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Faydé ha preso la sua decisione. Andrà a Maroua, a servizio nella casa di qualche fulani benestante, come hanno fatto le sue amiche, che tornano al villaggio per le festività ben vestite e cariche di doni per le proprie famiglie. Per sua madre, Kondem, la sola idea è insopportabile. Lei sa bene che vita fanno le domestiche in città, e non vuole che sua figlia sperimenti sulla propria pelle la stessa sofferenza e la stessa umiliazione che l'hanno fatta tornare in montagna giurando: mai più.

In A Delicate Delivery, Ndaba Sibanda masterfully weaves words into powerful poetic tapestries, unveiling the silenced struggles, uncelebrated triumphs, and raw resilience of Africa's unsung heroes. With evocative imagery and poignant rhythm, these poems echo the unheeded cries of history, the weight of injustice, and the enduring spirit of those who fought, suffered, and dreamed of a better tomorrow.

À la fin du XIXe siècle, Bilal Seck achève un pèlerinage à La Mecque et s'apprête à rentrer à Saint-Louis du Sénégal. Une épidémie de choléra décime alors la région, mais Bilal en réchappe, sous le regard incrédule d'un médecin français qui cherche à percer les secrets de son immunité. Ce chemin, Bilal l'emprunte à son tour, vers son pays natal, en passant par Djenné, la cité rouge, où vint buter un temps le voyage d'Ounifer et de son peuple.

An epic take on the white slave trade by Barbary pirates, centreing on the most famous buccaneer of the Salle Rovers—Jan Janszoon Van Haarlem. This novel-length narrative poem is set over six books, all interconnected but each telling its own separate and unique story.

En 1994, alors que l'Algérie s'enfonce dans la violence, ses parents choisissent de retourner s'y installer avec leurs enfants. Le lendemain de leur arrivée, la voiture familiale tombe sur un faux barrage tenu par le GIA, le Groupe islamique armé, premier événement d'une série de tragédies liées à la décennie noire. Pourquoi ses parents ont-ils voulu rentrer alors que tous ceux qui le peuvent fuient le pays ? Comment se construire lorsque le passé hante et dévore vos nuits ?

"Imbuidos de afán de no dejar morir el bagaje de la imaginación africana, de la imaginación negra, de la imaginación que no sale de leer ni escribir, Amalialú y yo nos encontramos. Es seguro que los cuentos del Chocó no son africanos, son chocoanos, pero, aunque en algo del fondo, sí lo son. También son africanos. Son negros. Son nuestros". Por Arnoldo Palacios

In Time and Songs of the River Men, Chinaka philosophises existence with an almost unflinching enthusiasm that transcends wandering, for although he describes himself as a "wanderer," it's obvious that the wealth of experience and philosophical insights engrafted in the poems surpass wandering, especially the metaphysical poems about 'life,' 'death,' and 'time'-the very essence of being. Chinaka puts on the gift of garb of an existentialist here.

“Tramaine Suubi is a visionary love poet, and stages makes a singular life feel vaster than the life cycle of a star. In this poetry of dissolution and re-making, of multiplications and expansion, embodied tenderness is a force capable of moving us “beyond the binary.” As it journeys from...

What if words were the ultimate weapon? Welcome to The G.R.I.O.T. (The Gods Revel In Our Talents)—a groundbreaking cinematic spoken word journey where poetry fuels revolution, mythology meets reality, and truth is forged in the heat of battle. In the legendary Tournament of Ascension, warriors don’t fight with swords—they fight with their voices. 'The Nubian', an unknown poet with no rank or history, steps into the Celestial Coliseum, where gods, spirits, and oppressive systems await his challenge. With every verse, he shatters illusions, topples false kings, and reclaims lost narratives.

Beautiful Minds is empathetically filled with emotions we can all identify with. It is a collection of poems that take us on a sequential journey and our personalised interpretations lead us to arrive at individualised destinations. If you desire to sojourn within pages of multiculturalism and poetic beauty then Beautiful Minds is where you must begin.

Biracial Woman Says Aren’t I a Black Woman Too details a biracial woman contemplating her identity regarding issues of race and society.

Nearly All the Men in Lagos Are Mad is a collection of twelve short stories featuring characters with unique voices and stories that represent the diverse class, gender and ethnic melting pot that is Lagos. Nearly All the Men in Lagos Are Mad underscores with wit, humour, wisdom and sensitivity, the perils of trying to find lasting love and companionship in Africa's most notorious city.

Nnu Ego, filha de um grande líder africano, é enviada como esposa para um homem na capital da Nigéria. Determinada a realizar o sonho de ser mãe e, assim, tornar-se uma "mulher completa", submete-se a condições de vida precárias e enfrenta praticamente sozinha a tarefa de educar e sustentar os filhos. Entre a lavoura e a cidade, entre as tradições dos igbos e a influência dos colonizadores, ela luta pela integridade da família e pela manutenção dos valores de seu povo.

Cocaine Lion is a story about a gangsta with a Lion's head and his rise to becoming one of the biggest drug lords in Diamond City, SC. This is a story of action, drugs and love, join us for Cocaine Lion.

A literary masterpiece that beautifully captures the vibrant colors of love, hope, and faith. Stephanie Zion’s "Reflections of a Woman of Faith" takes listeners on a spiritual journey filled with hope, healing, and solace. Stephanie’s words are a testament to the strength and beauty of the human spirit. With each poem, she delves deep into the depths of her own experiences, offering readers a glimpse into her soul.

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

Eine Road-Novel über die Phantome der Vergangenheit, über Scham und über Wut und darüber, was es bedeutet, bei sich zu sein. Adikous Herkunft ist verschwommen, die Spuren ihrer Familiengeschichte sind verwischt, sie weiß nicht einmal, wie man ihren Namen richtig ausspricht. Dann, in einem drückend heißen Sommer, hält sie es in Paris nicht mehr aus. Adikou fliegt nach Lomé, Togo, dem Herkunftsort ihres Vaters, den sie nicht kennt.

I hear the stillness of streams. What can be purer and pinker than the sincere sight and splash of our Mother Nature, the wildlife? What can be lovelier than its love? My heart and hands are happy and healed by graceful gardens that restore, reign, and rave in my soul, on the horizon, in the landscape of wonder!

Black Woman Your Body Belongs to You describes the pressure a Black woman experiences from men to have children at the height of her career.

À la mort de sa mère, Youssef, un professeur marocain exilé en France depuis un quart de siècle, revient à Salé, sa ville natale, à la demande de ses sœurs, pour liquider l'héritage familial. À travers lui, les voix du passé résonnent et l'interpellent, dont celle de Najib, son ami et amant de jeunesse au destin tragique, happé par le trafic de drogue et la corruption d'un colonel de l'armée du roi Hassan II.

In her dedication Safia Elhillo writes, “The January Children are the generation born in Sudan under British occupation, where children were assigned birth years by height, all given the birth date January 1.” What follows is a deeply personal collection of poems that describe the experience of navigating the postcolonial world as a stranger in one’s own land. The January Children depicts displacement and longing while also questioning accepted truths about geography, history, nationhood, and home.