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In this Piano by Ear lesson, you will learn a beginner level piano solo of this classic hymn. The song is fully demonstrated and then taught in two to four measure sections, completely by ear, describing every note and finger used to play the song. Listen to the lesson sample above to see just how easy it is to learn to play this great hymn completely “by ear”!

Composed by Samuel Stone in 1866, this hymn helped to serve a political purpose in Oxford England as the Anglican church was struggling with some doctrinal issues. In this Piano by Ear lesson, you will learn a beginner level piano solo of this communion standard without using music, print, or video. The song is fully demonstrated and then taught in two to four measure sections, completely by ear, describing every note and finger used to play the song. Listen to the lesson sample above to see just how easy it is to learn to play this great hymn completely “by ear”!

In this Guitar by Ear lesson, you will learn “Waltz 2” by Ferdinando Carulli completely “by ear”. This level one lesson includes a full demonstration of the classical guitar piece followed by a detailed lesson teaching every phrase, with correct fingering, for the entire song. Learn a great classical piece without music, tab, or video!

Charles Wesley, the other half of the famous Wesley Brothers, wrote this hymn in the mid-1700s and it is unarguably his most famous song. In this Piano by Ear lesson, you will learn a late beginner level piano solo of this classic without using music, print, or video. The song is fully demonstrated and then taught in two to four measure sections, completely by ear, describing every note and finger used to play the song. Listen to the lesson sample above to see just how easy it is to learn to play this great hymn completely “by ear”!

This is another Bach minuet in Gm that is easy to learn “by ear”. The lesson starts with a full demonstration of the minuet followed by a detailed lesson teaching the song in two to four measure sections.

This traditional Methodist hymn actually has its roots with African American slaves. In this piano by ear lesson, you will learn a beginner level piano solo of this communion standard without using music, print, or video. The song is fully demonstrated and then taught in two to four measure sections, completely by ear, describing every note and finger used to play the song. Listen to the lesson sample above to see just how easy it is to learn to play this great hymn completely “by ear”!

This reflective hymn, written near Edinburgh, Scotland, in the late 1800s, quickly gained popularity as a declaration of faith among believers worldwide. In this piano by ear lesson, you will learn a late beginner-level piano solo of this classic without using music, print, or video. The song is fully demonstrated and then taught in two to four measure sections, completely by ear, describing every note and finger used to play the song.

In this piano by ear lesson, you will learn a beginner level piano solo of this classic hymn. The song is fully demonstrated and then taught in two to four measure sections, completely by ear, describing every note and finger used to play the song. Listen to the lesson sample above to see just how easy it is to learn to play this great hymn completely “by ear”!

In this level one “by ear” lesson, you will learn all three guitar parts to this iconic Beatles hit. A full demonstration of the guitar parts with drums and bass is included, as well as backing tracks to practice with in several configurations.

This simple and fun polonaise is by Carl Philipp Emmanuel Bach, son of J. S. Bach. This lesson includes a full demonstration followed by a detailed “by ear” lesson teaching the song in two to four measure sections. When you learn without print or video, you memorize the song while you learn it and develop your ability to pick out other songs “by ear”.

In this lesson, you will learn this two voice invention by Bach completely “by ear”! The song is fully demonstrated and then taught “by ear” using no print, music, or video. Each measure is broken down note-by-note with fingering and tips on technique.

Now you can feel the coolness of playing this awesome song! In this lesson, you will learn both the rhythm and lead guitar parts to this hit TV theme without reading music or tab. A full demonstration of the song is given at the beginning followed by a detailed “by ear” lesson taught in two to four measure sections. At the end of the lesson, three different versions of the backing track are supplied for live performance! This is a level two lesson.

This lesson teaches every lick from Walter Trout’s version of the song completely “by ear”, describing every fret and finger used. This level 2.5 lesson starts with a full demonstration recording and then works you through every verse and guitar solo measure by measure. Trout uses not only the standard blues licks you would expect, but a new batch that are sure to become standards in your arsenal of great solo phrases. Backing tracks are included for you to play along with once you have learned the song.

Traditionally, piano lessons can be boring and require a fixed time. And most books are either too complex or boring. This often leaves people frustrated and feeling like giving up. Instead, this book explains the essentials in an easy to understand way. The lessons build on skills one by one, plus bonus videos to really guarantee you learn everything you need to play the piano. It’s like having a teacher in the room with you! By the end of this book, you will be able to understand the core concepts of playing piano and reading and composing music.

Fictional drama about the meeting between Nadia Boulanger and Astor Piazzola that changed both the history of tango and the life of the musician. The famous author of Adios Nonino, Libertango, and Oblivion abandoned when young the tango and the bandoneon to learn and compose classical music. The meeting with the famous French music teacher Nadia Boulanger helped Piazzola to retrieve his musical roots and to revolutionize the Argentine tango with new techniques.

Massenet’s Werther combines a deeply tender story with music of beauty and eloquence. One act alone contains two of the greatest arias in the repertoire: the mezzo-soprano aria "Va! Laisse couler mes larmes" and the tenor’s "Pourquoi me rèveiller". In their sentimental power and melodic richness these arias encapsulate the qualities that account for the universal popularity of this great work.

In this all-audio lesson you will learn both the rhythm and lead guitar parts to this Moody Blues hit without using music, tab, or video. The lesson starts with a full demonstration of the song followed by a detailed “by ear” lesson on each guitar part. The song is broken up into small sections, and each lick is taught phase-by-phase. This is the fastest way to learn this song, and you’ll memorize it while learning it.

This set covers smooth jazz, Chet Atkins, surf, and neo-classical all in a bundle with more than 11 hours of the best guitar instruction you can get. Some of the artists taught in this set include Huttlinger, Atkins, The Ventures, Django Reinhardt, and Stevie Ray Vaughan. You will need every guitar you own to make it through this set, but it will be the most fun you have ever had with the guitar!

My story is rooted in personal and professional development and this first installment represents a small sample of topics, which have had relevance during my career but also help the listeners better understand who I am as a person and professional. This is the first installment of the book, and I have additional books planned, which will delve into a variety of topics I experienced as a teacher. My hope is that others will process the information not as a how-to guide but rather as an opportunity to gain insight into the profession as well as my unique perspective.

Musical Momentum: High-Efficiency Rehearsal Systems for Sustainable Ensemble Growth offers a practical, systems-based approach to creating consistent, lasting improvement in ensemble performance. Rather than focusing on isolated rehearsal strategies or motivational techniques, this book reveals how sustained musical growth is built through structure — specifically, the intentional design of learning environments that stabilize skill development and allow progress to compound over time.

Classically trained singers learn how to act with their voice but are taught very little awareness about their bodies as equally expressive instruments. This handbook offers singers of all levels a new, holistic approach to learning how to incorporate meaningful gesture, posture, and body language in their work and become confident end engaging actors in opera and on the concert stage. Performing in Opera and Concert is the first installment of The Lyrical Stage Trilogy, a series about the craft, the repertoire and the value of opera and the classical recital in the 21st Century.

Are you a singer who would like to be able to help others? Would you like to increase your contemporary voice teaching skills? Do you want a method to successfully identify and correct vocal issues with confidence? You love singing and want to share your gift with others, yet navigating the world of teaching voice and vocal coaching can be confusing and intimidating. There is a world of information out there, from methodology to voice science, but applying it in the teaching room can be a bewildering experience. Why does the voice sound like this? How can I fix this issue?

Playing music should be as simple and natural as drawing a breath, yet most musicians are hindered by self-consciousness, apprehension, self-doubt, and stress. Before we can truly express our inner self, we must first learn to be at peace and overcome the distractions that can make performance difficult. Kenny's remarkable work deals directly with these hindrances, and presents ways to let our natural creative powers flow freely with minimal stress and effort.

This traditional Civil War anthem is taught completely “by ear” in this Piano by Ear lesson. The song is fully demonstrated and then taught in two to four measure sections, completely by ear, describing every note and finger used to play the song. This is a late beginner level arrangement of the song. Listen to the lesson to see just how easy it is to learn to play this great song and others completely “by ear”!

In this Piano by Ear lesson, you will learn a beginner level piano solo of this classic hymn. The song is fully demonstrated and then taught in two to four measure sections, completely by ear, describing every note and finger used to play the song. Listen to the lesson sample above to see just how easy it is to learn to play this great hymn completely “by ear”!

In this piano by ear lesson, you will learn a beginner level piano solo of this classic hymn. The song is fully demonstrated and then taught in two to four measure sections, completely by ear, describing every note and finger used to play the song. Listen to the lesson sample above to see just how easy it is to learn to play this great hymn completely “by ear”!

In this lesson, Bill Brown walks you through the solo in three measure sections completely “by ear”. This way, you memorize the arrangement while you are learning it. A full demonstration of the solo is provided at the beginning of the lesson. This lesson uses no tab, music, print, or video. This is a level one lesson.

In this piano by ear lesson, you will learn a beginner level piano solo of this timeless classic hymn. The song is fully demonstrated and then taught in two to four measure sections, completely by ear, describing every note and finger used to play the song. Listen to the lesson sample above to see just how easy it is to learn to play this great hymn completely “by ear!”

Language and the way that people communicate has evolved over time, now you can learn how to effectively use your voice in the most effective way possible in order to get your message across. Every time we open our mouths, we have an effect on ourselves and the way others perceive us. The...

C’è qualcosa nello studio dello strumento voce che è indicibile, ineffabile. È invisibile, eppure è proprio l’aspetto più importante, quello che davvero fa la differenza. Ma se è indicibile e ineffabile come raccontarlo? L’autrice suggerisce un percorso di consapevolezza e ascolto fine senza il quale lo studio della tecnica vocale diventa solo ginnastica. Quello che non si vede e non potrà mai essere scritto su una partitura diventa la strada che ci riporta a casa, a riscoprire, attraverso uno scavo archeologico interiore, quello che abbiamo perduto, la nostra voce più vera.