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“Elon Green’s grimly vivid telling of this story and its aftermath in The Man Nobody Killed is part elegy for Stewart himself, part portrait of the city that failed him… The events recounted in Green’s swift, unsparing book are as timely as ever; one can only hope they still have the...

Die beiden Freunde Gilbert und Ernst diskutieren darüber, in wieweit Kritik an Kunst eine eigene Kunstform abbildet und größere intellektuelle und künstlerische Fähigkeiten voraussetzt als das Erschaffen eines Kunstwerks. Dabei entfaltet sich ein Regenbogen formaler und ästhetischer Gesichtspunkte von Kunst und ihr Dialog spannt einen eleganten Bogen zum facettenreichen Kern des Themas.

Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts und niemand wurde von der gnadenlosen Kritik seiner Feder verschont. Bekannte Künstler wie Stefan Zweig, Georg Trakl, Thomas Mann und andere zollten ihm Respekt, aber die Zahl seiner Feinde in Kunst und Gesellschaft war enorm. Als Vorleser hinterließ er aufgrund seiner Sprachgewalt und Persönlichkeit angeblich einen äußerst außergewöhnlichen Eindruck.

A Literary Hub Most Noteworthy Nonfiction Book of 2024 A Brooklyn Rail Best Art Book of 2024 A The Millions and Hyperallergic Most Anticipated Book of 2024 A Publishers Weekly Summer Reads Pick ""A book that emerges out of the moment, electric with timely energies."" –Washington...

A compelling call to rediscover the transformative power of art in an age of distraction, coercion, and spectacle – featuring an introduction from Pulitzer Prize–winning author Donna Tartt In Reclaiming Art in the Age of Artifice, J. F. Martel offers a compelling and incisive meditation on...

A New York Times investigative reporter wades into the murky, pixelated waters of the multibillion-dollar NFT market—the virtual casino that sprang up overnight in 2020 and came crashing down, with all its celebrity hucksters, just two years later. A vibrant and witty exploration of the...

Фиалка и плод граната, единорог и собака, бык и лев, попугай и павлин, весы и жемчуг, рог изобилия и зеркало, знак «Зеркало Венеры» и христианский знак «ихтис»…

The Stuff of History presents a thoughtful and often funny, curated selection of fascinating forgotten histories that give insight into some of the Western world's most important cultural moments. Told from the perspective of the overlooked, the book will present the curious and adventurous listener with the stories behind icons that surround us and inform our everyday lives, be they people or objects.

Today it's routine to take photos from an airplane window, use a camera underwater, watch a movie, or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous—and many of the innovators, entrepreneurs, and inventors behind them were memorable eccentrics. In Flashes of Brilliance, writer and photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century.

Символизм — крупное течение в искусстве, представители которого всегда стремились к новаторству и использовали в своем творчестве символику, недосказанность, таинство образов. В классических работах символистов как нигде показаны жизнь, образ каждой души, ее переживания, смятения, чувства и впечатления. В этой книге подробно разбирается самый загадочный стиль в искусстве, рассматриваются шедевры символизма и их многозначительные тонкие смыслы.

Из-за чего аптекари стали героями шекспировской драмы? Что прятал купец в тайной комнате? Для чего гимназист затопил кабинет директора? И как бани разбили два брака? "Ключи от Москвы" — книга, которая открывает 16 дверей самых изысканных, загадочных и необычных домов города. Каждое здание — это не только архитектурная жемчужина Москвы, но и хранилище опасных секретов, пронзительных драм, любви и надежд прежних жильцов. Совершите путешествие в прошлое. Сидя за обеденным столом с Алексеем Толстым, послушайте его истории о парижских устрицах и былой роскоши.

Когда речь заходит об архитектуре, мы тотчас ясно представляем себе предмет, ведь архитектура окружает нас повсюду и сопровождает всю жизнь. Но когда заходит речь об архитекторах – то былая ясность исчезает, предмет разговора начинает скрываться в тумане, хотя имена авторов самых знаменитых зданий многие хорошо знают – Палладио или Корбюзье, Баженов или Растрелли, все мы слышали об этих гениальных зодчих.

In Art as Information Ecology, Jason A. Hoelscher offers not only an information theory of art but an aesthetic theory of information. Applying close readings of the information theories of Claude Shannon and Gilbert Simondon to 1960s American art, Hoelscher proposes that art is information in its aesthetic or indeterminate mode—information oriented less toward answers and resolvability than toward questions, irresolvability, and sustained difference. In this way, art constitutes information that remains in formation---a difference that makes a difference that keeps on differencing.

Journey back in time to explore one the most fascinating and influential periods of ancient history. In this concise and incredibly readable short history, Dr Ellie Mackin Roberts journeys from the warrior societies of The Bronze Age all the way to the invention of democracy during the golden...

Journey back in time to explore one the most fascinating and influential periods of ancient history. In this concise and incredibly readable short history, Egyptologist Dr Campbell Price asks us how we know so much about life in ancient Egypt, from the working lives of pyramid builders to the...

The central argument of Chromophobia is that a chromophobic impulse—a fear of corruption or contamination through color—lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some foreign body—the oriental, the feminine, the infantile, the vulgar, or the pathological—or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

Many people try to describe their experience when “in the zone” or “in the flow” during the creative process. Some claim that a Greater Power or Divine Guidance assisted them. But, what is this state of consciousness, and how do we replicate it? In search of answers, writer and painter Christopher J. Miller took the suggestion of one of his art mentors to watch and chronicle his creative process.

A NEW YORKER, ECONOMIST, AND TOWN & COUNTRY BEST BOOK OF THE YEAR A dazzling insider’s account of the contemporary art world and the stunning rise and fall of the charismatic American art dealer Inigo Philbrick, as seen through the eyes of his friend and fellow dealer In development as a...

What does it mean to call something "new"? Why is Western art and culture, even after postmodernism, still so obsessed with the concept? What are the consequences of relying on culture to bring about social change? In this provocative book, David Balzer argues that Western culture was never designed to produce truly new or original artifacts. Rather, we move from fixation to fixation, trend to trend—a cycle of creation and destruction with deep origins in Judeo-Christianity and the paganism that preceded it.

Léonard de Vinci est l’une des figures les plus emblématiques de la Renaissance. Fils illégitime privé de formation universitaire, son approche autodidacte dans quantités de domaines garantit l’originalité de cet esprit universel qui fut bien plus que l’auteur de La Joconde ou l’inventeur de machines volantes. Il fut également un anatomiste de renom, un ingénieur, un philosophe, un architecte et un inventeur.