検索キーワード： 心理学

Sometimes love doesn't end; it consumes. Ivy thought she could survive him. She thought obsession was just another word for passion, that surrender could be disguised as devotion. But Knox doesn't ask, he takes. Every kiss, every command, every bruise was another reminder that escape wasn't allowed. He was never supposed to be permanent, but what happens when every touch blurs the line between devotion and destruction? Ivy's about to find out, and when she does, one truth will remain: Monsters aren't born, they're made.

« Все люди смертны » — один из самых известных и необычных романов Симоны де Бовуар, французской писательницы, лауреата Гонкуровской премии, автора книги « Второй пол ». Знаменитая театральная актриса мечтает о вечной славе. Ее терзает мысль о том, что через сто лет никто не вспомнит ее имя, не останется людей, которые видели ее несравненную игру на сцене. В одном провинциальном городке она встречает странного человека, который, кажется, пребывает в вечном трансе. Он не ест, ни с кем не общается, не покидает дворик отеля даже во время сильного дождя.

Тома всего лишь собирался умирать от неизлечимой редкой болезни, когда в его палату вдруг заявилась женщина в костюме клоунессы и заявила: «Тома, спасение мира в твоих руках». Звучало достаточно бредово, поэтому Тома ей, конечно же, не поверил. Но это в первую очередь история не про волшебные выдумки, а про человечность и человечество, про светлые чувства, которые могут развеять мрак, и про надежду, которая умирает последней.

Ba mươi năm bên nhau, ông Cường và ông Long cứ ngỡ đã hiểu rõ mọi ngóc ngách trong lòng đối phương. Nhưng khi cậu con trai Khúc trở về, mang theo một tình yêu mới – một chàng trai ngoại quốc, những sóng gió bất ngờ ập đến. Đằng sau những trận cãi vã hài hước, những câu chửi yêu đầy duyên nợ, liệu có phải là một bí mật động trời mà ông Cường chưa từng nghĩ tới?

In dem Briefladen, in dem die Zeit stillstand, umgeben von schönsten Dingen, lernt Hyoyeong nach einem schweren Schicksalsschlag, das Leben wieder zu spüren. Sie hört die Geschichten von Menschen, die ihre Hoffnungen, Ängste und Träume zu Papier bringen, und lernt dabei nicht nur neue Freund*innen kennen, sondern auch, wie man zu sich selbst zurückfindet.

Secrets is something that you share with your best friend, someone you trust with your life. A secret can build you or kill you, destroy what you thought was so right. Tyler, young beautiful, smart, and very outgoing becomes a victim of her secrets. Trying to keep them from the two people she loved and trusted most began to tear her down. Living day to day trying not to break had become her regular routine. Everything had become too much for her to bare. Jazz watched as her little sisters life fell apart piece by piece. Not knowing what Tyler was facing, Jazz had no clue how to respond.

The "Explosion" or "Eruption" state is a recognized phase where a marriage faces a major, often unexpected development that forces a radical shift in the relationship's dynamic.

Tonio Kröger, iki dünyanın eşiğinde büyümüş bir ruhtur: Bir yanında disiplinli, “doğru” ve güvenli burjuva hayatı; diğer yanında ise düzensiz, yalnız ve yakıcı bir çağrı gibi duran sanat. Çocukluğundan beri içinde taşıdığı bu ikilik, onu ne tam olarak ait kılar ne de bütünüyle özgür bırakır. Tonio’nun kalbinde iz bırakan ilk dostluklar ve ilk hayranlıklar, yıllar geçse de silinmez. Çünkü bazen insan, en çok “normal” olanı özler; ama ona yaklaşınca da nefes alamaz.

Değişen Kafalar’da Thomas Mann, kadim bir Hint hikâyesinden yola çıkarak kimliğin en kırılgan yerini hedef alır: “Ben” dediğimiz şey, akılda mı yaşar, bedende mi? Bir kaza sonucu başlar yer değiştirir; sevgi, sadakat ve tutku ise bu beklenmedik değişimin içinde yönünü kaybeder. Aynı yüz, başka bir zihinle; aynı zihin, başka bir bedenle yaşamak zorunda kalınca, aşk bile kendi gerçeğini sorgulamaya başlar. Mann’ın ironisi, anlatının her kıvrımında hissedilir: Kahramanlar “doğru” olanı ararken, okur da bir sorunun etrafında dönüp durur. Seçim kime aittir?

Frau Rosalie von Tümmler, yılların sessizliğini düzenle, ölçüyle ve “olgunluk” denen kabulle taşımayı öğrenmiş bir kadındır. Ta ki bedeninin ona oynadığı tuhaf oyun başlayana dek… Önce küçük bir belirti, sonra umutla karışık bir sevinç: Rosalie, doğanın ona beklenmedik bir “yeniden gençlik” armağanı sunduğuna inanır. Bu değişim, yalnızca bedenini değil, kalbini de uyandırır; yaşamın geç kaldığı sanılan ihtimalleri bir anda önüne serer. Fakat her mucizenin gölgesinde bir gerçek saklıdır. Rosalie’nin “yeniden doğuş” sandığı şey, aslında başka bir gerçeğin habercisi olabilir.

Ünlü yazar Gustav von Aschenbach, dinlenmek ve zihnini toparlamak için Venedik’e gelir. Ancak burada karşılaştığı “kusursuz güzellik”, onda beklenmedik bir sarsıntı yaratır; hayranlık, giderek kontrol edilemez bir takıntıya dönüşür. Şehrin üzerinde dolaşan gizli bir salgın tehdidi, Aschenbach’ın iç dünyasındaki çözülmeyi daha da hızlandırır. Güzellik, arzu ve sanat arasında sıkışan bir insanın sessiz yenilgisi… Venedik’te Ölüm, Thomas Mann’ın zarif diliyle; tutkunun, itibarın ve iradenin nasıl kırılabileceğini çarpıcı biçimde anlatan modern bir klasik.

She thought she’d found her happily ever after. But darkness never disappears—it waits in the shadows. In the final chapter of the Hours trilogy, Lauren is no longer running. She’s done surviving quietly. She’s done being hunted. The force that has tormented her for years feeds on fear and trauma—but Lauren has learned its weakness. Stronger, sharper, and unwilling to be a victim again, she is ready to fight back. To end the darkness once and for all, Lauren must make an unthinkable choice: betray the people she loves and become the one thing it never expected—someone who isn’t afraid.

For fans of Naguib Mahfouz's classic Cairo Trilogy and Hisham Matar's In the Country of Men, a beautiful and thought-provoking novel set in early twenty-first century Libya—winner of the 2022 International Prize for Arabic Fiction—about a sensitive young man from a long line of bakers who...

Die dreijährige Millie Everleigh verschwindet an einem kalten Wintertag, und nichts ist, wie es scheint ... Es ist der Anruf, vor dem sich jede Mutter fürchtet. Ich steige nach dem Einkaufen ins Auto als mein Handy klingelt. Es ist meine Stieftochter Shelby, die auf meine dreijährige kleine Tochter Millie aufpasst. »Ich bin nur kurz nach oben gegangen«, sagt sie mit schluchzender Stimme. »Sie ist weg.« Ich rase nach Hause und stelle fest, dass mein kleines Mädchen tatsächlich verschwunden ist, und spüre, wie mir mein Herz aus der Brust gerissen wird.

Amalina breaks one simple rule in her superstition-bound village ... and is swept away by an ancient, evil entity. To survive she must keep her wits about her while she plots a way out of his lonely castle in the mountains, and out of a mysterious plot he is hatching ... But what if her only chance to escape means his—or her—death? The darkest, most dangerous time in Amalina's life begins!

Ein Mann begegnet nach vielen Jahren einer Frau wieder, die einst eine wichtige Rolle in seinem Leben spielte – doch erst jetzt wird ihm bewusst, welche Bedeutung diese Verbindung wirklich hatte. Zweig erzählt mit sprachlicher Eleganz und emotionaler Tiefe von unerfüllter Liebe, versäumten Entscheidungen und dem leisen Schmerz des Rückblicks – ein zeitloses Stück Literatur über das, was uns im Innersten bewegt.

It's twelve days before Christmas, and the gifts begin arriving—but these special deliveries hold something far more sinister than holiday cheer. Dr. Abbie Rambally thought her nightmare ended when her kidnapped son was rescued seven years ago. But now anonymous presents prove someone hasn't forgotten—and hasn't forgiven. Each beautifully wrapped gift contains a piece of her past: memories she's tried to forget, secrets she's buried deep. They know what happened at Yale. They hold her responsible for destroying an entire family. And they want her to pay the ultimate price.

With an eight-year-old son struggling with ADHD and nowhere else to turn, soon-to-be-divorced mom Lacey answers a life-saving ad. When she arrives at Wildwood Lane she finds a ramshackle house with a bright yellow door and a wraparound porch with its cozy couch and scattered toys. And inside, three mothers who have forged their own rules for survival. As Lacey battles her conspiracy-theorist ex-husband for custody while juggling a new, make-or-break job, she discovers these women offer more than shared childcare, communal dinners and late nights bonding over wine after the kids’ bedtime.

Ellie can't stop having nightmares. It's been the same ever since she saw the car accident, where a man lost his life. Awaiting the trial of the dangerous driver, where she's the primary witness, she finds herself befriending Samantha, the widow of the man who died. And – as their children also become friends – their lives become intrinsically entangled. But then Ellie starts thinking she's being followed. She wants to believe it's paranoia.

هي رواية اجتماعية تتناول أزمة منتصف العمر لزوجين على حافة الانفصال، وكيف يؤدي انحراف دقيق عن رد الفعل المألوف في مثل تلك الحالات إلى فارق كبير. كما تناقش أزمة المرايا في حياة زوجين .. إلى أي مدى يمكن أن نعتمد صورتنا في عيني شريك العمر؟ هل عيناه مرآة مستوية بما تكفي لتعكس صورة حقيقية؟ وإن لم تكن كذلك ماذا عسانا نفعل وأين نتجه؟ الثلاثة أشهر الأخيرة في زيجة تقليدية نراها من منظور بطليها؛ في كل فصل تنكسر مرآة