検索キーワード： 制作 "-emdashery books-" 教則・技術

Whether you’re a student, hobbyist, or professional musician, String Theories provides a framework for lifelong growth on the guitar. This is a book you'll return to year after year as you evolve as a musician.

This is an extract and arrangement from “Sonata for Flute and Harpsichord” by Johann Sebastian Bach. The lesson begins with a full demonstration of the arrangement followed by a detailed lesson of the piece in two to four measure sections. The song is taught completely by ear, using no print or video.

This level one lesson uses Elvis’s version of the song as the primary source of the acoustic and electric parts but also teaches an acoustic-only version based on the Tom Jones version with the walking bass lines. In the Elvis version, you will both the acoustic rhythm guitar part and the electric lead guitar part to the song. Everything in this lesson is taught “by ear” so there is no print or video to mess with. Also included is a full demonstration recording and backing tracks for the Elvis version.

In this “by ear” lesson you will learn a beginner level piano solo of “Happy Birthday.” The lesson begins with a full demonstration of the arrangement followed by a detailed audiobook style lesson teaching the song in two- to four-measure sections. When you learn “by ear” you learn quickly and more permanently by utilizing the spoken language centers of your brain. Learn by ear, play by ear. It really is that easy.

You will learn everything that you have to and would like to learn about the ukulele with the help of this book. We will start with the basic information about the ukulele - where it originated and what its parts are. We will progress into learning the different techniques and tips that will help you master the art of playing the ukulele and guarantee you the ability to play the ukulele effortlessly and beautifully.

Now you can feel the coolness of playing this awesome song! In this lesson, you will learn both the rhythm and lead guitar parts to this hit TV theme without reading music or tab. A full demonstration of the song is given at the beginning followed by a detailed “by ear” lesson taught in two to four measure sections. At the end of the lesson, three different versions of the backing track are supplied for live performance! This is a level two lesson.

In this fun and exciting lesson, you will learn all three guitar parts to this Southern rock anthem! The lesson begins with a full demonstration of the song played by Bill Brown followed by a lesson teaching every guitar part using no print, tab, or video. When you learn by ear, you memorize as you go and you develop your ability to figure out other songs by ear. The lesson concludes with backing tracks at two different speeds for you to practice and perform with.

Yes, this book is designed entirely to share those secrets that will inspire you to write that great song that you know you can! And once the creativity really starts flowing, we'll create great habits and write even more, each and every day. Get down to writing the music and the lyrics you know that you can because writer's block is a fantasy. You just need inspiration.

This minuet focuses on phrasing, legato technique, and the balancing of the tone between the two hands. The lesson starts with a full demonstration of the minuet followed by a detailed lesson teaching the song in two to four measure sections completely “by ear”. This minuet is rated at an early intermediate level.

In this lesson, you will learn not only the guitar part to this famous Beatles hit but the sitar part as well! Plus, you will learn all of this completely “by ear”, using no tab, music, or video! The lesson starts with a complete demonstration with backing tracks followed by a detailed lesson teaching the song in small, easy to memorize phrases. At the end of the lesson you get the backing tracks again in various configurations to use for your own performance. This song uses a capo so make sure you have one before you start.

Hi, fellow music lover! Congratulations on starting your music-making journey. I won't waste your time with a long introduction, but let me say a few words just to get us off on the right foot. Ear training is one of the most rewarding skills you can develop, and it’s one that you can work on every day. Which makes total sense: Music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too.

Ear training is one of the most rewarding skills you can develop, and it’s one that you can work on every day, which makes total sense: Music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too. When you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that.

This Guitar by Ear bundle delivers a hit-laden batch of the greatest rock and blues hits of all time. This set has songs from The Beatles, Creedence Clearwater Revival, Stevie Ray Vaughan, The Doobie Brothers, ZZ Top, Clapton, and more. You will also find two serious blues slide guitar songs in this series, including all seven solos of Johnny Winter’s version of “Dust My Broom”! This is more than 14 hours of high-quality guitar instruction teaching all of the songs everybody loves and wants to hear.

Ear training is one of the most rewarding skills you can develop, and it’s one that you can work on every day. Which makes total sense: Music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too: When you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that.

This set covers smooth jazz, Chet Atkins, surf, and neo-classical all in a bundle with more than 11 hours of the best guitar instruction you can get. Some of the artists taught in this set include Huttlinger, Atkins, The Ventures, Django Reinhardt, and Stevie Ray Vaughan. You will need every guitar you own to make it through this set, but it will be the most fun you have ever had with the guitar!

From The Beatles to Christina Perri, this bundle covers five decades of great guitar songs, most at the beginner and early intermediate level. Here you will find Clapton, The Stones, The Eagles, Mary Chapin Carpenter, Sara Evans, and more! If you are looking for a batch of guitar lessons that will make you a well-rounded musician, then you have to get this set!

Metal music is heavy, but what does that mean? Heaviness is not just a timbre or quality of sound-it's an experience of impact that listeners help create. This book combines methodologies from musicology, music theory, cognitive science, and performance studies to define heaviness as a...

In this interconnected series, Kevin L. Whitworth traces the hidden lives of these iconic stringed instruments, following their paths from workshops and front porches to battlefields, concert halls, and cultural crossroads. Blending investigative history with lyrical storytelling, these books uncover forgotten inventors, misunderstood musicians, and the quiet revolutions that shaped the sound of American music.

Despite the ups and downs of his personal life and professional career—even in the face of deafness—Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, writes the music historian Mark Evan Bonds, provides the key to understanding the composer's life and works. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self.

Are you a singer who would like to be able to help others? Would you like to increase your contemporary voice teaching skills? Do you want a method to successfully identify and correct vocal issues with confidence? You love singing and want to share your gift with others, yet navigating the world of teaching voice and vocal coaching can be confusing and intimidating. There is a world of information out there, from methodology to voice science, but applying it in the teaching room can be a bewildering experience. Why does the voice sound like this? How can I fix this issue?