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Guitars playing abrasive, discordant riffs, the thunderous double-kick of the drums acting like an accelerated heartbeat, and porcine, guttural vocals pummeling twisted lyrics. Courting controversy from inception to its modern day iteration, death metal presents a number of contradictions: Driven and adventurous musicians compete to make uncomfortable noises; it is crude and far beyond parody and yet consistently popular; and the music is pig-headedly uncommercial despite making a few labels, albeit briefly, wealthy.

Neue Deutsche Welle (NDW), or “German New Wave,” was made extraordinarily popular in the 1970s and 1980s by the likes of Nena's "99 Luftballons" and Trio's "Da Da Da"—and then left as quickly as it came. Conventional wisdom among artists dictates that it’s better to burn out than fade away, but this doesn’t tell the full story of NDW—the reason for its rapid rise and fall, the historical context that necessitated the genre, and where the energy of the NDW movement went after its end.

Trip-hop described some of the 1990s’ best music, and it was one of the decade’s most revealing bad ideas. This book chronicles the music and its leading artists, packed with recommended listening, essential tracks, great remixes, and under-recognized albums. But the music at its best still sounds experimental and dramatic; and its influence lingers through artists like FKA twigs, Sevdaliza, James Blake, Billie Eilish, and Lana Del Rey. This short book is a guide to ’trip-hop’ in its context of the weird 1990s.

Krautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history. Krautrock explores the history and methodology of the genre, charting its influences and innovations, its more mainstream acts (like Faust, Kraftwerk, and Can) as well as the less universally known (including Harmonia, Popol Vuh, Embryo, and Ash Ra Tempel), and how the genre developed in post-war Germany and what it means to today's listeners.

Teen pop is a sub-genre of popular music marketed to tweens and teens. Its melodic yearning and veneer of sincerity appeal to an emerging romantic eroticism and autonomy. But tweens and teens buy music that isn’t primarily marketed to them, too. Teen pop encompasses several kinds of musical styles, not limiting itself to just one—teen pop wants to play. Although it’s very difficult to attain and maintain social progress and play it forward—there are so many tragedies—'70s Teen Pop examines how liberation and a true counterculture can be possible through music.

Die 90er-Jahre waren geprägt von musikalischen Highlights wie Alternative Rock, Eurodance, Boybands und Grunge. In diesem Album präsentieren die Hosts Falk und Ryll 18 Lieblingssongs der 90er und die sehr persönlichen Geschichten ihrer Gäste. Anke Loscheider wählte "Creep" von Radiohead – erst gehasst, dann geliebt, für sie ein ewiger Musikschatz. Bestsellerautor Arno Strobel favorisiert die Live-Version von 1994 von "Hotel California". Journalist Stephan Kaußen beschreibt "Civil War" von Guns N' Roses als Soundtrack einer Umbruchszeit 1991.

Math rock sounds like blueprints look: exact, precise, architectural. This trance-like progressive metal music with indie rock and jazz influences has been captivating and challenging listeners for decades. Bands associated with the genre include King Crimson, Black Flag, Don Caballero, Slint, American Football, Toe, Elephant Gym, Covet, and thousands more. In an online age of bedroom producers and sampled beats and loops, math rock is music that is absolutely and resolutely played: men and woman in rooms with instruments creating chaos, beauty, and beautiful chaos.

What the hell is shoegaze? A scene? A movement? A sound? Back in the Nineties, many would have said the so-called genre was entirely fabricated. The term itself, an offensive piss-take given by the notoriously catty and scene-obsessed British music press, was plainly rejected by the absurdly small collection of bands to which it supposedly applied. In this ambitious oral history of a genre that has eluded definition for three decades, Ryan Pinkard unearths the first wave of shoegaze, following the core bands, their sounds, their influence, and their journeys in and out of obscurity.

José Agustín capturó en sus letras la voz de una época marcada por el rock, la psicodelia y el relajo, pero además de un excelente narrador es también un melómano incansable que durante años compartió con sus lectores diversas anécdotas, ensayos y reseñas musicales que hoy se recuperan en este volumen. Del blues del Misisipi a las tornamesas de Tijuana, de la melancolía de José Alfredo al cine de Orson Welles, de las caderas de Elvis a la poesía de Bob Dylan, José Agustín explora con su desparpajo y jovialidad característicos los derroteros de la música, las letras y el cine.

When blues master Robert Johnson's recordings were rereleased to great fanfare in the 1960s, little was known about his life, giving rise to legends that he gained success by selling his soul to the devil. Biography of a Phantom is musicologist Mack McCormick's search, from the late 1960s until McCormick's death in 2015, to uncover Johnson's life story. McCormick spent decades reconstructing Johnson's mysterious life and developing theories about his untimely death at the age of 27, but never made public his discoveries. Biography of a Phantom publishes his compelling work for the first time.

Kerrang! has an unparalleled reputation as one of the world's best-loved rock-focused publications. It continues to be at the forefront of alternative music, flying the flag for metal, hardcore, punk and beyond, introducing millions to their new favourite bands. Anyone who's anyone in the metal scene has featured Kerrang!'s hallowed pages and this unique book chronicles these appearances. If it happened in metal, Kerrang! covered it, as confirmed in this year-by-year survey of alternative music.

Die Radio-Legende und Stimme des ESC: Seit Jahrzehnten prägt Peter Urban die deutsche Radiolandschaft - als legendär trockener Kommentator des Eurovision Song Contests, als Moderator verschiedener Musiksendungen, inzwischen auch als Podcaster. Offen und unprätentiös beobachtet er seit fast 50 Jahren als Popexperte die nationale und internationale Musikszene und hat in seiner langen Laufbahn unzählige Popgrößen getroffen, interviewt und porträtiert - von Keith Richards über Yoko Ono zu David Bowie, Elton John, Joni Mitchell, Harry Belafonte und Eric Clapton.

The 1971 Allman Brothers Band album At Fillmore East was a musical manifesto years in the making. Bob Beatty dives deep into the motivations of band founder Duane Allman to tell the story of what made this album one of the most important live rock albums in history.

Originally published in 1978 as The Beach Boys and the California Myth, this groundbreaking study was both the first full-length book on the band and the first to recognize Brian Wilson as one of the most significant and influential artists of the twentieth century. Covering the turbulent family strife and internal conflicts as well as giving proper attention to the remarkable music, the book was an instant classic.

This is an inspiring memoir about a young woman who, abandoned by her father and then her mother, must become an adult at a very young age and deal with her teenage pregnancy.

In November 1923, Max Ehrmann, the poet of the classic Desiderata, interviewed Theodore Dreiser, winner of the Nobel Prize for Literature. For two days, they discussed the life of Paul Dresser (Dreiser’s brother), the composer of "On the Banks of the Wabash, Far Away". When Dresser died, in 1906, he was a penniless alcoholic. Ehrmann was determined to rehabilitate his image. Dalgleish explores the background to Ehrmann’s quest, his relationship with Dreiser, and the consequences of their meeting in Washington, DC.

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, and Jerry Goldsmith learned and/or honed their craft in television before going on to major success in feature films.

Musical Truth Volume 3 completes club and radio DJ-turned author/ researcher Mark Devlin’s trilogy of books, exposing the real nature of the corporate music industry and those that populate it.

"ROCK SCHOOL" geht heavy weiter mit der Band, die so groß ist, dass man versucht ist zu sagen, "and nothing else matters". Die Rede ist natürlich von METALLICA! Die neue Folge "ROCK SCHOOL mit Andy Brings" hat Gäste wie Mille Petrozza (KREATOR) sowie Veranstalter Matthias Prill, der die unschuldige Anfangszeit der Band hautnah miterlebt hat! "ROCK SCHOOL" die Hörbuch-Serie mit Andy Brings, in Kooperation mit dem ROCK CLASSICS-Magazin, veröffentlicht im Hause LAUSCH.

The true, exciting, and endearing chronicle of a "Jersey Boy" scoring a #1 hit record and the life adventures he wasn't prepared for. This is so much more than a "rock bio". It's a sometimes dark and gritty tale of redemption involving: Jimi Hendrix, The Beatles, The Rascals, Joe Pesci, Judy Garland, John Wayne, Jackie Kennedy, Nat "King" Cole, Shirley MacLaine, Tennessee Williams, Truman Capote, and Liberace, Salvador Dali, and Dick Clark. The list goes on and on.