検索キーワード： ジャーナリズム

Lernen Sie das Handwerk des Schreibens. Im Journalismus Hörbuch der ZEIT Akademie steht das Schreiben lernen an erster Stelle. Was guten Journalismus ausmacht? Was eine moderne Redaktion leisten muss? Von ZEIT-Redakteuren verständlich erklärt: Lernen Sie von Chefredakteur Giovanni di Lorenzo mehr über guten Journalismus. Finden Sie mit Harald Martenstein den perfekten Ton für eine Kolumne. Erfahren Sie von Iris Radisch, wie man eine fundierte Rezension schreiben lernt. Vom Essay bis zum Leitartikel, vom Interview bis zur Reportage.

Business owners, consumers, and employees have long relied on the news to make financial decisions—what to buy, who to hire, and what products to sell. In the 21st century, that news has shifted. Only the big businesses and executives can afford expensive subscriptions, while most consumers and small-business owners are left scrambling to find the news they need to succeed and thrive. The Future of Business Journalism explores how the field evolved into this divide and offers solutions on how business journalism can once again provide the stories and content that a broad society needs.

How did such a major international public service media network become intensely politicized by government allies in such a short time, despite having its editorial independence protected by law? Capturing News, Capturing Democracy puts these events in historical and international context-and develops a new analytical framework for understanding government capture and its connection to broader processes of democratic backsliding.

De onderwereld heeft Brabant in zijn greep. Brabant is de drugsschuur van Europa; jaarlijks wordt er voor 1 miljard euro aan wiet geproduceerd. De criminaliteit in het zuiden is een bedrijfstak, die al jaren kan voortbestaan doordat boven- en onderwereld zich hand in hand weinig lijken aan te trekken van het gezag. Hoe kan dat en waarom gebeurt dat in Brabant?

Founded in 1916, British Vogue has forged its own path from the very start. From the trauma and austerity of two world wars through to the freedom of the swinging Sixties, the rise of the supermodel to the groundbreaking editorial direction of Edward Enninful: the magazine's chameleonic ability to move with the times has ensured its perennial status at the vanguard of British cool. The book draws on hitherto unseen archives and behind-the-scenes interviews with Vogue insiders including stylist Grace Coddington, editor Alexandra Shulman and fashion editor Lucinda Chambers.

Hay consenso entre periodistas, académicos y lectores en reconocer a Julio Scherer García como el mejor periodista mexicano de la segunda mitad del siglo xx. Su fama se debió al desarrollo constante de su oficio, siempre con excelencia y sentido crítico.

Na melhor tradição do novo jornalismo, Adriano Wilkson constrói uma história vibrante e dramática, cheia de personagens de carne e osso (e músculos) inesquecíveis, em que o ringue onde as batalhas se desenrolam se torna uma alegoria dos percalços que a vida impõe a milhões de brasileiros. Acácio Pequeno precisa evaporar de seu corpo cerca de três litros de água para ter acesso à luta mais importante de sua carreira.

Through many decades of groundbreaking journalism, John Simpson has become not only one of the most recognisable and trusted British personalities, but has transferred his skill to books with multiple bestselling success. With this book he turns his eye to how Great Britain has been transformed by its free press down the years. He shows how, while the press likes to pretend it's independent, they have enjoyed the power they have over the events they report and have at times exercised it irresponsibly.

In 1967, by accident, Melba Tolliver was the first Black American to anchor network news. Going on to report and anchor for WABC-TV Eyewitness News, WNBC, and News 12 Long Island, Tolliver became known for her human-interest stories starring everyday people—but she also covered celebrities, musicians and politicians, from Stevie Wonder to Robert Kennedy. Packed with telling detail, Accidental Anchorwoman fills in the backstory of a life that has deeply influenced modern journalism.

Drawing on their unrivalled access throughout the Labour party, the Times and Sunday Times investigative duo behind Left Out now present the explosive inside story of Labour’s transformation and general election under Starmer. This is the definitive telling of a momentous time for the party: either their election as the first Labour government since the Blair/Brown era, or a catastrophic mishandling of a huge lead in the opinion polls. Either way, the story centres on Starmer's relentless and single-minded pursuit of power, and on the inevitable turmoil and carnage.

In one of her escapades as a reporter for Joseph Pulitzer's New York World, the renowned Nellie Bly feigned insanity in 1889 and slipped, undercover, behind the grim walls of Blackwell's Island mental asylum. She emerged ten days later with a vivid tale about life in a madhouse. Her asylum articles merged sympathy and sensationalism, highlighting a developing professional identity—that of the American newspaperwoman.

La obra más enloquecida de Hunter S. Thompson, figura legendaria del nuevo periodismo. Una acción delirante: así como los caballeros de la Tabla Redonda se lanzaban en pos del Santo Grial envueltos en una armadura de poder sobrenatural, Thompson entró en Las Vegas pertrechado con un arsenal verdaderamente mágico de "nefandas sustancias químicas" en su búsqueda del Sueño Americano.

Successful essayist, columnist, writing instructor, and editor Estelle Erasmus will show you how to find your voice, write stellar pieces, and get published.

O que será e quem seremos nesse momento de revolução? Ao Brasil, com amor é a reunião de cartas trocadas entre os jornalistas Jamil Chade, que vive em Genebra, e Juliana Monteiro, moradora de Roma. Nesta correspondência os autores compartilham fatos cotidianos, histórias e impressões de um período que começa no verão pós-vacina europeu e se encerra às vésperas das eleições brasileiras de 2022.

These Foolish Things captivatingly charts Dylan's life: from his peripatetic childhood and late adolescence in 1970s London - a city then alive with possibility - to his award-winning tenure at what would become one of the most dynamic magazines of its era, GQ.

Max Hastings grew up with romantic dreams of a life amongst warriors. But after his failure as a parachute soldier in Cyprus in 1963, he became a journalist instead. Before he was thirty he had reported conflicts in Northern Ireland, Biafra, Vietnam, Cambodia, the Middle East, Cyprus, Rhodesia, India and a string of other trouble spots. His final effort was as a war correspondent during the Falklands War. Going to the Wars is a story of his experiences reporting from these battlefields. It is also the story of a self-confessed coward: a writer with heroic ambitions.

In February 2002 Max Hastings retired from his position as a 'Fleet Street' Editor. His is an enormously illustrious career which started in 1985, when he was offered the Editorship of a national institution – the Daily Telegraph – in a surprise move by its owners. This memoir tells the story of what happened to him, and to a great newspaper, over the next decade. It is all here: the rows with prime ministers, the coverage of great events including the end of the Cold War, the fall of Thatcher, the rise of New Labour and Tony Blair, the Gulf War, and the tribulations of the Royal Family.

Cien años de odio desembocan en tres asesinatos en una aldea de trece casas.

Just before the small-time bootlegger Max Gerlach died, he tried to reveal his secret: he was the inspiration for the mysterious Jay Gatsby. It’s a nice story, but was he telling the truth? Veteran reporter Joe Nocera and producer Poppy Damon investigate this century-old literary mystery and uncover untold secrets about the Great American Novel.

By the 1970s, the country’s oldest continuously published newspaper had fallen on hard times, just like its nearly bankrupt hometown. When the New York Post was sold to a largely unknown Australian named Rupert Murdoch in 1976, staffers hoped it would be the start of a new golden age for the paper. Now, after the nearly fifty years Murdoch has owned the tabloid, American culture reflects what Murdoch first started in the 1970s: a celebrity-focused, noisy, one-sided media empire that reached its zenith with Fox News.

In 2022, Andrew Tate went from a little-known kickboxer and failed reality TV star to a lifestyle icon for legions of men and boys, and a figure that would define a new era of misogyny. Tate started the year as a fringe internet celebrity, but by August he was the most googled man in the world. In that same month, Matt Shea and Jamie Tahsin gained access to his Bucharest compound and infamous War Room, making a documentary that would result in the first women coming forward to accuse him publicly of sexual and physical violence.

If you watch the news, you already know what pretty much everyone knows: everything is worse than ever. Politics, crime, big Pharma, the environment. According to media, what is worse than ever? Every freaking thing. And you interact with this message virtually every day. The rate of media consumption has never been higher.

It has been eleven years since Diane Foley’s son, the American journalist James Foley, was kidnapped in northern Syria, and nearly ten since that day in August 2014 when she would learn that he had been murdered by ISIS in a public beheading that would ricochet in video around the world. A whole decade. Time rushes past. And yet, for Diane, that moment is unending. In American Mother, legendary author Colum McCann tells Diane’s story as she recalls the months of his captivity, the efforts made to bring him home and the days following his death.

Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation. But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press.

From one of Australia's leading Indigenous journalists comes a collection of fierce and powerful essays proving why the media need to believe Black witnesses and showcasing ways that journalism can be used to hold the powerful to account and make the world a more equitable place. Black Witness is the essential collection of First Nations journalism that we need right now – and always have.

Since 1844, the Globe and Mail and its predecessor, George Brown’s Globe, have chronicled Canada: as a colony, a dominion, and a nation. To mark the paper’s 180th anniversary, Globe writers explored thirty issues and events in which the national newspaper has influenced the course of the country: Confederation, settler migrations, regional tensions, tussles over language, religion, and race. The essays reveal a tapestry of progress, conflict, and still-incomplete reconciliation.

Dejó muy claro Gabriel García Márquez que el periodismo siempre fue su principal pasión, la más perdurable y por la que quiso ser recordado: «No quiero que se me recuerde por Cien años de soledad, ni por el premio Nobel, sino por el periódico. [...] Nací periodista y hoy me siento más reportero que nunca. Lo llevo en la sangre, me tira».

Despierta, que no te engañen. Así sufre la censura un periodista en España. Así te apartan por considerarte incómodo. Cloacas, bulos, intercambio de favores muy burdos, complots entre el poder político y el económico. Así controlan tus noticias. Así es como la propaganda se carga la información. Intoxican a la opinión pública, acceden a tus datos más íntimos, te subastan en el mercado de la mentira. Así te polarizan para distraerte.

Com experiência extensa no jornalismo, Ricardo Viveiros traz uma escrita que deixa transparecer seu olhar perspicaz para os fatos e do qual o ouvinte não sai ileso. De modo amplo e didático, a obra nos leva a entender o cenário no qual a população brasileira dividiu-se entre os “contra” e os “a favor”.

In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market.