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A new century, and a time of celebration, for family, marriages and children, and a necessity to expand the business. It is also a time for sadness, suffering and loss; Mother Africa does not change her rules for anyone. When all is against the Langbourne brothers, a higher loyalty must prevail.

To define Nigeria is to tell a half-truth. Many have tried, but most have concluded that it is impossible to capture the true scope and significance of Africa’s most populous nation through words or images. Yet here, through personal essays from twenty-four of its writers, a more accurate...

A luminous memoir of post-war childhood, adventure and loss on the banks of the Nile. ‘Wonderful – a brave, inventive, touching distillation of memory and imagination’ JENNY UGLOW Inventory of a Life Mislaid follows Marina Warner’s beautiful, penniless young mother Ilia as she leaves...

There is something about the boy. When he is angry, clouds darken. When he cries, rivers burst their banks. And when he touches a basketball, deities want courtside seats. Half Nigerian mortal, half Grecian god: Demi is the Half-God of Rainfall. His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows that gods are just like men: the same fragile egos, the same subsequent fury, the same sense of entitlement to the bodies of mortals. The gods will one day tire of sports fans, their fickle allegiances and their prayers to Demi.

In this electrifying debut poetry collection—written with the ferocity of Rita Dove’s groundbreaking Thomas and Beulah—a critically acclaimed award-winning talent explores a wide range of emotions, from anxiety to ecstasy reflecting the moon's phases, from Waning Gibbous to Full. Both...

Beautiful Minds is empathetically filled with emotions we can all identify with. It is a collection of poems that take us on a sequential journey and our personalised interpretations lead us to arrive at individualised destinations. If you desire to sojourn within pages of multiculturalism and poetic beauty then Beautiful Minds is where you must begin.

Collective Amnesia: The Audio Experience is the marriage of sound, poetry, music, and theatre making, a storytelling experience for the ears, transporting the listener from their reality into the worlds of the poems.

SOUTH AFRICA, 1989. In a deeply divided country on the brink of change, two women from vastly different backgrounds share an unlikely friendship. Sofia Levantis, a Greek-Cypriot immigrant, longs to keep her family close, but when her children want to leave South Africa, the future she’s imagined begins to slip away. Meanwhile, Grace Molepe, Sofia’s housekeeper and trusted friend, pins her hopes on her son’s education and a future where he’ll no longer be treated like a foreigner in his own country.

هو مرآة عاكسة لروح عصره، عصراً شهد تحولات عميقة في تاريخ مصر والوطن العربي. يعتبر البارودي من أبرز شعراء النهضة المصرية، وقد ترك ديوانه إرثاً أدبياً غنياً أثّر في الأجيال اللاحقة.

This collection of poems explores the movements, excesses, and extremes of existing as a postmodern person, connecting these experiences to ancestry by reimagining memories, history, homesteads, migration, and the intersections of the past, present, and possible futures.

Ilse van Staden gehört zu den wichtigsten literarischen Stimmen der Post-Apartheit in Südafrika. Nach Jahrzehnten der Zensur konnte Afrikaans sein Image als die “Sprache des Unterdrückers” ablegen und hat unerwartet neue und befreite literarische Formen angenommen. Im Gedichtband...

This dazzling debut announces a not-so-new voice: that of the spoken-word poet Tjawangwa Dema. Winner of the Sillerman First Book Prize for African Poets, Dema’s collection, The Careless Seamstress, evokes the national and the subjective while reemphasizing that what is personal is always political. The girls and women in these poems are not mere objects; they speak, labor, and gaze back, with difficulty and consequence. The tropes are familiar, but in their animation they question and move in unexpected ways.

Loving the Dying is a collection of poems on life’s different stages. Set against the backdrop of a conflicted society, Len Verwey looks at a person’s life from youth and growing up to aging and dying, considering what the ineluctable reality of death might imply about how we should think about our lives. These are poems of uncertainty rather than certainty. The more overtly biographical ones end with as many questions as they start with, and there is often sympathy for the outsider or the marginalized voice.

South Africa is a complicated, contradictory, and haunted place. Len Verwey captures the trajectory of life in such a place, dealing with childhood, war, marriage, divorce, and death. He explores the challenges posed by place and history, shared identities, deep embeddedness in the continent, and the legacies of violence and exclusion, as well as beauty. Verwey offers poems that speak of uncertainty, ask questions, and challenge simplistic and scapegoating narratives that become so tempting when living in a society undergoing intense social and economic pressure.

Faydé ha preso la sua decisione. Andrà a Maroua, a servizio nella casa di qualche fulani benestante, come hanno fatto le sue amiche, che tornano al villaggio per le festività ben vestite e cariche di doni per le proprie famiglie. Per sua madre, Kondem, la sola idea è insopportabile. Lei sa bene che vita fanno le domestiche in città, e non vuole che sua figlia sperimenti sulla propria pelle la stessa sofferenza e la stessa umiliazione che l'hanno fatta tornare in montagna giurando: mai più.

A sister’s phone call from a war-torn village. A child’s drawing held up to a flickering screen. A homeland that still dares to call itself the Land of Good. A Field Divided: Voices of Sister, Sons, and Homeland is a poetic chronicle of Sudan’s recent war and its long shadows, told through three central poems and the reflections that surround them. In “Omzina: A Wound in Two Tobes”, a brother listens as his sister’s voice crosses miles of dust and silence.

In this book-length epic poem set in northern Nigeria, Saddiq Dzukogi blends the personal with the mythical, part prayer and part praise song, expanding the griot tradition of Bakandamiya, a poetic form from northern Nigeria popularized by Mamman Shata.

The poems in Leaked Footages carry urgent subjects, ranging from death to disappearance to grief to memory. Not only do the poems fulfill the tradition of witnessing often manifested in contemporary poets such as Garous Abdolmalekian and Ilya Kaminsky, but they extend that tradition by the medium through which they witness: the technical and the technological.

One of the most transcendent poets of his generation, Darwish composed this remarkable elegy at the apex of his creativity, but with the full knowledge that his death was imminent. Thinking it might be his final work, he summoned all his poetic genius to create a luminous work that defies categorization.

Eine Road-Novel über die Phantome der Vergangenheit, über Scham und über Wut und darüber, was es bedeutet, bei sich zu sein. Adikous Herkunft ist verschwommen, die Spuren ihrer Familiengeschichte sind verwischt, sie weiß nicht einmal, wie man ihren Namen richtig ausspricht. Dann, in einem drückend heißen Sommer, hält sie es in Paris nicht mehr aus. Adikou fliegt nach Lomé, Togo, dem Herkunftsort ihres Vaters, den sie nicht kennt.