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Desmond never did have much luck with women – except in getting them through their driving tests. Now a coach driver, he is at the most crucial crossroads of his life. His wife has thrown him out. The crisis serves only to deepen his despair over another failed liaison – until he elects to steer his coach on a spectacularly reckless quest for the son he has never seen.

In the 1950s Gulf Country of Queensland’s far North, black and white cultures collide in a thousand ways as Aboriginal spirituality clashes with the complex brutality of colonisation at St Dominic’s Mission. When Ivy Koopundi and her mother arrive at the Mission, they are immediately separated and Ivy’s life changes irrevocably. Years later, Mary, a young woman who is working for a city-based Aboriginal Coalition, visits the old Mission and learns of her mother’s and grandmother’s suffering there.

Mayfair, 1910. At the age of 90, Florence Nightingale is frail and no longer of sound mind. After a celebrated career as a nurse, writer and statistician, she now leads a reclusive existence. One summer evening she is astonished to receive a visitor – a young man named Silas Bradley, who claims to have met her during the Crimean War 55 years ago. But how can this be? And how does the elusive Jean Frawley connect their two lives? Nightingale is a luminous tale of faith and love, bravery and care, and the vitality of women's work.

Marnie is 63 and downwardly mobile. Her middle-class marriage is long gone, her only child more or less estranged. She's living in a granny flat behind a stranger's house. Still, things could be worse. She likes her new boss, Trinh, and her flat has a leadlight window depicting a galleon in full sail. Also, her daughter Lenny has just brought Marnie's adored grandchildren to stay. She's also brought her repellent boyfriend and raging drug habit, so nothing new there. But this time it's different. This time Marnie can see with absolute clarity the danger the children are in.

Reimagined, scattered throughout history, united by the timeless struggle of existing as women in what has always been a man’s world, these heroines, encouraged and enlivened by the pen of another woman, speak loud and clear to us today.

Eddie Twyborn is bisexual and beautiful, the son of a Judge and a drunken mother. With this androgynous hero – Eudoxia/Eddie/Eadith Twyborn – and through his search for identity, for self-affirmation and love in its many forms, Patrick White takes us on a journey into the ambiguous landscapes, sexual, psychological and spiritual, of the human condition.

Waldo is the competent man of reason – he sees himself as the superior intellect. Arthur, accepted as a half-wit, is the innocent, God's fool, loving and outgoing in a blundering way. As they compete with and care for each other through half a century, their lives are inextricably intertwined – the two sides of man's nature forming a totality.

Mrs Standish, ageing but still beautiful, is drawn into secret liaisons, while her daughter Eden experiments openly and impulsively with left-wing politics and love affairs. Only the son, Elyot, remains an aloof and scholarly observer –until dramatic events shock him into sudden self-knowledge.

With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.

Naïma has always known that her family came from Algeria – but up until now, that meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she's learned from her grandparents' tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled. On the past, her family is silent. Why was her grandfather Ali forced to leave? Was he a harki – an Algerian who worked for and supported the French during the Algerian War of Independence?

Over three parts, Ellen van Neerven takes traditional storytelling and gives it a unique, contemporary twist. In ‘Heat’, we meet several generations of the Kresinger family and the legacy left by the mysterious Pearl. In ‘Water’, a futuristic world is imagined and the fate of a people threatened. In ‘Light’, familial ties are challenged and characters are caught between a desire for freedom and a sense of belonging.

1928. In British-ruled India, headstrong Sita longs to choose her own path, but her only destiny is a good marriage. After a chance meeting with a Crown Prince leads to a match, her family’s status seems secured and she moves into the palace, where peacocks fill the gardens and tapestries adorn the walls. But royal life is far from simple, and her failure to provide an heir makes her position fragile. Soon Sita is on the brink of losing everything, and the only way to save herself could mean betraying her oldest friend …

Gerard is 12. He hates his name, but loves flying round the streets of Glasgow on his bike, or mucking about with his gang, the Broncos. He’s a bright kid, but trouble seems to follow him. No one really knows what it’s like at home for Gerard; he’s used to carrying a lot on his small shoulders. Gerard doesn’t always make good decisions. And on one April morning, in the blink of an eye, he makes a very bad one – one that will upend his whole world.

Dawn loves being a mother. No matter how Archie came into her life, or the fact he's a little different from other children, he is precious and loved. He is hers, after all. Especially because she’s never told anyone who the father of her son is. So when Dawn’s twin brother David and his wife Rebekah are struggling to have their own child, Dawn agrees to become their surrogate, as it is the one thing she can do to help.

All Fliss wants is to see two blue lines telling her she is pregnant with her much longed for second baby. But as the negative tests stack up, dreams of completing her perfect family feel more hopeless every day. After years of disappointment, Fliss’s husband Ben is spending more time at the office than in their marital bed, and Fliss finds herself wondering who could be responsible for their inability to conceive another child. Yet, where do you lay the blame when it comes to having a child – and can anyone really be at fault …