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Following the death of his little sister and the publication of his New York Times best-selling memoir The Little Way of Ruthie Leming, Rod Dreher found himself living in the small community of Starhill, Louisiana, where he grew up. But instead of the fellowship he hoped to find, he discovered that fault lines within his family had deepened. Dreher spiraled into depression and a stress-related autoimmune disease.

When sleep was at its deepest, night at its blackest, up from the mist-filled marsh came Grendel stalking. Thus begins the battle between good and evil, for lying in wait and anxious to challenge the ogre Grendel is a young man, strong-willed and fire-hearted. This man is Beowulf, whose heroic dragon-slaying deeds were sung in the courts of Anglo-Saxon England more than a thousand years ago.

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny.

The beautiful Miss Alison Brooke is the envy of London's 18th-century royal society. When villainy occurs, an unexpected hero comes to her aid. But rumors result, and Miss Brooke finds herself in the center of tawdry gossip. Her rescuer, Robert Anderson, Viscount Charmaine, is preoccupied with troubled finances, an ill father, and defense of the Crown. Problematically, Charmaine's best friend, Marquis Anthony Farrington, is clandestinely helping fund the American Revolution. Miss Brooke's large dowry tempts both men. Her father, however, wants his daughter to marry for love, not money.

Stieg Larsson's best-selling Millennium Trilogy is an international phenomenon. These books express Larsson's lifelong war against injustice, his ethical beliefs, and his deep concern for women's rights. The Girl with the Dragon Tattoo and Philosophy probes the compelling philosophical issues behind the entire trilogy. What philosophies do Lisbeth Salander and Kant have in common? To catch a criminal, can Lisbeth and Mikael be criminals themselves? Can revenge be ethical?

Magic and myth inhabit these chapters in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. These stories, set in Norway's majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe.

Tolkien's Lost Chaucer uncovers the story of an unpublished and previously unknown book by the author of The Lord of the Rings. Tolkien worked between 1922 and 1928 on his Clarendon edition Selections from Chaucer's Poetry and Prose, and though never completed, its 160 pages of commentary reveals much of his thinking about language and storytelling when he was still at the threshold of his career as an epoch-making writer of fantasy literature.

Rights of Man presents an impassioned defense of the Enlightenment principles of freedom and equality that Thomas Paine believed would soon sweep the world. He boldly claimed, "From a small spark, kindled in America, a flame has arisen, not to be extinguished. Without consuming...it winds its progress from nation to nation."

Written when women---and workers generally---had few rights in England, Agnes Grey exposes the brutal inequities of the rigid class system in mid-19th-century Britain. Agnes comes from a respectable middle-class family, but their financial reverses have forced her to seek work as a governess.

Wives and Daughters, Elizabeth Gaskell's last novel, is regarded by many as her masterpiece. Molly Gibson is the daughter of the doctor in the small provincial town of Hollingford. Her widowed father marries a second time to give Molly the woman's presence he feels she lacks, but until the arrival of Cynthia, her dazzling stepsister, Molly finds her situation hard to accept. Intertwined with the story of the Gibsons is that of Squire Hamley and his two sons.

Based on Kipling's own adolescent experiences, Stalky and Co. is a cunning story of mischievous 19th century British schoolboys attempting scholastic mutiny. The faculty and headmaster of a boys' private school repeatedly pursue a trio of poetic pranksters, "Stalky", "Beetle", and "Turkey", as they wage war on fellow students and the "establishment" with unwavering energy and creativity.

The tulip craze of 17th century Holland has a dark side! Cornelius van Baerle, a wealthy but naive tulip grower, finds himself entangled in the deadly politics of his time, and he must decide where his true love lies.

Over the past fifty years, fiction in English has never looked more various. Books bulkier than Victorian three-deckers appear alongside works of minimalist brevity, and experiments with form have produced everything from verse novels to Twitter-thread narratives. This is truly a golden age. But what unites this kaleidoscopic array of genres and styles? Celebrated writer and critic Peter Kemp shows how modern writers are obsessed with the past.

Learn about the man who wrote The Lord of the Rings in this Middle-earth treasury. Full of answers to common questions about Middle-earth and the fandom, this book about Tolkien celebrates Why We Love Middle-earth.

Georgiana Dudley, the 'Ice Duchess', has just emerged from mourning after a nine-year marriage of convenience to the Duke of Darby, her twin brother's lover. Deeply hurt by a scoundrel a decade ago, Georgie swore she would never turn her head for any man, let alone another rakehell. But then she encounters the wickedly handsome and all too charming Rafe Landsbury, the Earl of Markham and against her better judgment, her interest is reluctantly aroused. An affair may be impossible to resist, but dare she trust Lord Markham with her most intimate secrets...and her heart?

David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor.