検索キーワード： 制作 "--Tyson Hanks" アメリカ

Crystal has worked as a Registered Nurse in the city for more than 30 years, caring for many of the homeless during her career. She has written this collection of small poems to share in snippets, the complexities and consequences of homelessness.

This marvelous collection opens with the practical wisdom and unforgettable wit of the poet’s grandmother, who said (among other things) “Turmeric can heal anything / but a broken heart” and “Read that to me at / my funeral, boy, right now my show is on.” From the foundation of the matriarchal, Majmudar turns to the impact of women as lovers and partners, exploring the contours of passionate, romantic, and married love; he and his wife are “two fireflies/ scooped out of the same evening” to meet in the jar where their constancy contains and sustains them.

A decade into the Depression, Millicent Green is a 25-year-old "old maid" living with her marriage-obsessed mother and domineering older brother in the stiflingly small Jewish community of New Bern, North Carolina. Smart and prickly, she’s struggling to find her place in the world following the loss of her beloved younger brother, and with him, her dreams for the future. One humid August day, Millie is sent to run an errand and discovers a young woman unconscious on the ground. This mystery woman, mute and without identification, will upend Millie’s life.

Elizabeth Zhang is well aware of her place in the world. She’s in the tenth percentile for likability, the seventieth percentile for attractiveness, and the ninety-ninth percentile for academics. While she’s never been the most beautiful or the most liked, she knows she has the intelligence and ambition to achieve her greatest dream: Harvard Law School. But when Harvard rejects Elizabeth for not standing out enough—which she knows means she's just another boring Asian female—her carefully constructed life falls apart.

Though most of the virtues that interest Carl Dennis in Earthly Virtues have traditional names, they are provided with contexts that give them fresh implications, moving us in two directions at once, toward a recognition of limits and a recognition of possibilities. On one hand, they confront what it means to lack the knowledge and power we need to make our lives as consequential as we may want them to be. On the other, they reach out to widen the circle of our concern, suggesting a kinship of the local with the distant, enlarging the passing moment with history and prophecy.

When Ingram is forced by overwhelming poverty and spiritual exhaustion to walk away from his home, he leaves behind a neglectful childhood on a dirt farm on a dead-end road. With no family, no resources, and no practical understanding of the world, Ingram’s only compass is the daily fight to survive and the narrow dream of one day owning a truck.

Mass-murdering authors. Writers at the head of a football-hooligan ring. A pilot who crafts his poetry in the sky. A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of pan-American writers who espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. Terrifyingly witty and remarkably inventive, Nazi Literature in the Americas is the virtuosic, one-of-a-kind masterpiece that brought Bolaño fame throughout the Spanish-speaking world.

Before Ellie Spencer came to Sims Chapel and caught Jack Bennett’s eye, Sara Coffee had been the brightest star in his universe. Having grown up together, Sara and Jack were best friends, their bond as deep as the river that formed the lake where they spent countless summer days fishing and sharing dreams. But then Ellie Spencer happened, and everything changed. Desperate to keep Jack’s attention, Sara takes matters into her own hands, ending the blossoming romance before it has a chance to fully bloom. Twelve years later, Sara appears to have it all—including Jack.

In There is No Humor in Heaven, Dwayne Eutsey challenges the persistent view of Twain as a hostile critic of religion by placing him within the prevailing liberal religious ethos of his time. Eutsey contends Twain’s vocation as a humorist was rooted in his frustrated youthful ambition to become a preacher of the Gospel. Throughout his life, his friendships with several influential liberal ministers, each of them espousing various forms of the era’s diverse progressive theology, informed not only Twain’s evolving religious worldview but his lecture performances and literary output.

Annis est encore une enfant quand sa mère est vendue à un autre propriétaire. Et n'est guère plus âgée quand son maître, qui est aussi l'homme qui a violé sa mère, se débarrasse d'elle avec d'autres esclaves. Lors de leur terrible marche vers les plantations de La Nouvelle-Orléans, Annis tente de se raccrocher à la vie et aux enseignements de sa mère : se battre, toujours, avec les armes et les sagesses qu'elle lui a transmises.

As the daughter of Korean bodega owners, Jia Song promised herself that she would have every luxury when she grew up. Now she’s made junior partner at her prestigious law firm, and it’s all finally within reach. So when her boss asks her to sit in on the hush-hush family implosion of a client, she accepts without hesitation–only to find out that it is one of the most famous Korean families in the world. The Parks and their mega successful Korean beauty brand are worth a billion dollars.

The deliciously book-length story of "The Vineyard" is set in and around the little house in Oyster Ponds where the poet spends the summer months. In freeflowing lines and pages that turn with the calendar, the poem unspools impressions that seem confided rather than written, as Galassi observes the "pretend peace'' of this quiet village house and garden, his oasis in the great swirl of dailiness.

In this collection of essays, the author of Demon Copperhead and The Lacuna brings to us (out of one of history's darker moments) an extended love song to the world we still have. From its opening parable gleaned from recent news about a lost child saved in an astonishing way, the book moves on to consider a world of surprising and hopeful prospects ranging from an inventive conservation scheme in a remote jungle to the backyard flock of chickens tended by the author's small daughter.

Olivia owes everything to Celia's Place. It’s where she learned how to be a great chef. It’s also where she first fell in love. But at nineteen, Olivia had a wanderlust she couldn’t deny. And Carmello, whose mother owned the restaurant, couldn’t leave Celia's Place behind any more than he could force Olivia to stay.

Errol was a war orphan, left to raise himself while his father fought in World War II and while his severely depressed mother struggled to hold together her young family. Growing up in a backwoods town where life more closely resembled the 1920s than the 1940s, Errol hunted pennies to buy treats, surfed on borrowed skiffs behind the paddle wheels of passing river boats, and sought adult influences wherever he could find them.

Joy Is My Middle Name documents crawling through your twenties and emerging into your thirties. Walking uneasy cities and rural towns, talking about sex, race, womanhood, addiction, sobriety, consumerism and pop culture, these poems pull at the edges of the performed self with conversational ease.

Single mother Alice Chow is drowning. With a booming online cloth diaper shop, her resentful teenage daughter Luna, and her screen-obsessed son Luca, Alice can never get everything done in a day. It’s all she can do to just collapse on the couch with a bottle of wine every night.

An immersive, historical novel based on true events: In 1938, Orson Welles's legendary radio dramatization of H.G. Wells's novel The War of the Worlds terrified Americans into believing Martians were invading. Eleven years later, an Ecuadorian radio station adapted the show—with catastrophic consequences. Now, two young journalists are determined to uncover what really happened to their families that night—even as secrets endanger their future.

Lucy Evans has been dangerously depressed for months. At the beginning of summer, she revealed her love for her best friend, Garrett, but he didn’t reciprocate. He responded by putting more space between them until finally, he started seeing someone and cut Lucy out of his life completely. Concerned about her health, Lucy’s great-aunt suggests she come live with her in Gulf Shores, Alabama, in hopes that the change of atmosphere may help her find joy in life again. At first, she still finds reminders of Garrett everywhere, even so far away from her home near Pickwick Lake in Tennessee.

The Garretts, their friends, and family tell our American story-the story we didn't hear about in school. In Fire Eaters, the second book in the Snakebit series, John Poniske skillfully shows how our Dis-United States came to be on a war footing. The humor, the humanity, and the horror blend in a tightly woven tale, as historical as it is fictional. Geoffrey Garrett acts as his family's conscience. Geoff's dead father, Valentine, acts as Geoff's compass in a world gone snakebit-crazy.