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This Element contributes to the interdisciplinary study of mariachi, especially in the United States, by focusing on two areas that have yet to receive substantive academic attention: philanthropy and museum studies. In 2011, UNESCO included mariachi music on its list of expressions of intangible cultural heritage. While it is undoubtedly true that mariachi is in many ways intangible, this downplays expressions of its rich material culture and the work of scholars to research mariachi history beyond an emphasis on musical performance.

Taylor Swift has become a peerless superstar, ceaselessly productive and internationally beloved. From her teen country debut to her Eras tour and beyond, Swift’s career and her creations have captivated and bewitched us, opening up new ways to see both her life and our own. In Taylor’s Version, the poet and literary scholar Stephanie Burt offers an insightful and heartfelt critical appreciation of Taylor Swift, her body of work, and the community that her art has fostered.

However you found your way into indie rock, once you were a listener, it felt like being part of a secret club of people who had discovered something special, something secret, something superior. In Such Great Heights, music journalist Chris DeVille brilliantly captures this cultural moment, from the early aughts and the height of indie rock, until the 2010s as streaming upends the industry and changes music forever.

From the storied ache of mbube harmonies of the ‘40s to the electronic boom of kwaito and the amapiano and house explosion of the ‘00s, this book explores vignettes taken from across South Africa’s popular music history. There are moments in time where music can be a mighty weapon in the fight for freedom. Disguised in a danceable hook or shouted for the world to hear, artists have used songs to deliver important truths and bring listeners together in the face of a segregated reality.

On January 1, 1975, struggling young singer-songwriter Lindsey Buckingham was invited to join the veteran blues band Fleetwood Mac. He agreed on the condition that his girlfriend, an equally unknown vocalist named Stevie Nicks, also be included. Within two years, Rumours was born—and went on to become one of the most popular albums of all time. Almost five decades later, it is the only classic rock record that still attracts young listeners and continues to top sales and streaming charts.

Une histoire musicale. sur ­la ­naissance du blues. Mississippi, début du XXe siècle, ferme de ­Dockery, atmosphère des champs de ­coton : écoutez...

Welcome to 2090 – where sound no longer just fills the room, it fills your soul. In this Arabic audio edition, visionary cultural ambassador Birgit Maria Kemphues takes You on a magical journey through the soundscapes of the future – deeply rooted in the traditions of the Emirates. From AI-composed oud melodies to quantum-enhanced palm trees that sing at sunrise – this is no ordinary audiobook. This is an immersive tribute to the UAE, its people, its vision, and its rhythm.

Folk music of the 1960s and 1970s was a genre that was always shifting and expanding, yet somehow never found room for so many. In the sounds of soul-folk, Black artists like Terry Callier and Linda Lewis began to reclaim their space in the genre, and use it to bring their own traditions to light— the jazz, the blues, the field hollers, the spirituals— and creating something wholly new, wholly theirs, wholly ours.

This book explores the historical and cultural conditions of the genre as it appeared in the late 1970s and early 1980s and then again in the early 2000s, and illuminates what is at stake in delineating dance-punk as a genre. Looking at bands such as Gang of Four, ESG, Public Image Ltd., LCD Soundsystem, The Rapture, and Le Tigre, this book examines the tensions between and blurring of the rhetoric and emotion in dance music and the cynical and ironic intellectualizing associated with post-punk.

Guitars playing abrasive, discordant riffs, the thunderous double-kick of the drums acting like an accelerated heartbeat, and porcine, guttural vocals pummeling twisted lyrics. Courting controversy from inception to its modern day iteration, death metal presents a number of contradictions: Driven and adventurous musicians compete to make uncomfortable noises; it is crude and far beyond parody and yet consistently popular; and the music is pig-headedly uncommercial despite making a few labels, albeit briefly, wealthy.

Neue Deutsche Welle (NDW), or “German New Wave,” was made extraordinarily popular in the 1970s and 1980s by the likes of Nena's "99 Luftballons" and Trio's "Da Da Da"—and then left as quickly as it came. Conventional wisdom among artists dictates that it’s better to burn out than fade away, but this doesn’t tell the full story of NDW—the reason for its rapid rise and fall, the historical context that necessitated the genre, and where the energy of the NDW movement went after its end.

Trip-hop described some of the 1990s’ best music, and it was one of the decade’s most revealing bad ideas. This book chronicles the music and its leading artists, packed with recommended listening, essential tracks, great remixes, and under-recognized albums. But the music at its best still sounds experimental and dramatic; and its influence lingers through artists like FKA twigs, Sevdaliza, James Blake, Billie Eilish, and Lana Del Rey. This short book is a guide to ’trip-hop’ in its context of the weird 1990s.

Krautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history. Krautrock explores the history and methodology of the genre, charting its influences and innovations, its more mainstream acts (like Faust, Kraftwerk, and Can) as well as the less universally known (including Harmonia, Popol Vuh, Embryo, and Ash Ra Tempel), and how the genre developed in post-war Germany and what it means to today's listeners.

Teen pop is a sub-genre of popular music marketed to tweens and teens. Its melodic yearning and veneer of sincerity appeal to an emerging romantic eroticism and autonomy. But tweens and teens buy music that isn’t primarily marketed to them, too. Teen pop encompasses several kinds of musical styles, not limiting itself to just one—teen pop wants to play. Although it’s very difficult to attain and maintain social progress and play it forward—there are so many tragedies—'70s Teen Pop examines how liberation and a true counterculture can be possible through music.

Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio.

And After All gives the mic to the fans that launched Oasis to stratospheric fame and takes a deep dive into the band’s formation, history, and reunion. Through the lens of the fans who were there for all the songs, feuds, and incredible shows, journalist Melissa Locker examines the path Oasis charted as they cemented their place in modern rock history.

The human body is the primary instrument of war, yet those waging war often confront soldiers' bodies in a detached or merely intellectual way. In The Tenderness of Silent Minds, Martha C. Nussbaum, a leading thinker on emotion, morality, and justice, conducts a pioneering study of Benjamin Britten's musical representations of the tender male body amidst the brutality of war, and their ability to transform consciousness by evoking potent, non-personal emotions.

In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure, Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting.

Grammy winner John JR Robinson's bestselling memoir, "King of the Groove - How One Dream Transformed into 60 Years of Making Legendary Music," is captivating listeners with behind-the-scenes stories from his unprecedented six-decade career. This book plays a part in helping others to find new ways to believe in themselves. The memoir, featuring a foreword by the late, Quincy Jones offers listener and listeners an intimate glimpse into Robinson's journey from small-town Creston, Iowa into a legacy of over 500 million records sold, proving that rhythm isn't just what he does—it's who he is.

Die 90er-Jahre waren geprägt von musikalischen Highlights wie Alternative Rock, Eurodance, Boybands und Grunge. In diesem Album präsentieren die Hosts Falk und Ryll 18 Lieblingssongs der 90er und die sehr persönlichen Geschichten ihrer Gäste. Anke Loscheider wählte "Creep" von Radiohead – erst gehasst, dann geliebt, für sie ein ewiger Musikschatz. Bestsellerautor Arno Strobel favorisiert die Live-Version von 1994 von "Hotel California". Journalist Stephan Kaußen beschreibt "Civil War" von Guns N' Roses als Soundtrack einer Umbruchszeit 1991.

Math rock sounds like blueprints look: exact, precise, architectural. This trance-like progressive metal music with indie rock and jazz influences has been captivating and challenging listeners for decades. Bands associated with the genre include King Crimson, Black Flag, Don Caballero, Slint, American Football, Toe, Elephant Gym, Covet, and thousands more. In an online age of bedroom producers and sampled beats and loops, math rock is music that is absolutely and resolutely played: men and woman in rooms with instruments creating chaos, beauty, and beautiful chaos.

What the hell is shoegaze? A scene? A movement? A sound? Back in the Nineties, many would have said the so-called genre was entirely fabricated. The term itself, an offensive piss-take given by the notoriously catty and scene-obsessed British music press, was plainly rejected by the absurdly small collection of bands to which it supposedly applied. In this ambitious oral history of a genre that has eluded definition for three decades, Ryan Pinkard unearths the first wave of shoegaze, following the core bands, their sounds, their influence, and their journeys in and out of obscurity.

In this unique collection, Literary Witches co-creator Katy Horan unearths the true and fictional stories behind twenty traditional murder ballads, exploring the beauty and horror of the art form through stories, lyrics, and original interpretations. The audiobook includes covers of various folk songs by Okkervil River’s Will Sheff, Marissa Nadler, and Lizzie No.

Rilke und Brahms begegnen sich im Advent - gestört von Andersen, Bartok, Brecht, Kafka, Krenek,. TrakI, Walser, Webern unter anderen. Ein nicht immer nur gemütliches Adventsprogramm. Unter diesem Titel wurde unser Programm zunächst mit der Schauspielerin Dietlinde Turban entwickel. und vielerorts aufgeführt, später mit Peter Fricke und Patrizia Orlando zum ‚anderen Weihnachtsprogramm’. entwickelt. Den roten Faden des Programms bildet die Begegnung von Rilkes Poesie mit Brahms’ später Musik -. wie sie in den beiden Klarinettensonaten (hier in des Komponisten Fassung für Viola und Klavier) op.

DESPRE AUDIOBOOK. Iată cum o cultură marginală, considerată încă "tânără“ după aproape 50 de ani de afirmare, inspiră o carte atât de bogată în informații. Ce-i drept, autorii au îndrăznit, iar îndrăzneala le-a fost răsplătită: fie că vorbim despre concertul lui Slick Rick din Roxbury, fie despre vizita la studioul RJam, aceștia au documentat fenomenul din interior, dezbrăcat de orice aparență sau prejudecată. Porniți într-o misiune eminamente imposibilă, autorii reușesc totuși să se apropie de esența rapului.

A first-time-ever exploration of the 290 songs from the entirety of Twin Peaks, sure to entice fans of the David Lynch-Mark Frost's cult classic that revolutionized TV, with brand-new interviews with Frost and several of the key composers and musicians involved.

In Bach, Beethoven and the Grrrls, the author turns his engaging and educating gaze on an area of classical music that has sadly been too long neglected – that of some of the great women composers. In briefly chronicling their lives, David maintains a light tone while striving to remain respectful of the women themselves, yet properly irreverent – at times even perhaps disdainful – of the societal and other forces that for far too long have kept these creative artists in the shadows of others.

L'avvento di Internet ha rappresentato una vera e propria rivoluzione nel mondo della musica. L'opportunità strabiliante di usare linguaggi musicali provenienti da ogni tempo e luogo ha rimescolato il concetto stesso di composizione, aprendo un ampio ventaglio di fusioni stilistiche e contaminazioni. Ciò presuppone grande responsabilità da parte del compositore, nonché il rischio di incorrere nell'esplorazione superficiale di un catalogo cosí pericolosamente vasto, smarrendo un requisito fondamentale: il senso critico.

Originally published in 1978 as The Beach Boys and the California Myth, this groundbreaking study was both the first full-length book on the band and the first to recognize Brian Wilson as one of the most significant and influential artists of the twentieth century. Covering the turbulent family strife and internal conflicts as well as giving proper attention to the remarkable music, the book was an instant classic.

This is an inspiring memoir about a young woman who, abandoned by her father and then her mother, must become an adult at a very young age and deal with her teenage pregnancy.