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Millions of people climb the grand marble staircase into New York's Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They're the guards in dark blue suits, keeping careful watch over this vast treasure house. Caught up in the early days of a glamorous journalism career, Patrick Bringley never thought he'd be one of them. Then his brother was diagnosed with fatal cancer and he needed to escape the mundane clamour of daily life. So he quit, and sought solace in the most beautiful place he knew.

Rodrigo Alvarez conta a história do Cristo Redentor, o monumento mais conhecido do Brasil, que completa 90 anos em 2021. Em Redentor, o jornalista Rodrigo Alvarez, autor dos best-sellers Aparecida e Maria, traz uma deliciosa narrativa baseada em pesquisa inédita sobre a história do famoso Cristo que está de “braços abertos sobre a Guanabara” e que foi escolhido como uma das 7 maravilhas do mundo moderno.

Why would anyone want to watch horror movies? Why would Christians, in particular, bother with the genre? In Fear Not!, critic Josh Larsen makes the case that monster movies, creature features, slashers, and other fright films artfully reflect our deep worries in a way that resonates with the Christian experience. Combining critical observation and theological reflection, Larsen devotes each chapter to a different horror subgenre, connecting that subgenre to a commonly shared fear.

Para Francis Schaeffer, o cristão deve usar as artes para glorificar a Deus, não simplesmente como propaganda evangelística, mas como algo belo para a glória de Deus. "A Arte e a Bíblia" é uma obra fundamental para cristãos atuantes no mundo das artes. Neste clássico, Schaeffer examina o registro escritural da utilização de várias formas artísticas e estabelece uma perspectiva cristã sobre a arte. Com clareza e vigor, ele explica por que "o cristão é alguém cuja imaginação deve voar além das estrelas".

Perceiving the Arts presents the basic formal, technical, experiential, and contextual qualities of the arts in a brief, clear, and factual manner. Students will develop confidence in approaching the arts and will gain skills that encourage life-long artistic and cultural engagement. Intended to provide a basic overview of the major artistic disciplines—drawing, painting, printmaking, photography, sculpture, architecture, music, theatre, cinema, dance, and literature—the book teaches listeners what to look and listen for in the humanities.

Imagine a Museum of Lost Art. If this imaginary museum contained just the artwork we knew was lost— whether from theft, purposeful destruction, vandalism, war, or the forces of nature—it would still contain more masterpieces than those in all the world’s current museums combined. Imagine that! In Lost Art: The Stories of Missing Masterpieces, art historian Noah Charney guides you through just such an imaginary museum. In 12 fascinating lectures, you will hear the stories behind the theft and/or destruction of some of the world’s most famous pieces of art.

Der Wiener Hofsekretär Jaromir von Eynhuf will seinem Landesvater Kaiser Franz I. zu dessen 25. Thronjubiläum seine Milchzahnsammlung überreichen. Inzwischen besitzt der Sekretär bereits stolze 24 Zähne, allesamt akkurat auf Samt drapiert. Doch zur Darstellung der Jubiläumszahl fehlt noch ein letzter Zahn und so beginnt eine wilde Jagd nach dem 25. Exemplar. Fritz von Herzmanovsky-Orlando, 1877 in Wien geboren, hat mit »Der Gaulschreck im Rosennetz« der K.-u.-k.-Monarchie ein unvergessliches literarisches Denkmal gesetzt – meisterhaft gelesen von Werner Kreindl.

Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world—from Stockholm to Boston, Worcester to Ohio—the authors track daring entries and escapes from the world's most renowned museums.

Survey documents three leading artists—Lubaina Himid, Yinka Shonibare CBE and Hew Locke—exploring their work and ideas in development, in reviews, and recorded conversations, drawn from the Cv/Visual Arts Research Archive.

For decades, feminist artists have confronted the problem of how to tell the truth about their experiences as bodies. Queer bodies, sick bodies, racialised bodies, female bodies, what is their language, what are the materials we need to transcribe it? Exploring the ways in which feminist artists have taken up this challenge, Art Monsters is a landmark intervention in how we think about art and the body, calling attention to a radical heritage of feminist work that not only reacts against patriarchy but redefines its own aesthetic aims.

Artists have learnt to pay attention. The rest of us spend most of our time on auto-pilot, rushing from place to place, our overfamiliarity blinding us to the marvellous, life-affirming phenomena of our world. But that doesn't have to be the case. In his typical engaging style, Will Gompertz takes us into the minds of artists - from contemporary stars to old masters, the well-known to the lesser-so, and from around the world - to show us how to look and experience the world with their heightened awareness.

Stones have furnished our earliest technologies and our first art materials. As jewelry and talismans, they have accompanied us in our journeys into the afterlife. We have carried stones over vast distances, erecting temples with them where we gathered to worship our gods. The earliest scientists ground and processed minerals in a centuries-long quest for a mythic stone that would prolong human life. Michelangelo climbed mountains in Tuscany searching for the sugar-white marble that would yield his sculptures.

Many people try to describe their experience when “in the zone” or “in the flow” during the creative process. Some claim that a Greater Power or Divine Guidance assisted them. But, what is this state of consciousness, and how do we replicate it? In search of answers, writer and painter Christopher J. Miller took the suggestion of one of his art mentors to watch and chronicle his creative process.

Responding to many recent calls for redress and restitution, Richardson summarises the historical and current situation and attributes its problematics to the fact that theorists and historians have taken the concept art as a generic that includes both design and craft - which are actually and validly distinguishable from art by application of the concept function/al-or else ignored the two entirely.

This book has one purpose—to offer everyone the opportunity to become as wild about modern and contemporary art as I am. I am committed that your visits to modern and contemporary art exhibits become joyful, enriching experiences that you eagerly anticipate, avidly soak in and never get over. I say that the ability to appreciate art, including every type of art, is innate to all human beings. I have discovered that unlocking this natural love of art has much more to do with clearing out what's in the way than it does with accumulating information.

Orlando Whitfield and Inigo Philbrick met in 2006 at London’s Goldsmiths University where they became best friends. By 2007 they had started I&O Fine Art. Orlando would eventually set up his own gallery and watch as Inigo quickly immersed himself in a world of private jets and multimillion-dollar deals for major clients. Inigo seemed brilliant, but underneath the extravagant façade, his complicated financial schemes were unraveling. With debt, lawsuits, and court summonses piling up, Inigo went into a tailspin of lies and subterfuge.

What if the British Museum isn't a house of learning, but a vast sinkhole of still-bubbling historic injustice? What if it presents us not with a carefully ordered cross section of history but is instead a palatial trophy cabinet of colonial loot swarming with volatile and errant spirits? When artist and writer Noah Angell first heard murmurs of ghostly sightings at the British Museum he had to find out more. What started as a trickle soon became a landslide as staff old and new brought forth testimonies of their inexplicable supernatural encounters.

Фиалка и плод граната, единорог и собака, бык и лев, попугай и павлин, весы и жемчуг, рог изобилия и зеркало, знак «Зеркало Венеры» и христианский знак «ихтис»…

Featuring an enlightening introduction by the book's translator, Michael T. H. Sadler, providing generational and cultural context for Kandinsky and his work, Concerning the Spiritual in Art gives testimony to the mind and creative expression of Kandinsky and other artists of his generation. This seminal and thought-provoking book exploring the heart of the artistic endeavor belongs in the library of every serious artist and student of modern art.

Unlock the enigmatic world where beauty meets betrayal, where passion for art conceals a sinister underbelly. In this captivating exposé, J.K. Artson unveils the hidden stories that have plagued the art world for centuries. Prepare to be enthralled as you embark on a journey through the shadows of art, crime, and corruption. Discover the rise of illicit acts that threaten our cultural heritage, leaving a trail of stolen masterpieces and shattered legacies in their wake.

Craig Childs bears witness to rock art of the Colorado Plateau—bighorn sheep pecked behind boulders, tiny spirals in stone, human figures with upraised arms shifting with the desert light, each one a portal to the open mouth of time. With a spirit of generosity, humility, and love of the arid, intricate landscapes of the desert Southwest, Childs sets these ancient communications in context, inviting listeners to look and listen deeply.

When Orlando Whitfield met Inigo Philbrick, they were ambitious art history students who dreamt of dealing art for a living. Their friendship would last for fifteen years until one day, Inigo - by then the most successful dealer of his generation - disappeared, accused of a fraud so gigantic and audacious it rocked the art world to its core.

From Palette to Pixel: A Visual History of Digital Art is an immersive journey through the captivating evolution of digital art, from its humble beginnings to its extraordinary present. This meticulously crafted book delves into the fascinating intersection of technology and artistic expression, tracing the development and transformation of digital art forms over time.

From the celebrated poet, novelist and memoirist, The Vast Extent is an ingenious constellation of "exploded essays" about light and image, seeing and the unseen. Each is a record of how thought builds and ideas emerge, aligning art, myth, strange voyages, scientific scrutiny and a poet's response so that they cast light upon each other. Ranging across caves, seasickness, early photography, boredom, wonder, mountains, mice, the body and its shadow, Lavinia Greenlaw invites us to travel such questions as how we might describe what we have never seen before.

The celebrated painter Camille Pissarro (1830-1903) occupied a central place in the artistic scene of his time: a founding member of the new school of French painting, he was a close friend of Monet, a longtime associate in Degas's and Mary Cassatt's experimental work, a support to Cezanne and Gauguin, and a comfort to Van Gogh, and was backed by the great Parisian art dealer Paul Durand-Ruel throughout his career. Nevertheless, he felt a persistent sense of being set apart, different, and hard to classify.

When Peter Bellerby set out to make a globe for his father's eightieth birthday, after failing to find a suitable one to purchase, he had no idea where the process would lead. He went on to establish Bellerby & Co, one of the only artisan globemakers in the world. The Globemakers brings us inside Bellerby’s gorgeous studio to learn how he and his team of cartographers and artists bring these stunning celestial, terrestrial, and planetary objects to life. Along the way he tells stories of his adventure and the luck along the way that shaped the company.

Radio 4's In Our Time has established itself at the pinnacle of essential conversation on a wide range of subjects from science, history, philosophy and the arts. The programme, which celebrates its 25th anniversary in 2023, is presented by Melvyn Bragg with contributors from the diverse worlds of academia. Opening with four contextual episodes - The Artist, Imagination, The Muses, and Architecture and Power - this thematic anthology contains 25 programmes on the history of visual art. Included are artistic styles and movements.

The Power of Art is an epic work of non-fiction that will transform our understanding of the world by unlocking the human stories behind millennia of art. Taking listeners from ancient Babylon to contemporary Pyongyang, the eminent curator Caroline Campbell explains art's power to illuminate our lives, and inspires us to benefit from its transformative and regenerative power.

Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts und niemand wurde von der gnadenlosen Kritik seiner Feder verschont. Bekannte Künstler wie Stefan Zweig, Georg Trakl, Thomas Mann und andere zollten ihm Respekt, aber die Zahl seiner Feinde in Kunst und Gesellschaft war enorm. Als Vorleser hinterließ er aufgrund seiner Sprachgewalt und Persönlichkeit angeblich einen äußerst außergewöhnlichen Eindruck.

Karl Kraus gilt als einer der bedeutendsten Aphoristiker deutscher Sprache. Ob berühmte Schriftsteller oder die Presse - nichts und niemand wurde von der gnadenlosen Kritik seiner Feder verschont. Bekannte Künstler wie Stefan Zweig, Georg Trakl, Thomas Mann und andere zollten ihm Respekt, aber die Zahl seiner Feinde in Kunst und Gesellschaft war enorm. Als Vorleser hinterließ er aufgrund seiner Sprachgewalt und Persönlichkeit angeblich einen äußerst außergewöhnlichen Eindruck.