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In Unguessed Kinships, Steven Frye illuminates all these dimensions of McCarthy's work. In his novels and plays, McCarthy engages both explicitly and obliquely with the project of manifest destiny, in the western drama Blood Meridian, the Tennessee Valley Authority-era Tennessee novels, and the atomic frontier of Alamogordo in Cities of the Plain.

Callista McCoy is a strong, well-educated werewolf with no desire for a mate. She's seen what happens when you love too deeply and wants to avoid it at all costs. Her work as an environmental scientist and activist is enough to keep her busy. But when one of the new wolves in her pack starts to make her feel things she thought she'd successfully suppressed, her only hope is to ignore him. Wyatt Carter's only concerns are taking care of his sick mother and proving his worth to his new pack. But the moment he gets a look at his new alpha's sister, all bets are off.

JARED - If I had a dollar for every time Banner Morales made my heart skip a beat...The heart everyone assumes is frozen over. Her anger is...arousing. Every glare from those fire-spitting eyes, every time she grits her teeth, gets me...well, you know. If I had a dollar for every time she's put me in my place, I'd be an even richer man. I'm a successful sports agent because I assume "no" means you'll think about it. I'm sure what you meant to say is, "Coming right up." They say even rich men don't always get what they want, but those men don't know how to play the game.

Talk of impending war is a steady drumbeat throughout North Carolina, though Joetta McBride pays it little heed. She and her husband, Ennis, have built a modest but happy life for themselves, raising two sons, fifteen-year-old Henry, and eleven-year-old Robert, on their small subsistence farm. They do not support the Confederacy's position on slavery, but Joetta considers her family to be neutral, believing this is simply not their fight. Her opinion is not favored by many in their community, including Joetta's own father-in-law, Rudean.

If there's no place like home, that's more than okay for Mara Makinen. In fact, she prefers it that way. Going back to the place where she made the worst mistake of her life? Not ideal. So when a family emergency forces Mara to return home to her small lake town in Maine after seven years, she knows there's only one way she'll get through it unscathed: avoid Ambrose King at all costs. But that might prove difficult considering he lives right across the street.

Told in alternating viewpoints, Long After We Are Gone is a searing portrait on the power of family and letting go of things that no longer serve you, exploring the burden of familial expectations, the detriment of miscommunication, and the lessons and legacies we pass on to our children.

The Provincetown Players created a revolution in American theatre, making room for truly modern approaches to playwriting, stage production, and performance. In Staging America, Jeffery Kennedy gives the unabridged story in a meticulously researched and comprehensive narrative that sheds new light on the history of the Provincetown Players. At the center of the study is an extensive account of the career of George Cram Cook, the Players' leader and artistic conscience, as well as one of the most significant facilitators of modernist writing in early twentieth-century American literature.

In the rural South, a retired colonel in an upscale retirement community grieves the sudden death of his wife on the tennis court. On the other side of the highway, an elderly Black woman grieves the murder of her niece by a white man. Between them lies an abandoned field where three centuries of crimes are hidden, and only she knows the explosive secrets buried there.

In her small hometown, librarian Ruth Cornier has always felt like an outsider, even as her beloved father rains fire-and-brimstone warnings from the pulpit at Holy Fire Baptist. Unfortunately for Ruth, the only things the townspeople fear more than the God and the Devil are the myths that haunt the area, like the story of the Low Man, a vampiric figure said to steal into sinners' bedrooms and kill them on moonless nights. When a skull is found deep in the swamp next to mysterious carved symbols, Bottom Springs is thrown into uproar.

Jo has a gift. She is a mathematical prodigy—a woman who sees and thinks in numbers. She secures a job as a teller at Central Bank & Trust, where she recreates herself as a modern woman and rises through the professional ranks. While working at the bank, Jo becomes fascinated by Levi Arrowood, the dark and mysterious manager of the Sky Club, an infamous speakeasy and jazz club on the mountainside above town.

John Clellon Holmes met Jack Kerouac on a hot New York City weekend in 1948, and until the end of Kerouac's life they were—in Holmes's words—"Brother Souls." Late one night as they sat talking, Kerouac spontaneously created the term "Beat Generation" to describe this new attitude they felt stirring around them. Brother-Souls: John Clellon Holmes, Jack Kerouac, and the Beat Generation is the remarkable chronicle of this cornerstone friendship and the life of John Clellon Holmes.