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Regina Martínez was no stranger to retaliation. A journalist out of Mexico’s Gulf Coast state of Veracruz, Regina's stories for the magazine Proceso laid out the corruption and abuse underlying Mexican politics. She was barred from press conferences, and copies of Proceso often disappeared before they made the newsstands. In 2012, shortly after Proceso published an article on corruption and two Veracruz politicians, and the magazine went missing once again, she was bludgeoned to death in her bathroom. The message was clear: No journalist in Mexico was safe.

¿Quién manda en España? ¿Por qué mandan los que ocupan puestos de poder en los ministerios, secretarías de Estado, direcciones generales? ¿Qué redes de intereses les unen entre sí? Más allá de las "puertas giratorias", unos grupos pequeños de altos funcionarios, personas vinculadas al poder real, sobre todo al económico, toman las decisiones y lo hacen sin responder ante los ciudadanos ni escucharles. Porque las élites de poder no se presentan a las elecciones ni defienden un programa electoral.

Este es el relato de una reportera de guerra, Adriana Aristizábal, quien estuvo atrapada en la tormenta del conflicto y quien presenció a finales de los años noventa, el fuego cruzado entre guerrilleros de las Farc, paramilitares y las fuerzas armadas, época en la que se registró el punto más álgido del conflicto en Colombia.

Journalism is in trouble, but it's not too late to save it--or yourself--by mastering, sharing, and implementing the most critical skills any reporter can have: the basics. Based on extensive research, personal experience, and interviews with reporters, editors, and publishers, 33 Ways Not to Screw Up Your Journalism is the essential companion for journalists and their professors and coaches.

Se trata de una muestra y una celebración de lo mejor de El Tiempo, de sus crónicas, reportajes e historias más representativas, publicadas a lo largo del 2021. Con el ojo experto de Juan Esteban Constain, esta antología conserva lo mejor de todo el contenido editorial investigado, reporteado, editado y publicado por el equipo periodístico del diario El Tiempo.

A series of shorts sports stories through the eyes of an announcer who witnessed it. Sharing sports tales, announcing bloopers, and things you rarely see at sporting events. At the same time, sharing advice to those interested in getting into announcing.

Mixing parody, literary criticism, profiles, satire, light verse, anagrams, AND social observation, Haywire gathers together the finest examples of Craig Brown's writing across the past fifteen years. From Mary Berry’s Household Tips to Robert Macfarlane’s poetic prose, from profiles of such diverse figures as Sigmund Freud and Katie Price to parodies of Jacob Rees-Mogg and Mary Beard, and from appreciations of the Marx Brothers and Les Dawson to essays on Brian Epstein and the slippery art of biography, Haywire contains a bumper selection of work.

Como dice Rosa Montero, las entrevistas añejas son como las fotos antiguas: tiempo remansado, detenido. Leyéndolas, uno no sólo recorre los tiempos vividos, sino que, además, inevitablemente piensa en la inocencia perdida. Con la característica intuición periodística, la inmensa capacidad de análisis y el talento narrativo extraordinario de la autora, este volumen recupera sus entrevistas más emblemáticas publicadas en El País.

Nel tracciare la storia del giornalismo italiano il libro prende le mosse dalla nascita delle prime gazzette secentesche, segue le vicende della stampa registrandone il ruolo via via crescente nella società e si chiude quando il giornalismo stampato, già affiancato da quello radiofonico e televisivo, entra in un futuro contrassegnato dai nuovi media elettronici. Criterio ispiratore è quello di coniugare le vicende salienti del giornalismo con gli eventi politici, sociali ed economici più rilevanti della storia italiana nell'arco degli ultimi quattro secoli.

Bill Gentile did more than just "cover" Nicaragua's Sandinista Revolution and the Contra War. He lived them. First as correspondent for United Press International and later as photojournalist for Newsweek, Gentile experienced those historic events from the inside. His memoir takes listeners not only to the 1979 revolution, the Contra War in the merciless mountains of Nicaragua, and to the deadly streets of El Salvador, but also to the steel mills and backyards of Southwestern Pennsylvania. This book introduces the American public to the victims of US intervention abroad.

A volume in a series called The Library of Contemporary Thought—which provides top opinion makers a forum to explore the most provocative, fascinating, and relevant issues of the day—News Is a Verb focuses on contemporary journalism and its evolving readership.

Desde que fueron anunciadas las negociaciones de paz con las Farc, Juan Gabriel Vásquez no ha dejado de comentar ese proceso que tanta esperanza -y tanta polarización- le ha traído al país. Este libro recoge todo lo que ha escrito al respecto: sus columnas de opinión en medios de Colombia y el mundo, pero también conversaciones con Humberto de la Calle, Juan Manuel Santos y Doris Salcedo.

Patrick S. Washburn and Chris Lamb tell the full story of the past, the present, and to a degree, the future of American sports journalism. Sports Journalism chronicles how and why technology, religion, social movements, immigration, racism, sexism, social media, athletes, and sportswriters and broadcasters changed sports as well as how sports are covered and how news about sports are presented and disseminated.

In What Just Happened?! Marina Hyde slashes her way through the hellscape of post-referendum politics, where the chaos never stops. Clamber aboard as we relive every inspirational moment of magic, from David Cameron to Theresa May to Boris Johnson.

El 15 de mayode 2017 fue asesinado en Culiacán el periodista Javier Valdez Cárdenas, autor de una serie de libros excepcionales para entender el fenómeno del narco y el voraz crecimiento de la delincuencia organizada en México.

Periodista valiente y puntual, crítico hasta el extremo con la realidad de nuestro país, su trabajo logró reconocimiento internacional y, sobre todo, por una pluma vibrante, conmovedora, profundamente humana.

In the middle of the night on March eleventh, 1980, the phone rang in Julia Reed’s Georgetown dorm. It was her boss at Newsweek, where she was an intern. He told her to get in her car and drive to her alma mater, the Madeira School. Her former headmistress, Jean Harris, had just shot Dr. Herman Tarnower, The Scarsdale Diet Doctor. Julia didn’t flinch. She dressed, drove to Madeira, got the story—and her first byline—and the new American Gilded Age was off and running.

In early 2020, Luke Mogelson, who had been living in France and covering the Global War on Terrorism, returned home to report on the social discord that the pandemic was bringing to the fore in the US. Soon, he found himself embedded with militias descending on the Michigan state capitol. From there, the story swept him on to Minneapolis, then to Portland and ultimately to Washington, D.C. His stories for The New Yorker were hailed as essential first drafts of history. They were just the tip of the iceberg.

Aquel mediodía del 25 de marzo de 1977, hace 45 años, Rodolfo Walsh llegó puntual a una cita que tenía programada en la esquina de las avenidas San Juan y Entre Ríos, en el centro de la ciudad de Buenos Aires. La reunión había sido confirmada respetando los códigos de seguridad de la clandestinidad: contraseñas secretas y chequeos telefónicos. No sabía que, en verdad, un operativo, que incluía un francotirador, lo estaba esperando para capturarlo.

Frank Senko had always known how to have a good time. But after a job change forced Frank to begin a long car commute every day, his daughter Jen noticed changes in his personality and beliefs. Long hours on the road listening to talk radio commentators like Rush Limbaugh sucked her father into a suspicion-laden worldview dominated by conspiracy theories, fake news, and rants about the "coastal elite" and "libtards" trying to destroy America.

Jorge Zarza es uno de los reporteros con más prestigio internacional de México: sus coberturas respecto a un atentado terrorista, la tragedia humana ante un desastre natural o la voz rasgada de quienes sobreviven a un enfrentamiento armado confirman su rigor periodístico y su tenacidad para informar desde el lugar de los hechos.