検索キーワード： 制作 "-- Kevin Wright --" 劇場

From Golda to Ginsburg, Yentl to Mama Rose, Tallulah to the Queen of Mean, Tovah Feldshuh has always played powerful women who aren't afraid to sit at the table with the big boys and rule their world. But offstage, Tovah struggled to fulfill the one role she never auditioned for: Lily Feldshuh's only daughter. Tovah shares the highs and lows of a remarkable career that has spanned five decades, and shares the lessons that she has learned, often the hard way, about how to live a life in the spotlight, strive for excellence, and still get along with your mother.

A work of gripping nonfiction, North by Shakespeare presents the twinning narratives of rogue scholar Dennis McCarthy, called "the Steve Jobs of the Shakespeare community", and Sir Thomas North, an Elizabethan courtier whom McCarthy believes to be the undiscovered source for Shakespeare's plays.

This striking new collection exemplifies the way in which Mendelsohn - a classicist by training - uses the classics as a lens to think about urgent contemporary debates. There is much to surprise here. Mendelsohn invokes the automatons featured in Homer’s epics to help explain the AI films Ex Machina and Her and perceives how Ted Hughes sought redemption by translating a play of Euripides (the ‘bad boy of Athens’) about a wayward husband whose wife returns from the dead.

In 2008, In the Heights, a new musical from up-and-coming young artists, electrified Broadway. The show's vibrant mix of Latin music and hip-hop captured life in Washington Heights, the Latino neighbourhood in upper Manhattan. It won four Tony Awards and became an international hit, delighting audiences around the world. For the film version, director Jon M. Chu (Crazy Rich Asians) brought the story home, filming its spectacular dance numbers on location in Washington Heights.

This is the story of amateur dramatics in Britain. In a triumphant mix of memoir, social history, interviews and manifesto, Jenny Landreth opens our eyes to am-dram and shows us a vibrant world that is a crucial part of our culture. Starting with the Mystery Plays of the Middle Ages, we move, via Shakespeare, to the Georgian aristocrats who built opulent private theatres in their own homes, then to the halcyon days of radical lefties taking political theatre to the streets and on to the present day.

This book describes a technique developed and refined by the authors, all of them young actors, in their work with Pulitzer Prize-winning playwright David Mamet, actor W. H. Macy, and director Gregory Mosher. A Practical Handbook for the Actor is written for any actor who has ever experienced the frustrations of acting classes that lacked clarity and objectivity, and that failed to provide a dependable set of tools.

Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations - Rosencrantz and Guildenstern Are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love - remain as fresh and moving as when they entranced their first audiences.

In 2008, In the Heights, a new musical from up-and-coming young artists, electrified Broadway. The show’s vibrant mix of Latin music and hip-hop captured life in Washington Heights, the Latino neighborhood in upper Manhattan. It won four Tony Awards and became an international hit, delighting audiences around the world. For the film version, director Jon M. Chu (Crazy Rich Asians) brought the story home, filming its spectacular dance numbers on location in Washington Heights.

Moving from the glamour and dysfunction of 1970s Brooklyn, to the sybaritic materialism of Reagan’s 1980s to post-9/11 New York, Lot Six offers a quintessentially American tale of an outsider striving to reshape himself in the funhouse mirror of American culture. Adjmi’s memoir is a genre-bending Künstlerroman in the spirit of Charles Dickens and Alison Bechdel, a portrait of the artist in the throes of a life and death crisis of identity.

Mystery, power and malevolence are present in these plays, all of which subvert the happy endings that one would expect in a comedy and the tragic effect one would expect in a tragedy, to pose deeper moral questions that echo modern society. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Roy Dotrice, Prunella Scales, Ian McKellen, Michael Hordern and Derek Jacobi can be heard in these recordings.

Discover spiritual truths from the smash Broadway hit "Hamilton" that will transform your life. "Hamilton" - the hip-hop musical about a forgotten founding father - is the most compelling musical of our time. God and Hamilton impressively weaves together insights from the musical itself, the lives of Alexander and Eliza Hamilton, and the story of Scripture into a tapestry that challenges people of faith to reexamine their lives.

In glittery 1980s Los Angeles, once-celebrated Broadway lyricist Beau Kellogg is disillusioned, unhappily married and yearning for one last musical hit, while he writes advertising jingles for quick money. Meanwhile, in New York, idealistic young singer, Amanda Harary, works a demanding day job at a charming West Side hotel. From their first fiery phone conversation, sparks fly, and when they begin to talk late at night, miracles begin to happen.

Константин Сергеевич Станиславский (1863-1938) - русский театральный режиссёр, актёр и педагог, теоретик и реформатор театра. Создатель знаменитой актёрской системы, которая на протяжении 100 лет имеет огромную популярность в России и в мире.

Sherlock Holmes has been a beloved character from his first story, and his mystique endures to the modern age in print and on screen, but he has had a long life in the theater, as well. Where did it begin? What are the themes, stories, and characterizations that make his stage presence unique and just as enduring?

Mike's Pocket Performance Pointers is a cohesive series of steps and advice, essential to any performing vocalist today. Michael distills years of experience as a touring performer, professor and vocal coach into easy-to-understand, accessible lessons that will help take your performance practice to the next level. Mike's Pocket Performance Pointers will prove to be must-have guide you will refer to time and time again.

A native of New Jersey, Roy Scheider was his own man. He did his work well and was not afraid to butt heads with producers and directors with whom he disagreed, even to the detriment of his career. Michael B. Druxman’s Roy Scheider & the Bigger Boat finds the actor in 2002 during a lull in his career. He hasn’t done a major film for several years, as he ponders how he can change his luck.

When you think of Jason Robards, you also think of Eugene O’Neill and the tragic, hard-drinking characters he created in The Iceman Cometh, Long Day’s Journey Into Night, Hughie and The Moon for the Misbegotten. Robards, the son of a failed actor, Jason Robards Sr., discovered O’Neill’s plays when he was in the Navy during WW2. After the war, without his father’s encouragement, he pursued his own acting career, but it was 11 years and two failed marriages before he finally achieved success.

Audrey Hepburn was not your usual movie star. She was the highest paid actress of her day, yet she never took a formal acting lesson. A child of war, and the daughter of a Fascist sympathizer, she spent her last years helping children of other wars. An Academy Award-winner for her first major film role (Roman Holiday), Hepburn continued her storybook career with such classic movies as Sabrina, Funny Face, The Nun's Story, Breakfast at Tiffany's, Charade, My Fair Lady and Wait until Dark. Her two marriages ended in divorce.

Ever wondered how great singers in musicals and opera get (and keep) the job? They have a vocal coach. Expert vocal coach Jeremy Fisher lifts the lid on what goes on in a voice studio. The book is packed with real-life examples of singers and singing lessons, stories of auditions for musical theatre and opera, and voiceover training.

The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual-assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events.