest of its kind anywhere in the world. And no one knows how to fix it. This engaging and colorful narrative tells the overlooked story of how Michelangelo's Dome was saved from disaster by three mathematicians and Pope Benedict XIV, who had asked them for help.

Galileo Galilei began his career as a mathematician. Yet as fate would have it, he became far more than a numbers whiz. Here was a true Renaissance man; one who was greatly educated and a genuine lover of the arts. He was a fan of poets and a fine lute player. When in 1609 Galileo created his first telescope and turned his attention to the skies, everything changed.

In the aftermath of the First World War, the seeds of fascism were sown in Italy. While the country reeled in shock, a new movement emerged from the chaos: one that preached hatred for politicians and love for the fatherland; one that promised to build a ‘New Roman Empire’, and make Italy a great power again.

Some 250 years after its first publication, Gibbon's Decline and Fall is still regarded as one of the greatest histories in Western literature. In Volume III (XXVII-XXXVI), Gibbon charts the fall of the Western empire. Starting with the reign of Emperor Gratian (d. 383) his survey moves to political and religious issues in the East and West before covering the increasing military power of the Barbarians.

Naples '44 is an unflinching autobiographical account of a year in Naples after the armistice and Allied landings in Sorrento in 1943. Working as a British counterintelligence officer under the Allied occupation, Lewis documents the rich pageant of life in the city and its surrounding areas. There is suffering and squalor: Criminal gangs are on the rise, along with typhus and black market commerce, and the female population is forced into part-time prostitution. But there is farce and humor, too, witnessed in the Roman uncle paid handsomely simply to appear at funerals.

The riveting history of a beautiful queen, a shocking murder, a papal trial - and a reign as triumphant as any in the Middle Ages. On March 15, 1348, 22-year-old Joanna I, queen of Naples, stood trial for the murder of her husband before the pope and his court in Avignon. Determined to defend herself, Joanna won her acquittal against overwhelming odds. Victorious, she returned to Naples and ruled over one of Europe's most prestigious courts for the next three decades - until she herself was killed.

Ho trascorso gran parte della mia giovinezza e della mia maturità occupandomi, e scrivendo, del terrorismo italiano. Qualche lettore penserà che sono stato uno sciocco o che non ho saputo impiegare meglio il mio tempo. Ma per un giornalista come me, attivo negli anni Sessanta, Settanta e Ottanta, era quasi fatale che andasse così.

Ci sono buchi in Sardegna che sono case di fate, morti che sono colpa di donne vampiro, fumi sacri che curano i cattivi sogni e acque segrete dove la luna specchiandosi rivela il futuro e i suoi inganni. Ci sono statue di antichi guerrieri alti come nessun sardo è stato mai, truci culti di santi che i papi si sono scordati di canonizzare, porte di pietra che si aprono su mondi ormai scomparsi, e mari di grano lontani dal mare, costellati di menhir contro i quali le promesse spose strusciano impudicamente il ventre nel segreto della notte, vegliate da madri e nonne.

In molti scritti sulla Resistenza sono indicati come autori di attacchi ai tedeschi o vittime dei loro rastrellamenti "i partigiani", senza altra specificazione. Ma in gran parte dei casi si trattò di partigiani comunisti, la cui connotazione politica in seguito è rimasta spesso sotto traccia. Nel dopoguerra fu il loro stesso partito a inglobarli nella sua visione della guerra di Liberazione come "guerra di popolo" combattuta da un ampio fronte antifascista quasi indifferenziato.

Siamo a Firenze nel 1921, le squadracce fasciste imperversano in città e si organizzano i gruppi di autodifesa socialisti e comunisti. Gli scontri sono all’ordine del giorno e il giovane fascista Giovanni Berta viene prima malmenato e poi gettato da un ponte nell’Arno. Immediatamente i fascisti trasformarono questo fatto in un martirio, enfatizzando la brutalità e la ferocia delle masse operaie. A queste dovevano porre un argine l’indomita fede e il senso di sacrificio dei sostenitori del fascismo.