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Il Trovatore has been ruthlessly parodied. It is a tale of murder and mayhem, burned babies, roasted hags, would-be nuns, strolling minstrels, and bad baritones. And indeed the libretto does call for a willing suspension of disbelief. The reward is in the music, a score as prodigally melodic as only the mature Verdi could write: the "Anvil" chorus, the "Miserere" scene, two great tenor arias, a beautiful baritone aria - a richness without embarrassment.

Massenet’s Werther combines a deeply tender story with music of beauty and eloquence. One act alone contains two of the greatest arias in the repertoire: the mezzo-soprano aria "Va! Laisse couler mes larmes" and the tenor’s "Pourquoi me rèveiller". In their sentimental power and melodic richness these arias encapsulate the qualities that account for the universal popularity of this great work.