検索キーワード： 制作 "--Tyson Hanks" ディストピア

Japan, after suffering from a massive irreparable disaster, cuts itself off from the world. Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient - frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism.

Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude", an imaginary crime that defies definition.

Stan et Charmaine ont été touchés de plein fouet par la crise économique qui consume les États-Unis. Tous deux survivent grâce aux maigres pourboires que gagne Charmaine dans un bar sordide et se voient contraints de loger dans leur voiture... Aussi, lorsqu'ils découvrent à la télévision une publicité pour une ville qui leur promet un toit au-dessus de leur tête, ils signent sans réfléchir : ils n'ont plus rien à perdre. À Consilience, chacun a un travail, avec la satisfaction d'œuvrer pour la communauté, et une maison. Un mois sur deux.

World War Three wiped out the humankind. The planet is empty now. Huge cities became dust and ashes. Railroads are being eaten by rust. Abandoned satellites hang lonely in their orbits. Radio is mute on all frequencies. The only survivors of the last war were those who made it into the gates of the Metro, the subway system of Moscow city. It's there, hundreds of feet below the ground, in the vaults of what was constructed as the world's largest air-raid shelter, where now people try to outlive the end of days.

2095, New York. Dans les plus hautes sphères du pouvoir, le contrôle du monde est en marche. Les Puissances, qui règnent sur l'économie mondiale, déploient leurs forces. De l'autre côté de l'Atlantique, un groupe de scientifiques, d'intellectuels, de diplomates et d'espions prépare la résistance. Ils n'ont pas de nom, pas d'argent, pas de statut. Mais leur détermination est digne des utopistes de la Renaissance...

Duncan Chalk is a monstrous media mogul with a vast appetite for other people's pain. He feeds off it and carefully nurtures it in order to feed it to the public. It is inevitable that Chalk should hone in on Minner Burris, a space traveler whose body was taken apart by alien surgeons and then put back together again - differently. Burris' pain is constant. And so is that of Lona Kelvin, used by scientists to supply eggs for 100 children and then ruthlessly discarded.

Dans Ubik, Philip K. Dick réunit tous les grands thèmes de la SF : la télépathie, le voyage dans le temps, la porosité entre le monde des vivants et celui des morts, et le développement des machines automatiques. Joe Chip, spécialisé dans la traque des télépathes, est envoyé sur la Lune avec d'autres agents pour neutraliser une autre équipe qui pourrait nuire à leur intérêt. Ce voyage sera-t-il irréversible ?

The world is winding down. Centuries after humanity’s last stand against the Dark Filament, their servants - the bloodthirsty creatures known as Incarnates - hunt down anyone under the age of 18. Civilization is broken, and the remaining population is elderly, isolated, and hopeless. Sixteen-year-old Korden Bright has lived his entire life behind the Barrier, a mystical shield which hides him from the Incarnates. When the Barrier is breached, Korden will leave to journey across a post-apocalyptic America.

It's 2105 and Cray has a killer life - literally. He spends every night hunting zombies to keep everyone else in New York safe. Of course he's alone, had a dysfunctional childhood, and could die at any moment, but that's not so bad. Right? After all, thanks to his tireless efforts and the efforts of the other Night Sweepers, society has a fighting chance of recovering from the zombie apocalypse and being normal again. Enter Jonathan Harbin, the son of the psychopath that made the virus that created the zombie horde.

Rydell is on his way back to near-future San Francisco. His job has him convinced that his career is going nowhere, but his friend Laney, phoning from Tokyo, says there's more interesting work for him in Northern California. And there is, although it will eventually involve his former girlfriend, a Taoist assassin, the secrets Laney has been hacking out of the depths of DatAmerica, the CEO of the PR firm that secretly runs the world and the apocalyptic technological transformation of, well, everything.

After rescuing their daughter, Marie, from corporate-controlled Earth, Millicent and Ryker thought they were safe on their off-world paradise. They were wrong. Toton, once thought the weakest conglomerate, is now dominating ruined Earth with a sinister new technology. By harvesting minds for use in their supercomputers, they're enslaving the best and brightest humans to further their agenda. Millie and Ryker know that it's just a matter of time before Toton realizes the biggest prize - Marie's "gifted" mind - is merely a rocket ride away.

Now the Congress of Animals is in control, unforgiving, and debating the fate of the planet’s most reviled species. The popular ruling: Exterminate humankind without exception. But a curious mare, coming of age, is making a case for a seemingly gentle person she longs to save - a wish for mercy that could once again unbalance the new and righteous nature of the world.

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.

This 1911 collection of thirty-three stories, selected and revised by the author from amongst his huge output of short fiction, includes tales of comedy, horror, monsters, and strange worlds. In his Introduction, Wells writes that the book brings together, “All the short stories by me that I care for any one to read again,” and that, “No short story of mine of the slightest merit is excluded from this volume.”

In High Earth, digital entertainment is everything. Shows. Virtual worlds. Simulations - there’s something for everybody in a city where working for a living has been rendered obsolete by technological advancements. Even a short walk outside to visit with others is no longer necessary. Just load into the network and you can be with anyone, anywhere. For Asher Reinhart, nothing compares to Ignis; a live reality show that pushes human beings to their very extremes.

Humans have colonized distant planets and moons and live alongside self-aware Artificial Intelligence entities who occasionally inhabit physical bot bodies. A relatively new settlement, the Utu-Serida binary star system, is undergoing terraforming efforts for its billions of citizens. Myla is a marshal, employed by the Utu-Serida Unified Protectorate. During an investigation, she stumbles across a connection to Ethan, the most wanted smuggler in the system, famous for his creative methods of getting illegal goods and people past security checkpoints.

PILGERREISE ist eine eigenständige postapokalyptische Überlebensgeschichte. Der Highschool-Lehrer James Rockwell macht mit seiner Familie Urlaub in Maine, als eine erderschütternde Explosion sie in einen Wettlauf um ihr Leben schickt. Ihr erster Schritt ist die Flucht von einer Insel inmitten eines Tsunamis, und von da an wird es nur noch gefährlicher. Werden sie ihren Weg nach Hause finden, während die Zivilisation um sie herum zusammenbricht? Und wenn ja, welche Schrecken erwarten sie dort?

The United States of America has been gone for over a century. In its place, The Unified American Territories—a nation divided, the impoverished and the wealthy are separated by a looming steel wall. In the Northern Territories—The Vault, as it is known by its inhabitants—the government rules with an iron fist: All citizens are tested for intelligence and aptitude, thrust into compulsory higher education and saddled with insurmountable debt.

Some lives are valuable. But none are sacred. The nation once known as the United States of America has fallen. On the West Coast, five cities collectively known as Cinq battle rampant poverty and disease. On the East Coast, the wealthy, technologically-advanced Federation’s human population is nearly extinct. A treaty between the two nations guarantees Western brides in exchange for Eastern technology. When Andromache Kanoska is chosen to go East to wed a nobleman and bear his children, her greatest fear is that her infertility will be discovered.

“Webster defines a hero as a mythological or legendary hero of divine descent endowed with great strength or ability. That’s the first definition. There isn’t even an entry for super hero. Not yet. But even if there was one, it would probably be just as bad at informing one about exactly what makes a hero, about the bought lessons and brave daring which are requisites to be one of those individuals rare enough to know both the adoration and fear of the common man."