検索キーワード： 映画・テレビ

The first authoritative biography of film legend Bruce Lee, who made martial arts a global phenomenon, bridged the divide between Eastern and Western cultures, and smashed long-held stereotypes of Asians and Asian Americans. Forty-five years after Bruce Lee’s sudden death at age 32, journalist and best-selling author Matthew Polly has written the definitive account of Lee’s life. It’s also one of the only accounts; incredibly, there has never been an authoritative biography of Lee.

In thirteen iconoclastic essays, Slavoj Žižek disrupts the death-grip that neoliberalists, Trumpian populists, toxic self-improvement industries and accelerationists alike have established on the idea of progress. Anatomizing what is lost when opponents of the future are allowed to define it, Žižek ruthlessly exposes what different visions of progress exclude or sacrifice and the dynamics of desire, denial and disavowal at work in Hollywood blockbusters, Buddhist economics, decolonization movements and other engines of vision.

In September 1998, Michael J. Fox stunned the world by announcing he had been diagnosed with Parkinson's disease: a degenerative neurological condition. In fact, he had been secretly fighting it for seven years. The worldwide response was staggering. Fortunately, he had accepted the diagnosis and by the time the public started grieving for him, he had stopped grieving for himself.

We all love stories. But why do we tell them? And why do all stories function in an eerily similar way? John Yorke, creator of the BBC Writers' Academy, has brought a vast array of drama to British screens. Here he takes us on a journey to the heart of storytelling, revealing that there truly is a unifying shape to narrative forms - one that echoes the fairytale journey into the woods and, like any great art, comes from deep within. From ancient myths to big-budget blockbusters, he gets to the root of the stories that are all around us, every day.

Werner Herzog is the undisputed master of extreme cinema: building an opera house in the middle of the jungle; walking from Munich to Paris in the dead of winter; descending into an active volcano; living in the wilderness among grizzly bears - he has always been intrigued by the extremes of human experience. From his early movies to his later documentaries, he has made a career out of exploring the boundaries of human endurance: what we are capable of in exceptional circumstances and what these situations reveal about who we really are. But these are not just great cinematic themes.

Afrofuturism is a cultural movement that seeks to explore and transform the experience of the African diaspora. Stretching across multiple art forms and genres, the movement taps into the limitless potential of creativity and the imagination to envision Black liberation through stories, music, architecture, fashion, music, and so much more.

In the early 2000s, Kate Moennig and Leisha Hailey—both young artists trying to figure it all out—met at auditions for an unknown little TV show. Given that it was a show about lesbians living in Los Angeles, with the first ever ensemble cast of openly queer female characters, Kate and Leisha knew the project was going to be unlike anything else out there—that is, if it even got picked up.

その８割近くが失われてしまっているという戦前のものを中心に、「映画探偵」とも称されるコレクターたちによって奇跡的に発掘された日本映画が、断片しか見つかっていないものも含め、ミニシアターのラピタ阿佐谷で企画上映された。題して「映画探偵の映画たち」。 私はその内、３日間の上映、計10本を見に行った。 １月17日 『播州皿屋敷（ばんしゅうさらやしき）』1929年（昭和4年） 監督：賀古残夢（かこ・ざんむ） 『武士道』1925年（大正14年） 監督：ハインツ・カール・ハイラント、賀古残夢（かこ・ざんむ） 『吉良の仁吉（きらのじんきち）』1937年（昭和12年） 監督：児井英男（こい・ひでお） 『電車が軌道を走る迄（まで）』1929年（昭和4年） 監督：荻野茂二（おぎの・しげじ） 『曼珠沙華（まんじゅしゃげ）』1945年（昭和20年） 監督：柿本久夫（かきもと・ひさお）(本文より）切通理作の「映画の友よ」はこちらから→http://yakan-hiko.com/risaku.html

With humor and honesty, Girls on Film looks at the good, the bad, and the unfairly written women in film. A celebration of the power of cinema and the hidden messages within media and culture, this collection of personal essays explores the women who inspired and confused a young film enthusiast.

うら若い美女が全裸になって不倫に走る。 性を大胆に解放して戦前の世界をびっくりさせた。 若妻役のキースラーは渡米してヘディ・ラマーと改名、「サムソンとデリラ」に主演した。

ニューヨークで暮らすリンゴ売りの貧しい中年女は、爪に火をともすようにして娘を留学させるが、スペインの伯爵と結婚した娘は一時帰国するという。慌てた彼女は粋な仲間たちの協力で一日だけ上流社会の淑女を装うことになる。

ダンスの神様アステアが天井でタップを踊る？！ 帽子掛けとも華麗に踊る見所満載のミュージカル！！

カード賭博のディーラー、フランキーは麻薬から足を洗い、車椅子の妻とともにドラマーとして再生を図るが、罠にはまり再び賭博と麻薬の世界へ。

Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress, and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese, and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives, and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.

Action explores the ways that a modern-day writer can successfully tell an action story that not only stands apart, but wins the war on clichés. Teaming up with the former co-host of The Story Toolkit, Bassim El-Wakil, legendary story lecturer Robert McKee guides writers to award-winning originality by deconstructing the action genre, illuminating the challenges, and, more importantly, demonstrating how to master the demands of plot with surprising beats of innovation and ingenuity.

On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia’s crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself and emerged with an answer.

ぼくは60年代に青春を送った人間で、ヒッピーでもあったので、若い友人やファ ンから「SIXTIESってどんな時代だったんですか？」みたいなことをよく聞かれま す。ぼくはその都度、ぼくなりの60年代感とか、思い出、印象を語るようにして はいるんですけど、ひとつの時代、特に60年代みたいな激動の時代を説明したり 描写したりするのは本当に難しいです。 　当時流行っていた音楽のこととか、ファッションとか、ヘアスタイルだとか、 学生運動とか、ベトナム反戦運動とか、ウッドストックとか、そういう具体的な ことについては話せるんですけど、60年代には、 ぼくが体感した限りですけど、 他の時代にはなかった……なんて言うのかな……何かが大きく変わろうとしてい るんだ、そして変えていくのは我々若者なんだっていうワクワク感、ドキドキ感 のようなものが大気に流れていて、これを言葉で表現するのはほとんど不可能に 近いんですよね。（本文より） ロバート・ハリス　運命のダイスを転がせ！ はこちらから→http://yakan-hiko.com/robert.html

Gordy LaSure's passionate about film. He eats film, he drinks film, and sometimes he'll even watch a film. But most of all, he loves talking about film, and how they'd be a shit-ton better if only people would pull their asses out of their ears and listen to Gordy LaSure. Why are some films bad and some films terrible? How come just a handful of films (Titanic, Porky's, Dirty Harry) are any good at all? Gordy'll tell you How and Why, and he'll give you a shot of Wherefore on the side. And he doesn't shoot from the hip; he shoots from the gut.

A 25th anniversary history and celebration of The Shawshank Redemption, one of the most cherished American films of the late 20th century and one of the finest movies made from a Stephen King story. It has become nothing less than this generation’s The Grapes of Wrath, an inspiring story about keeping hope alive in bleak times and under the most horrendous conditions.

Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation.